Cop Land: Original Motion Picture Soundtrack

~ Release by Howard Shore (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1All Dressed Up in Blue
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
All Dressed Up in Blue
composer:
Howard Shore (Canadian score composer)
4:21
2Garrison, NJ
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Garrison, NJ
composer:
Howard Shore (Canadian score composer)
1:47
3Yellow Betray Blue
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Yellow Betray Blue
composer:
Howard Shore (Canadian score composer)
3:34
4Local Boy Saves Drowning Teen
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Local Boy Saves Drowning Teen
composer:
Howard Shore (Canadian score composer)
3:06
5Mashed Potatoes Don’t Mean Gravy
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Mashed Potatoes Don’t Mean Gravy
composer:
Howard Shore (Canadian score composer)
2:24
6The Sheriff of Cop Land
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
The Sheriff of Cop Land
composer:
Howard Shore (Canadian score composer)
2:39
7Pool of Crimson
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Pool of Crimson
composer:
Howard Shore (Canadian score composer)
4:39
8The Diagonal Rule
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
The Diagonal Rule
composer:
Howard Shore (Canadian score composer)
4:28
9Across the River
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Across the River
composer:
Howard Shore (Canadian score composer)
5:00
10Big Blue Pow Wow
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Big Blue Pow Wow
composer:
Howard Shore (Canadian score composer)
2:31
11Without Looking at the Cards
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
Without Looking at the Cards
composer:
Howard Shore (Canadian score composer)
4:08
12One Police Plaza
recording engineer:
John Kurlander (engineer)
assistant engineer:
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan and Harriet Sims (engineer and editor)
producer:
Howard Shore (Canadian score composer)
editor:
David Carbonara and Nicole Ruffine
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
One Police Plaza
composer:
Howard Shore (Canadian score composer)
2:06

Credits

Release

copyrighted (©) by:Milan Entertainment, Inc. (for ℗ & © rights use only, US record company founded in 1978) (in 1997)
Miramax Film Corp (film company, restrict use to film/album artwork copyrights only) (in 1997)
phonographic copyright (℗) by:Miramax Film Corp (film company, restrict use to film/album artwork copyrights only) (in 1997)
licensed to:Editions Milan Music (FR record company)
stream for free:https://open.spotify.com/album/0q3PNjppGFlU5VkwrrDJO5 [info]