Together: The Ultimate Collection

~ Release by Julian Bream, John Williams (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Serenade in A, Op. 96: Largo Maestoso
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Serenade in A major, op. 96 no. 1: I. Largo maestoso
composer:
Ferdinando Carulli (composer)
part of:
Serenade in A major, op. 96 no. 1
recording of:
Serenade in A major, op. 96 no. 1: II. Allegro moderato
composer:
Ferdinando Carulli (composer)
part of:
Serenade in A major, op. 96 no. 1
Ferdinando Carulli1:26
2Serenade in A, Op. 96: Allegro Moderato
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Serenade in A major, op. 96 no. 1: III. Larghetto sostenuto
composer:
Ferdinando Carulli (composer)
part of:
Serenade in A major, op. 96 no. 1
Ferdinando Carulli3:17
3Serenade in A, Op. 96: Larghetto
guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Serenade in A major, op. 96 no. 1: III. Larghetto sostenuto
composer:
Ferdinando Carulli (composer)
part of:
Serenade in A major, op. 96 no. 1
Ferdinando Carulli2:27
4Serenade in A, Op. 96: Finale
guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Serenade in A major, op. 96 no. 1: IV. Finale. Poco allegretto
composer:
Ferdinando Carulli (composer)
part of:
Serenade in A major, op. 96 no. 1
Ferdinando Carulli2:55
5Danzas españolas, Op. 37, No. 6: Rondella aragonesa
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
12 danzas españolas, op. 37, nº 6: Rondalla aragonesa
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
recording of:
12 danzas españolas, op. 37, nº 6: Rondalla aragonesa (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 6: Rondalla aragonesa
Enrique Granados5:46
6Cantos de España, Op. 232, No. 3: Bajo la palmera
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Cantos de España, op. 232, n.º 3: Bajo la palmera (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 3: Bajo la palmera
Isaac Albéniz5:45
7Danzas españolas, Op. 37, No. 11: Zambra
classical guitar:
Julian Bream and John Williams (classical guitarist)
classical guitar arranger:
Miguel Llobet Solés (composer for guitar)
recording of:
12 danzas españolas, op. 37, nº 11: Zambra (catch-all for arrangements)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 11: Zambra
Enrique Granados6:27
8Variazioni concertanti, Op. 130
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Variazioni concertanti, op. 130
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Works of Mauro Giuliani by opus number (number: op. 130)
Mauro Giuliani12:02
9Iberia
classical guitar:
Julian Bream and John Williams (classical guitarist)
recording of:
Iberia, B. 47: Book I: I. Evocación (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: I. Evocación
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz5:50
10Pavan
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
The Flatt Pavin
composer:
John Johnson (English composer, fl. 1579) (in 1579)
John Johnson2:03
11Gailiard
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
guitar:
Julian Bream
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Galliard
composer:
John Johnson (English composer, fl. 1579)
John Johnson1:24
12Partie polonaise: Ouverture
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: I. Ouverture
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann4:07
13Partie polonaise: Harlequinade
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: II. Harlequinade
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann1:42
14Partie polonaise: Le ris
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: III. Le Ris
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann1:38
15Partie polonaise: Rigidon
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: IV. Rigaudon
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann1:20
16Partie polonaise: Combattans
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: V. Combattants
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann1:28
17Partie polonaise: Gigue
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
Partie polonoise in B-flat major, TWV 39:1: VII. Gigue
composer:
Georg Philipp Telemann (composer)
part of:
Partie polonoise in B-flat major, TWV 39:1
Georg Philipp Telemann2:12
18Reverie
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
live recording of:
Rêverie (catch-all for arrangements) (from 1978-10-15 until 1978-10-18)
composer:
Claude Debussy (French composer) (in 1890)
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
Claude Debussy4:42
19Golliwogg's Cakewalk
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
live recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (catch‐all for arrangements)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
arrangement of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
part of:
Children’s Corner, L. 113 (catch-all for arrangements)
Claude Debussy2:49
20Clair de lune
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
live recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:06
2▼CD
#TitleArtistRatingLength
1Suite for Two Guitars: I. Corant I
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Suite for Two Guitars: I. Corant I (for guitar, Bream) (from 1971-07 until 1971-08)
composer:
William Lawes (English composer)
guitar arranger:
Julian Bream
arrangement of:
Suite for Two Lutes: I. Corant I
part of:
Suite for Two Guitars (for guitar, Bream)
William Lawes1:28
2Suite for Two Guitars: II. Alman
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Suite for Two Guitars: II. Alman (for guitar, Bream) (from 1971-07 until 1971-08)
composer:
William Lawes (English composer)
guitar arranger:
Julian Bream
arrangement of:
Suite for Two Lutes: II. Alman
part of:
Suite for Two Guitars (for guitar, Bream)
William Lawes2:19
3Suite for Two Guitars: III. Corant II
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Suite for Two Guitars: III. Corant II (for guitar, Bream) (from 1971-07 until 1971-08)
composer:
William Lawes (English composer)
guitar arranger:
Julian Bream
arrangement of:
Suite for Two Lutes: III. Corant II
part of:
Suite for Two Guitars (for guitar, Bream)
William Lawes1:30
4Duo in G Major, Op. 34: I. Largo
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duo in G major, op. 34 no. 2: I. Largo (from 1971-07 until 1971-08)
composer:
Ferdinando Carulli (composer)
part of:
Duo in G major, op. 34 no. 2
Ferdinando Carulli2:59
5Duo in G Major, Op. 34: II. Rondo
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duo in G major, op. 34 no. 2: II. Rondo (from 1971-07 until 1971-08)
composer:
Ferdinando Carulli (composer)
part of:
Duo in G major, op. 34 no. 2
Ferdinando Carulli3:44
6L'encouragement, Op. 34: I. Cantabile
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: I. Cantabile (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor5:56
7L'encouragement, Op. 34: II. Theme and Variations
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: II. Theme and Variations: Andantino (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor4:59
8L'encouragement, Op. 34: III. Waltz
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Duet for guitars "L'encouragement", op. 34: III. Valse (from 1971-07 until 1971-08)
composer:
Fernando Sor (Ferdinand Sor, Spanish composer)
part of:
Duet for guitars "L'encouragement", op. 34
Fernando Sor3:27
9Cantos de España, Op. 232, No. 4: Córdoba: Nocturne
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
guitar:
Julian Bream (from 1971-07 until 1971-08)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (from 1971-07 until 1971-08)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:26
10Goyescas: Intermezzo
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
recording of:
Goyescas: Intermezzo (catch-all for arrangements) (from 1971-07 until 1971-08)
composer:
Enrique Granados (composer)
arrangement of:
Goyescas, H.65: Cuadro I. Intermedio (for orchestra)
Enrique Granados4:49
11Spanish Dance No. 1: La vida breve
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
recording of:
Danza de La vida breve (for two guitars, Pujol) (from 1971-07 until 1971-08)
composer:
Manuel de Falla (Spanish composer)
arranger:
Emilio Pujol (composer)
arrangement of:
La vida breve: Acto II. Danza española
Manuel de Falla3:39
12Pavane pour une infante défunte
engineer:
John W. Bower (recording engineer) (from 1971-07 until 1971-08)
producer:
James Burnett (producer) (from 1971-07 until 1971-08)
classical guitar:
Julian Bream (from 1971-07 until 1971-08) and John Williams (classical guitarist) (from 1971-07 until 1971-08)
arranger:
Julian Bream
recording of:
Pavane pour une infante défunte (catch-all for arrangements) (from 1971-07 until 1971-08)
composer:
Maurice Ravel (French composer) (in 1899)
arrangement of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:16
13Dolly, Op. 56: I. Berceuse
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements) (in 1978-10)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré3:18
14Dolly, Op. 56: II. Mi-a-ou
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands) (in 1978-10)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:00
15Dolly, Op. 56: III. Le jardin de Dolly
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands) (in 1978-10)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré3:25
16Dolly, Op. 56: IV. Kitty-Valse
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands) (in 1978-10)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:24
17Dolly, Op. 56: V. Tendresse
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly, op. 56 : V. Tendresse (for piano four hands) (in 1978-10)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré3:43
18Dolly, Op. 56: VI. Le pas espagnol
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands) (in 1978-10)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:49
19Danzas españolas, Op. 37 No. 2: Oriental
recording engineer and engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10, from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (in 1978-10, from 1978-10-15 until 1978-10-18)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
recording of:
12 danzas españolas, op. 37, nº 2: Oriental (catch-all for arrangements) (from 1978-10-15 until 1978-10-18)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 2: Oriental (original for piano)
Enrique Granados5:03
20Castilla: Seguidillas
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (from 1978-10-15 until 1978-10-18) and John Williams (classical guitarist) (from 1978-10-15 until 1978-10-18)
guitar:
Julian Bream and John Williams (classical guitarist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
live recording of:
Suite española no. 1, op. 47: VII. Castilla (Seguidillas) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: VII. Castilla (Seguidillas) (for solo piano)
Isaac Albéniz4:07

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Release

ASIN:UK: B000026R40 [info]