Cop Land: Original Motion Picture Soundtrack

~ Veröffentlichung von Howard Shore (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1All Dressed Up in Blue
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
All Dressed Up in Blue
Komponist(in):
Howard Shore (Canadian score composer)
4:21
2Garrison, NJ
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Garrison, NJ
Komponist(in):
Howard Shore (Canadian score composer)
1:47
3Yellow Betray Blue
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Yellow Betray Blue
Komponist(in):
Howard Shore (Canadian score composer)
3:34
4Local Boy Saves Drowning Teen
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Local Boy Saves Drowning Teen
Komponist(in):
Howard Shore (Canadian score composer)
3:06
5Mashed Potatoes Don’t Mean Gravy
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Mashed Potatoes Don’t Mean Gravy
Komponist(in):
Howard Shore (Canadian score composer)
2:24
6The Sheriff of Cop Land
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Sheriff of Cop Land
Komponist(in):
Howard Shore (Canadian score composer)
2:39
7Pool of Crimson
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Pool of Crimson
Komponist(in):
Howard Shore (Canadian score composer)
4:39
8The Diagonal Rule
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
The Diagonal Rule
Komponist(in):
Howard Shore (Canadian score composer)
4:28
9Across the River
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Across the River
Komponist(in):
Howard Shore (Canadian score composer)
5:00
10Big Blue Pow Wow
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Big Blue Pow Wow
Komponist(in):
Howard Shore (Canadian score composer)
2:31
11Without Looking at the Cards
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Without Looking at the Cards
Komponist(in):
Howard Shore (Canadian score composer)
4:08
12One Police Plaza
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Martin Atkinson (engineer), Andy Beer, Bruce Buchanan und Harriet Sims (engineer and editor)
Produzent(in):
Howard Shore (Canadian score composer)
Editing:
David Carbonara und Nicole Ruffine
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich
recording of:
One Police Plaza
Komponist(in):
Howard Shore (Canadian score composer)
2:06

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:Milan Entertainment, Inc. (for ℗ & © rights use only, US record company founded in 1978) (in 1997)
Miramax Film Corp (film company, restrict use to film/album artwork copyrights only) (in 1997)
phonographisches Urheberrecht (℗) von:Miramax Film Corp (film company, restrict use to film/album artwork copyrights only) (in 1997)
lizenziert an:Editions Milan Music (FR record company)
kostenlos streamen:https://open.spotify.com/album/0q3PNjppGFlU5VkwrrDJO5 [Info]