Handel Edition, Vol. 7

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

Annotation last modified on 2026-05-25 13:02 UTC.

Tracklist

1▼Digital Media
#	Title	Rating	Length
1	Zadok the Priest, HWV 258 vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1996) composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems		5:19
2	My Heart is Inditing, HWV 261: I. My Heart is Inditing choir vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "My heart is inditing", HWV 261: I. Andante "My heart is inditing of a good matter; I speak of the things which I have made unto the King" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “My heart is inditing”, HWV 261		3:02
3	My Heart is Inditing, HWV 261: II. King's Daughters Were Among Thy Honourable Women choir vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "My heart is inditing", HWV 261: II. Andante "Kings' daughters were among thy honourable women" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “My heart is inditing”, HWV 261		3:04
4	My Heart is Inditing, HWV 261: III. Upon Thy Right Hand choir vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "My heart is inditing", HWV 261: III. Andante "Upon thy right hand did stand the Queen in vesture of gold; And the King shall have pleasure in thy beauty" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “My heart is inditing”, HWV 261		2:55
5	My Heart is Inditing, HWV 261: IV. Kings Shall Be Thy Nursing Fathers choir vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "My heart is inditing", HWV 261: IV. Allegro e staccato "Kings shall be thy nursing fathers, and queens thy nursing mothers" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “My heart is inditing”, HWV 261		3:00
6	Let Thy Hand Be Strengthened, HWV 259: I. Let Thy Hand Be Strengthened vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: I. "Let thy hand be strengthened, and thy right hand be exalted" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259		3:07
7	Let Thy Hand Be Strengthened, HWV 259: II. Let Justice and Judgement vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: II. Larghetto "Let justice and judgement be the preparation of thy seat" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259		3:08
8	Let Thy Hand Be Strengthened, HWV 259: III. Allelujah! vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: III. "Alleluia" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259		1:59
9	The King Shall Rejoice, HWV 260: I. The King Shall Rejoice vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "The King shall rejoice", HWV 260: I. Allegro "The King shall rejoice in thy strength, O Lord" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “The King shall rejoice”, HWV 260		2:51
10	The King Shall Rejoice, HWV 260: III. Exceedingly Glad Shall He Be vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "The King shall rejoice", HWV 260: II. Allegro "Exceeding glad shall he be of thy salvation" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “The King shall rejoice”, HWV 260		2:56
11	The King Shall Rejoice, HWV 260: IV. Glory and Great Worship Hast Thou Laid Upon Him vocals: Holland Boys Choir (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: The Four Coronation Anthems: "The King shall rejoice", HWV 260: III. A tempo giusto - non tanto allegro "Glory and great worship hast thou laid upon him" - Allegro "Thou hast prevented him with the blessings of goodness" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “The King shall rejoice”, HWV 260 recording of: The Four Coronation Anthems: "The King shall rejoice", HWV 260: IV. Allegro "Alleluia" (in 1996) composer: George Frideric Handel (German‐British baroque composer) part of: The Four Coronation Anthems: “The King shall rejoice”, HWV 260		5:12
12	Organ Concerto in B- Flat Major, HWV 306: I. Andante organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: I. Andante (in 1996) composer: George Frideric Handel (German‐British baroque composer) (in 1740) part of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306		6:00
13	Organ Concerto in B- Flat Major, HWV 306: II. Andante organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: II. Andante (in 1996) composer: George Frideric Handel (German‐British baroque composer) (in 1740) part of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306		3:48
14	Organ Concerto in B- Flat Major, HWV 306: III. Adagio organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) partial recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306 composer: George Frideric Handel (German‐British baroque composer) (until 1740-02-17) premiered at: Lincoln's Inn Fields Theatre in London (Greater London), England, United Kingdom (on 1740-02-27) part of: Händel-Werke-Verzeichnis (number: HWV 306) part of: 6 Organ Concertos, op. 7, HWV 306-311		2:10
15	Organ Concerto in B- Flat Major, HWV 306: IV. Largo e Piano organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano (in 1996) composer: George Frideric Handel (German‐British baroque composer) (in 1740) part of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306		3:15
16	Organ Concerto in B- Flat Major, HWV 306: V. Fuga ex B organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: Fuga (Allegro) composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306		2:23
17	Organ Concerto in B- Flat Major, HWV 306: Vi. Larghetto organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) partial recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306 composer: George Frideric Handel (German‐British baroque composer) (until 1740-02-17) premiered at: Lincoln's Inn Fields Theatre in London (Greater London), England, United Kingdom (on 1740-02-27) part of: Händel-Werke-Verzeichnis (number: HWV 306) part of: 6 Organ Concertos, op. 7, HWV 306-311		2:08
18	Organ Concerto in B- Flat Major, HWV 306: VII. Bourrée organ: Rien Voskuilen (in 1996) orchestra: Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1996) recording of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro (in 1996) composer: George Frideric Handel (German‐British baroque composer) (in 1740) part of: Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306		2:38
19	Dettingen Te Deum in D Major, HWV 283: I. Chorus. "Herr Gott! Dir sei Lob!" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: I. We Praise Thee, o God composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		4:05
20	Dettingen Te Deum in D Major, HWV 283: II. Chorus. "Alle Welt verehret Dich baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: II. All the Earth Does Worship Thee composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		2:44
21	Dettingen Te Deum in D Major, HWV 283: III. Chorus. "Dir singt der Engel reiner Chor" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: III. To Thee All Angels Cry Aloud composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		2:12
22	Dettingen Te Deum in D Major, HWV 283: IV. Chorus. "Vor dir Cherubim und Seraphim" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: IV. To Thee Cherubin and Seraphim composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		3:30
23	Dettingen Te Deum in D Major, HWV 283: V. Chorus. "Der hochgelobte Gott der Apostel baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: V. To Glorious Company of Th'Apostles composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		3:00
24	Dettingen Te Deum in D Major, HWV 283: Vi. Bass Solo and Chorus. "Du bist der Ehrenk'nig, o Christ" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: VII. Thou Art the King of Glory composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		3:04
25	Dettingen Te Deum in D Major, HWV 283: VII. Aria (Bass). "Als du auf dich Genommen" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: VIII. When Thou Tookest Upon Thee composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		3:44
26	Dettingen Te Deum in D Major, HWV 283: VIII. Chorus. "Als du siegreich zerbrachst den Stachel des Todes" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: IX. When Thou Hadst Overcome the Sharpness of Death composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		1:52
27	Dettingen Te Deum in D Major, HWV 283: IX. Chorus (Trio). "Du sitzest zu der Rechten des Herrn" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: XI. Thou Sittest at the Right Hand of God composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		5:06
28	Dettingen Te Deum in D Major, HWV 283: X. Chorus. "Nimm uns auf in deiner Heil'gen Zahl" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: XIV. Make Them to Be Number'd composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		1:28
29	Dettingen Te Deum in D Major, HWV 283: XI. Chorus. "Tag für Tag sei Dank und Lob Dir" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: XV. Day by Day We Magnify Thee composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		3:25
30	Dettingen Te Deum in D Major, HWV 283: XII. Arioso (Bass). "Bewahr, o Herr, du treuer Gott" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: XVII. Vouchsafe, o Lord composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		1:45
31	Dettingen Te Deum in D Major, HWV 283: XIII. Chorus. "O Herr, auf dich steht mein Hoffen" baritone vocals: Günter Leib (baritone) choir vocals: Großer Chor des Berliner Rundfunks vocals: Solistenvereinigung des Berliner Rundfunks orchestra: Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) conductor: Helmut Koch (conductor) recorded at: Rundfunk der DDR in Berlin, Germany (in 1968-09) recording of: Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted composer: George Frideric Handel (German‐British baroque composer) (in 1743) part of: Te Deum "Dettingen", HWV 283		4:12
32	Ode für den Geburtstag der Königin Anna, HWV 74: I. O ew'ger Quell von Licht und Glut (Tenor) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:40
33	Ode für den Geburtstag der Königin Anna, HWV 74: II. Am Tag, der uns den Frieden bringt (Tenor, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:48
34	Ode für den Geburtstag der Königin Anna, HWV 74: III. Ihr holden Sänger in der Luft (Soprano, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Let All the Winged Race With Joy” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:39
35	Ode für den Geburtstag der Königin Anna, HWV 74: IV. Seid, Hirt und Herde, ohne Furcht (Alto, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Let Flocks and Herds Their Fear Forget” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:29
36	Ode für den Geburtstag der Königin Anna, HWV 74: V. Der Woge Lauf ist froh erregt (Soprano, Bass, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Let Rolling Streams Their Gladness Show” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:31
37	Ode für den Geburtstag der Königin Anna, HWV 74: Vi. Gesundheit, komm auch du herbei (Soprano, Alto) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Kind Health Descends on Downy Wings” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		3:55
38	Ode für den Geburtstag der Königin Anna, HWV 74: VII. Am Tag, der uns den Frieden bringt (Soprano, Alto, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth” (shorter reprise) composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		1:45
39	Ode für den Geburtstag der Königin Anna, HWV 74: VIII. O Missgunst, hier verbirg dein Haupt (Bass, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “Let Envy Then Conceal Her Head” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		2:16
40	Ode für den Geburtstag der Königin Anna, HWV 74: IX. Vereinter Völker Stimm' erschalt (Tenor, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Ode for the Birthday of Queen Anne, HWV 74: “United Nations Shall Combine” composer: George Frideric Handel (German‐British baroque composer) part of: Ode for the Birthday of Queen Anne, HWV 74		3:32
41	Utrecht Te Deum in D Major, HWV 278: I. Wir preisen dich (Chorus). Dir singen Engelscharen laut [Soloist, Chorus]. Zu Cherubim [Soloist, Chorus] vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: I. We Praise Thee, O God composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278 recording of: Utrecht Te Deum, HWV 278: II. To Thee all angels cry aloud composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278 recording of: Utrecht Te Deum, HWV 278: III. To Thee Cherubin and Seraphin composer: George Frideric Handel (German‐British baroque composer) (until 1713-01-14) part of: Utrecht Te Deum, HWV 278		5:39
42	Utrecht Te Deum in D Major, HWV 278: II. Der hocherhabene Chor der Apostel (Soloist, Chorus). Du bist der Herr [Chorus] vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: IV. The glorious company of the apostles / Thou art the King of Glory composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		4:38
43	Utrecht Te Deum in D Major, HWV 278: III. Als du nahmest auf dich (Soloist, Chorus). Du sitzest zur Rechten des Herrn [Chorus] vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: V. When Thou took'st upon Thee / Thou sittest at the right hand composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		3:04
44	Utrecht Te Deum in D Major, HWV 278: IV. Und wir glauben, daß du kommst (Soloist, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: VI. We believe that Thou shalt come composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		2:35
45	Utrecht Te Deum in D Major, HWV 278: V. Tag für Tag (Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: VII. Day by day we magnify Thee composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		1:59
46	Utrecht Te Deum in D Major, HWV 278: Vi. Verleih' uns Herr (Soloist, Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: IX. Vouchsafe, O Lord composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		2:55
47	Utrecht Te Deum in D Major, HWV 278: VII. O Herr, auf dich (Chorus) vocals: Berliner Singakademie orchestra: Kammerorchester Berlin (Berlin Chamber Orchestra) conductor: Dietrich Knothe (conductor) recording of: Utrecht Te Deum, HWV 278: X. O Lord, in Thee have I trusted composer: George Frideric Handel (German‐British baroque composer) (on 1713-01-14) part of: Utrecht Te Deum, HWV 278		1:00
48	Ode for St. Cecilia'S Day, HWV 76: I. Overture recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: I. Overture composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		5:10
49	Ode for St. Cecilia'S Day, HWV 76: II. Accompagnato (Tenor). From Harmony recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: II. Recitative / Accompagnato "From harmony from heav'nly harmony" (tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		3:27
50	Ode for St. Cecilia'S Day, HWV 76: III. Chorus. From Harmony, from Heavenly Harmony recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: III. Chorus "From harmony, from heav'nly harmony" composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		3:50
51	Ode for St. Cecilia'S Day, HWV 76: IV. Air (Soprano). What Passion Cannot Music Raise and Quell! recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: IV. Aria "What passion cannot music raise and quell" (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		7:38
52	Ode for St. Cecilia'S Day, HWV 76: V. Air (Tenor and Chorus). The Trumpet's Loud Clangour recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		3:40
53	Ode for St. Cecilia'S Day, HWV 76: Vi. March recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St. Cecilia's Day, HWV 76: VI. March composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		2:02
54	Ode for St. Cecilia'S Day, HWV 76: VII. Air (Soprano). The Soft Complaining Flute recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: VII. Aria "The soft complaining flute" (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		5:01
55	Ode for St. Cecilia'S Day, HWV 76: VIII. Air (Tenor). Sharp Violins Proclaim Their Jealous Pangs recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: VIII. Aria "Sharp violins proclaim" (tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		4:01
56	Ode for St. Cecilia'S Day, HWV 76: IX. Air (Soprano). But oh! What Art Can Teach recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: IX. Aria "But oh! What art can teach" (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		3:56
57	Ode for St. Cecilia'S Day, HWV 76: X. Air (Soprano). Orpheus Could Lead the Savage Race recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: X. Aria "Orpheus could lead the savage race" (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		1:39
58	Ode for St. Cecilia'S Day, HWV 76: XI. Accompagnato (Soprano). But bright Cecilia Raised the Wonder Higher recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: XI. Accompagnato "But bright Cecilia" (soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		0:42
59	Ode for St. Cecilia'S Day, HWV 76: XII. Chorus with Soprano Solo. As from Pow'r of Sacred Lays recording engineer: Horst‐Dieter Käppler (engineer) producer: Eberhard Geiger editor: Ingrid Trumpf (editor) choir vocals: Chor des Landestheaters Halle and Hallesche Chorsoloisten soprano vocals: Monika Frimmer (soprano) tenor vocals: Eberhard Büchner (tenor) vocals: Collegium Vocale orchestra: Händel-Festspielorchester Halle conductor: Christian Kluttig (conductor) chorus master: Dietrich Schlegel balance engineer: Eberhard Richter (engineer) recorded at: Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07) recording of: Ode for St Cecilia's Day, HWV 76: XII. Soprano and Chorus "As from the pow'r and sacred lays" composer: George Frideric Handel (German‐British baroque composer) (in 1739) librettist: John Dryden (English poet) part of: Ode for St Cecilia's Day, HWV 76		7:00
60	Messiah, HWV 56, Pt. 1: Sinfonia (Ouverture) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 1. Symphony (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		3:03
61	Messiah, HWV 56, Pt. 1: Recitative (Tenor) Comfort Ye My People tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:51
62	Messiah, HWV 56, Pt. 1: Air (Tenor) Ev'ry Valley Shall Be Exalted tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		3:20
63	Messiah, HWV 56, Pt. 1: Chorus. And the Glory of the Lord Shall Be Revealed vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:52
64	Messiah, HWV 56, Pt. 1: Recitative (Bass) Thus Said the Lord of Hosts bass vocals: Alastair Miles (operatic bass) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		1:19
65	Messiah, HWV 56, Pt. 1: Air (Alto) But Who May Abide alto vocals: Hilary Summers (contralto) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1994) composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I		4:05
66	Messiah, HWV 56, Pt. 1: Chorus. And He Shall Purify vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:30
67	Messiah, HWV 56, Pt. 1: Recitative (Alto) Behold, a Virgin Shall Conceive alto vocals: Hilary Summers (contralto) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		0:23
68	Messiah, HWV 56, Pt. 1: Air (Alto & Chorus) O Thou That Tellest alto vocals: Hilary Summers (contralto) (in 1994) vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		5:27
69	Messiah, HWV 56, Pt. 1: Recitative (Bass) For Behold, Darkness Shall Cover the Earth bass vocals: Alastair Miles (operatic bass) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:01
70	Messiah, HWV 56, Pt. 1: Air (Bass) The People That Walked in Darkness bass vocals: Alastair Miles (operatic bass) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I		3:17
71	Messiah, HWV 56, Pt. 1: Chorus. For Unto Us a Child is Born vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		4:05
72	Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:31
73	Messiah, HWV 56, Pt. 1: Recitative (Soprano) There Were Shepherds soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		0:31
74	Messiah, HWV 56, Pt. 1: Recitative (Soprano) And the Angel Said Unto Them soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I		0:31
75	Messiah, HWV 56, Pt. 1: Recitative (Soprano) And Suddenly There Was with the Angel soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I		0:17
76	Messiah, HWV 56, Pt. 1: Chorus. Glory to God in the Highest trumpet: Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994) vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		1:52
77	Messiah, HWV 56, Pt. 1: Air (Soprano) Rejoice Greatly, O Daughter of Zion soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I		4:17
78	Messiah, HWV 56, Pt. 1: Recitative (Alto) Then Shall the Eyes of the Blind alto vocals: Hilary Summers (contralto) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		0:24
79	Messiah, HWV 56, Pt. 1: Duet (Alto & Soprano) He Shall Feed His Flock alto vocals: Hilary Summers (contralto) (in 1994) soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I		4:35
80	Messiah, HWV 56, Pt. 1: Chorus. His Yoke is Easy vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I		2:20
81	Messiah, HWV 56, Pt. 2: Chorus. Behold, the Lamb of God vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		2:22
82	Messiah, HWV 56, Pt. 2: Air (Tenor) He Was Despised and Rejected of Men alto vocals: Hilary Summers (contralto) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		9:51
83	Messiah, HWV 56, Pt. 2: Chorus. Surely He Hath Borne Our Griefs vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:43
84	Messiah, HWV 56, Pt. 2: Chorus. And with His Stripes We Are Healed vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:47
85	Messiah, HWV 56, Pt. 2: Chorus. All We Like Sheep Have Gone Astray vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		3:43
86	Messiah, HWV 56, Pt. 2: Recitative (Tenor) All They That See Him tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		0:40
87	Messiah, HWV 56, Pt. 2: Chorus. He Trusted in God vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		2:19
88	Messiah, HWV 56, Pt. 2: Recitative (Tenor) Thy Rebuke Hath Broken His Heart tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:48
89	Messiah, HWV 56, Pt. 2: Air (Tenor) Behold, and See If There Be Any Sorrow tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II		1:22
90	Messiah, HWV 56, Pt. 2: Recitative (Tenor) He Was Cut off Out of the Land soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		0:17
91	Messiah, HWV 56, Pt. 2: Air (Soprano) But Thou Didst Not Leave soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II		2:20
92	Messiah, HWV 56, Pt. 2: Chorus. Lift Up Your Heads vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		2:58
93	Messiah, HWV 56, Pt. 2: Recitative (Tenor) Unto Which of the Angels tenor vocals: John Mark Ainsley (tenor) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		0:19
94	Messiah, HWV 56, Pt. 2: Chorus. Let All the Angels of God Worship Him vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:28
95	Messiah, HWV 56, Pt. 2: Air (Alto) Thou Art Gone up on High alto vocals: Hilary Summers (contralto) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II		3:12
96	Messiah, HWV 56, Pt. 2: Chorus. The Lord Gave the Word vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:04
97	Messiah, HWV 56, Pt. 2: Air (Soprano) How Beautiful Are the Feet soprano vocals: Lynne Dawson (soprano) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) is based on: Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) part of: Messiah, HWV 56: Part II		2:03
98	Messiah, HWV 56, Pt. 2: Chorus. Their Sound is Gone Out vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1745) is based on: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Messiah, HWV 56: Part II		1:30
99	Messiah, HWV 56, Pt. 2: Air (Bass) Why Do the Nations? bass vocals: Alastair Miles (operatic bass) (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:26
100	Messiah, HWV 56, Pt. 2: Chorus. Let Us Break Their Bonds Asunder vocals: The Choir of King’s College, Cambridge (in 1994) orchestra: The Brandenburg Consort (in 1994) conductor: Stephen Cleobury (organist, conductor) (in 1994) recorded at: Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994) recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1994) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II		1:43
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included in:	Handel Edition

part of:	Handel Edition (Digital) (Digital release) (number: 7) (order: 7)

Handel Edition, Vol. 7

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