Rock Road Trip: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Since You Been Gone (single version)
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow43:18
2The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:28
3One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:26
4I Was Made for Lovin’ You (single version)
producer:
Vini Poncia
electric bass guitar:
Gene Simmons (KISS bassist and vocalist)
electric guitar [lead guitar]:
Ace Frehley (American rock guitarist)
electric guitar [rhythm guitar] and lead vocals:
Paul Stanley (KISS frontman)
guest drums (drum set):
Anton Fig
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
edit of:
I Was Made for Lovin’ You by KISS (US rock band)
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:00
5White Wedding Pt. 1
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Phil Feit (in 1982)
drums (drum set):
Steve Missal (in 1982)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1982) and Steve Stevens (US guitarist and songwriter) (in 1982)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
edit of:
White Wedding, Part 1 by Billy Idol (English rock singer‐songwriter)
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 53)
recording of:
White Wedding (in 1982)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol33:34
6Is She Really Going Out With Him? (album version)
Joe Jackson3:35
7It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
8Fanfare for the Common Man
producer:
Greg Lake
bass guitar:
Greg Lake
drums (drum set) and timpani:
Carl Palmer
synthesizer:
Keith Emerson
phonographic copyright (℗) by:
Leadclass Ltd (copyrights holder) (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
edit of:
Fanfare for the Common Man by Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
composer:
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake and Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
9Race With the Devil
Girlschool2:51
10Overkill
engineer:
Trevor Hallesy (from 1978-12 until 1979-01) and Ashley Howe (from 1978-12 until 1979-01)
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) (from 1978-12 until 1979-01)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (from 1978-12 until 1979-01)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (from 1978-12 until 1979-01)
electric guitar:
Eddie Clarke (Motörhead guitarist) (from 1978-12 until 1979-01)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-12 until 1979-01) and Sound Development Studios in London (Greater London), England, United Kingdom (from 1978-12 until 1979-01)
music videos:
Overkill by Motörhead
recording of:
Overkill (Motörhead song) (from 1978-12 until 1979-01)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.155:12
11Cherry Bomb
arranger:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley and The Runaways (US 1970s all girl rock group)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1976), Phonogram, Inc. (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Criterion Studios in Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 52)
recording of:
Cherry Bomb
lyricist:
Kim Fowley
composer:
Joan Jett
publisher:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. and Peermusic Ltd. (BMI)
The Runaways4.152:19
12Rock ’n’ Roll Outlaw
Rose Tattoo3:21
13I Want You
engineer:
Zebra Johanson (engineer)
producer:
Andy McCoy and Michael Monroe (lead singer of Hanoi Rocks)
mixer:
Bosse Waldersten
bass guitar:
Sami Yaffa (bassist)
drums (drum set):
Keimo Hirvonen and Jesper Sporre (Gyp Casino)
guitar:
Andy McCoy and Nasty Suicide
saxophone and lead vocals:
Michael Monroe (lead singer of Hanoi Rocks)
arranger:
Andy McCoy and Michael Monroe (lead singer of Hanoi Rocks)
phonographic copyright (℗) by:
Johanna Kustannus Oy (company) and Love Kustannus
recorded at:
Park Studio in Stockholm, Stockholms län (Stockholm county), Sweden and Photosonic Studio in Helsinki, Uusimaa, Finland (in 1980)
recording of:
I Want You
lyricist and composer:
Andy McCoy
Hanoi Rocks3:13
14Angel Witch
keyboard programming:
Sev Lewkowicz (keyboard player)
assistant engineer:
Jools Cooper (engineer) and Nick Rogers (engineer/mixing)
engineer:
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) and Ashley Howe
producer:
Martin Smith (UK musician, producer and engineer, b. 1945)
bass guitar, keyboard and background vocals:
Kevin Riddles
drums (drum set) and percussion:
Dave Hogg
guitar and lead vocals:
Kevin Heybourne
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
Angel Witch
lyricist and composer:
Kevin Heybourne
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Angel Witch3.353:24
15Please Don’t Touch
producer:
Vic Maile
bass guitar:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12) and Enid Williams (in 1980-12)
drums (drum set):
Denise Dufort (in 1980-12)
guitar [Lead Guitar]:
Eddie Clarke (Motörhead guitarist) (in 1980-12) and Kelly Johnson (in 1980-12)
guitar [Rhythm Guitar]:
Kim McAuliffe (in 1980-12)
lead vocals:
Kelly Johnson (in 1980-12) and Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12)
cover recording of:
Please Don’t Touch (in 1980-12)
composer:
Frederick Heath and Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Girlschool & Motörhead32:48
16Butcher Baby
recording of:
Butcher Baby
lyricist:
Rod Swenson
composer:
Richie Stotts
Plasmatics3:34
17Hard Ride
Raven3:06
18Riding With the Angels
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Riding With the Angels
lyricist and composer:
Russ Ballard
publisher:
Union Square Music Publishing Ltd.
Samson3:39
19Gangster of Love
recording of:
Gangster of Love
lyricist and composer:
Johnny “Guitar” Watson
publisher:
Booty Ooty Music (publisher; do NOT use as release label), Lynnal Music, Virjon Music (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Johnny “Guitar” Watson3:45
20Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:55
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Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 039) (order: 29)