| # | Title | Artist | Rating | Length |
|---|
| 1 | Suite for Two Guitars: I. Corant I | William Lawes | | 1:28 |
| 2 | Suite for Two Guitars: II. Alman | William Lawes | | 2:19 |
| 3 | Suite for Two Guitars: III. Corant II | William Lawes | | 1:30 |
| 4 | Duo in G Major, Op. 34: I. Largo | Ferdinando Carulli | | 2:59 |
| 5 | Duo in G Major, Op. 34: II. Rondo | Ferdinando Carulli | | 3:44 |
| 6 | L'encouragement, Op. 34: I. Cantabile | Fernando Sor | | 5:56 |
| 7 | L'encouragement, Op. 34: II. Theme and Variations | Fernando Sor | | 4:59 |
| 8 | L'encouragement, Op. 34: III. Waltz | Fernando Sor | | 3:27 |
| 9 | Cantos de España, Op. 232, No. 4: Córdoba: Nocturne | Isaac Albéniz | | 6:26 |
| 10 | Goyescas: Intermezzo | Enrique Granados | | 4:49 |
| 11 | Spanish Dance No. 1: La vida breve | Manuel de Falla | | 3:39 |
| 12 | Pavane pour une infante défunte | Maurice Ravel | | 6:16 |
| 13 | Dolly, Op. 56: I. Berceuse | Gabriel Fauré | | 3:18 |
| 14 | Dolly, Op. 56: II. Mi-a-ou | Gabriel Fauré | | 2:00 |
| 15 | Dolly, Op. 56: III. Le jardin de Dolly | Gabriel Fauré | | 3:25 |
| 16 | Dolly, Op. 56: IV. Kitty-Valse | Gabriel Fauré | | 2:24 |
| 17 | Dolly, Op. 56: V. Tendresse | Gabriel Fauré | | 3:43 |
| 18 | Dolly, Op. 56: VI. Le pas espagnol | Gabriel Fauré | | 2:49 |
| 19 | Danzas españolas, Op. 37 No. 2: Oriental- recording engineer and engineer:
- Edwin Begley (in 1978-10)
- producer:
- Peter Dellheim (in 1978-10)
- classical guitar:
- Julian Bream (in 1978-10, from 1978-10-15 until 1978-10-18) and John Williams (in 1978-10, from 1978-10-15 until 1978-10-18)
- recorded at:
- Symphony Hall in Boston, Massachusetts, United States (on 1978-10-15) and Lincoln Center for the Performing Arts in Manhattan, New York, New York, United States (on 1978-10-18)
- recording of:
- 12 danzas españolas, op. 37, nº 2: Oriental (from 1978-10-15 until 1978-10-18)
- composer:
- Enrique Granados
- arrangement of:
- 12 danzas españolas, op. 37, nº 2: Oriental
| Enrique Granados | | 5:03 |
| 20 | Castilla: Seguidillas | Isaac Albéniz | | 4:07 |