Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde (Collectors Edition)

~ Release by Mahler; Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

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1▼CD: Symphony no. 10: Adagio / Symphony no. 8 (Part I)
#TitleArtistRatingLength
1Symphony no. 10: Adagio: Andante — Adagio
producer:
John McClure (recording engineer and record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1974-10-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1974-10-10)
balance engineer:
Rolf P. Schröder
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (on 1974-10-10)
compilation of:
Symphony No. 10 in F-sharp minor: Ia. Adagio. Andante by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist), Symphony No. 10 in F-sharp minor: Ib. Adagio. Andante come prima by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist), Symphony No. 10 in F-sharp minor: Ic. Adagio. [ ] by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist), Symphony No. 10 in F-sharp minor: Id. Adagio. [ ] by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist) and Symphony No. 10 in F-sharp minor: Ie. Adagio. Andante by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
live recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (on 1974-10-10)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler26:13
2Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:31
3Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:16
4Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:44
5Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (on 1975-08-30)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:14
6Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (on 1975-08-30)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:15
7Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:24
8Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:27
9Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:22
2▼CD: Symphony no. 8 (Part II)
#TitleArtistRatingLength
1Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Poco adagio
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:26
2Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Più mosso. (Allegro moderato)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:05
3Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Wieder langsam, Chor und Echo: “Waldung, sie schwankt heran”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:32
4Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Moderato, Pater ecstaticus: "Ewiger Wonnebrand"
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo baritone vocals [Pater Ecstaticus]:
Hermann Prey (baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:36
5Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Allegro — (Allegro appassionato) Pater profundus: “Wie Felsenabgrund mir zu Füßen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo bass vocals [Pater Profundus]:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:30
6Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Allegro deciso. (Im Anfang noch nicht eilen) Chor und Engel: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” / Chor seliger Knaben: “Hände verschlinget euch”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:06
7Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:50
8Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Schon etwas langsamer und immer noch mäßiger, Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Singverein (on 1975-08-30)
solo alto vocals:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:23
9Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Im Anfang (die ersten vier Takte) noch etwas gehalten, Die jüngeren Engel “Ich spürʼ soeben, nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:22
10Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sempre lʼistesso tempo, Doctor Marianus: “Höchste Herrscherin der Welt”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:24
11Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: "Äußerst langsam. Adagissimo, “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Hören der ewigen Reiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:56
12Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Fließend, Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: "Bei dem Brohn, zu dem schon weiland” / Maria Aegyptiaca: "Bei dem hochgeweihten Orte”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo contralto vocals [Maria Aegyptiaca]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Magna Peccatrix]:
Margaret Price (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
13Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Una poenitentium: “Neige, neige, du Ohnegleiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:13
14Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Unmerklich frischer, Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen geistchor umgeben”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:57
15Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sehr langsam. Mater gloriosa: “Komm! hebe dich zu höhern Sphären”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
vocals:
Gerti Zeumer (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:23
16Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Hymnenartig (Ungefähr im selben Zeitmaß weiter) Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:01
17Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sehr langsam beginnend, Chorus mysticus: “Alles Vergängliche ist nur Gleichnis”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:28
3▼CD: Das Lied von der Erde
#TitleArtistRatingLength
1Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde
producer:
John Culshaw
tenor vocals:
James King (tenor) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:31
2Das Lied von der Erde: 2. Der Einsame im Herbst
producer:
John Culshaw
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler11:22
3Das Lied von der Erde: 3. Von der Jugend
producer:
John Culshaw
tenor vocals:
James King (tenor) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:11
4Das Lied von der Erde: 4. Von der Schönheit
producer:
John Culshaw
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:10
5Das Lied von der Erde: 5. Der Trunkene um Frühling
producer:
John Culshaw
tenor vocals:
James King (tenor) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:39
6Das Lied von der Erde: 6. Der Abschied
producer:
John Culshaw
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-04)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1966-04)
balance engineer:
Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1966-04)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (in 1966-04)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler31:02
4▼CD: Symphony no. 9 (mvts. 1—2)
#TitleArtistRatingLength
1Symphony no. 9: 1. Andante comodo
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1985-06-03)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-06-03)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1986)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1985-06-03)
live recording of:
Symphony no. 9 in D major: I. Andante comodo (on 1985-06-03)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler30:03
2Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1985-06-03)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-06-03)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1986)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1985-06-03)
live recording of:
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb (on 1985-06-03)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler17:31
5▼CD: Symphony no. 9 (mvts. 3—4)
#TitleArtistRatingLength
1Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1985-06-03)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-06-03)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1986)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1985-06-03)
live recording of:
Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig (on 1985-06-03)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler11:52
2Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1985-06-03)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-06-03)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1986)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1985-06-03)
live recording of:
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (on 1985-06-03)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
part of:
Symphony no. 9 in D major
Gustav Mahler29:45

Credits

Release

printed in:E.U. (Europe)
art direction:Merle Kersten
mastering:Emil Berliner Studios
discography entry:http://www.deutschegrammophon.com/gb/cat/4775187 [info]