Tracklist

1CD: Symphony no. 10: Adagio / Symphony no. 8 (Part I)
2CD: Symphony no. 8 (Part II)
#TitleArtistRatingLength
1Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Poco adagio
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:26
2Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Più mosso. (Allegro moderato)
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:05
3Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Wieder langsam, Chor und Echo: “Waldung, sie schwankt heran”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:32
4Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Moderato, Pater ecstaticus: "Ewiger Wonnebrand"
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo baritone vocals [Pater Ecstaticus]:
Hermann Prey (baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:36
5Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Allegro — (Allegro appassionato) Pater profundus: “Wie Felsenabgrund mir zu Füßen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo bass vocals [Pater Profundus]:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:30
6Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Allegro deciso. (Im Anfang noch nicht eilen) Chor und Engel: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” / Chor seliger Knaben: “Hände verschlinget euch”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:06
7Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:50
8Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Schon etwas langsamer und immer noch mäßiger, Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Singverein (on 1975-08-30)
solo alto vocals:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:23
9Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Im Anfang (die ersten vier Takte) noch etwas gehalten, Die jüngeren Engel “Ich spürʼ soeben, nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:22
10Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sempre lʼistesso tempo, Doctor Marianus: “Höchste Herrscherin der Welt”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo tenor vocals [Doctor Marianus]:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:24
11Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: "Äußerst langsam. Adagissimo, “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Hören der ewigen Reiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Walter Hagen-Groll (chorus master) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:56
12Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Fließend, Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: "Bei dem Brohn, zu dem schon weiland” / Maria Aegyptiaca: "Bei dem hochgeweihten Orte”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo contralto vocals [Maria Aegyptiaca]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Mulier Samaritana]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Magna Peccatrix]:
Margaret Price (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
13Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Una poenitentium: “Neige, neige, du Ohnegleiche”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:13
14Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Unmerklich frischer, Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen geistchor umgeben”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo soprano vocals [Una Poenitentium]:
Judith Blegen (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:57
15Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sehr langsam. Mater gloriosa: “Komm! hebe dich zu höhern Sphären”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
vocals:
Gerti Zeumer (soprano) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:23
16Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Hymnenartig (Ungefähr im selben Zeitmaß weiter) Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:01
17Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Sehr langsam beginnend, Chorus mysticus: “Alles Vergängliche ist nur Gleichnis”
producer:
Gottfried Kraus (writer, critic, producer, radio host)
organ:
Rudolf Scholz (organist) (on 1975-08-30)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (on 1975-08-30), Wiener Sängerknaben (The Vienna Boys Choir) (on 1975-08-30) and Wiener Singverein (on 1975-08-30)
solo baritone vocals:
Hermann Prey (baritone) (on 1975-08-30)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1975-08-30)
solo contralto vocals [Alto I]:
Trudeliese Schmidt (mezzo-soprano) (on 1975-08-30)
solo contralto vocals [Alto II]:
Agnes Baltsa (mezzo-soprano) (on 1975-08-30)
solo soprano vocals [Soprano I]:
Margaret Price (soprano) (on 1975-08-30)
solo soprano vocals [Soprano II]:
Judith Blegen (soprano) (on 1975-08-30)
solo tenor vocals:
Kenneth Riegel (tenor) (on 1975-08-30)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1975-08-30)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1975-08-30)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1975-08-30), Walter Hagen-Groll (chorus master) (on 1975-08-30) and Uwe Theimer (on 1975-08-30)
balance engineer:
Josef Slatko (engineer)
recorded at:
Salzburg Festival 1975 (1975-07-26 – 1975-08-30)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1975-08-30)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1975-08-30)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:28
3CD: Das Lied von der Erde
4CD: Symphony no. 9 (mvts. 1—2)
5CD: Symphony no. 9 (mvts. 3—4)

Credits

Release

printed in:E.U. (Europe)
art direction:Merle Kersten
mastering:Emil Berliner Studios
discography entry:http://www.deutschegrammophon.com/gb/cat/4775187 [info]