Handel Edition, Vol. 7

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

Copyright: © 2018 Brilliant Classics
℗ 2018 Brilliant Classics

Annotation last modified on 2026-05-25 13:02 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Zadok the Priest, HWV 258
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1996)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
5:19
2My Heart is Inditing, HWV 261: I. My Heart is Inditing
choir vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "My heart is inditing", HWV 261: I. Andante "My heart is inditing of a good matter; I speak of the things which I have made unto the King" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “My heart is inditing”, HWV 261
3:02
3My Heart is Inditing, HWV 261: II. King's Daughters Were Among Thy Honourable Women
choir vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "My heart is inditing", HWV 261: II. Andante "Kings' daughters were among thy honourable women" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “My heart is inditing”, HWV 261
3:04
4My Heart is Inditing, HWV 261: III. Upon Thy Right Hand
choir vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "My heart is inditing", HWV 261: III. Andante "Upon thy right hand did stand the Queen in vesture of gold; And the King shall have pleasure in thy beauty" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “My heart is inditing”, HWV 261
2:55
5My Heart is Inditing, HWV 261: IV. Kings Shall Be Thy Nursing Fathers
choir vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "My heart is inditing", HWV 261: IV. Allegro e staccato "Kings shall be thy nursing fathers, and queens thy nursing mothers" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “My heart is inditing”, HWV 261
3:00
6Let Thy Hand Be Strengthened, HWV 259: I. Let Thy Hand Be Strengthened
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: I. "Let thy hand be strengthened, and thy right hand be exalted" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259
3:07
7Let Thy Hand Be Strengthened, HWV 259: II. Let Justice and Judgement
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: II. Larghetto "Let justice and judgement be the preparation of thy seat" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259
3:08
8Let Thy Hand Be Strengthened, HWV 259: III. Allelujah!
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: III. "Alleluia" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259
1:59
9The King Shall Rejoice, HWV 260: I. The King Shall Rejoice
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "The King shall rejoice", HWV 260: I. Allegro "The King shall rejoice in thy strength, O Lord" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
2:51
10The King Shall Rejoice, HWV 260: III. Exceedingly Glad Shall He Be
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "The King shall rejoice", HWV 260: II. Allegro "Exceeding glad shall he be of thy salvation" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
2:56
11The King Shall Rejoice, HWV 260: IV. Glory and Great Worship Hast Thou Laid Upon Him
vocals:
Holland Boys Choir (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
The Four Coronation Anthems: "The King shall rejoice", HWV 260: III. A tempo giusto - non tanto allegro "Glory and great worship hast thou laid upon him" - Allegro "Thou hast prevented him with the blessings of goodness" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
recording of:
The Four Coronation Anthems: "The King shall rejoice", HWV 260: IV. Allegro "Alleluia" (in 1996)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
5:12
12Organ Concerto in B- Flat Major, HWV 306: I. Andante
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: I. Andante (in 1996)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
6:00
13Organ Concerto in B- Flat Major, HWV 306: II. Andante
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: II. Andante (in 1996)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
3:48
14Organ Concerto in B- Flat Major, HWV 306: III. Adagio
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
partial recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
composer:
George Frideric Handel (German‐British baroque composer) (until 1740-02-17)
premiered at:
Lincoln's Inn Fields Theatre in London (Greater London), England, United Kingdom (on 1740-02-27)
part of:
Händel-Werke-Verzeichnis (number: HWV 306)
part of:
6 Organ Concertos, op. 7, HWV 306-311
2:10
15Organ Concerto in B- Flat Major, HWV 306: IV. Largo e Piano
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano (in 1996)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
3:15
16Organ Concerto in B- Flat Major, HWV 306: V. Fuga ex B
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: Fuga (Allegro)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
2:23
17Organ Concerto in B- Flat Major, HWV 306: Vi. Larghetto
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
partial recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
composer:
George Frideric Handel (German‐British baroque composer) (until 1740-02-17)
premiered at:
Lincoln's Inn Fields Theatre in London (Greater London), England, United Kingdom (on 1740-02-27)
part of:
Händel-Werke-Verzeichnis (number: HWV 306)
part of:
6 Organ Concertos, op. 7, HWV 306-311
2:08
18Organ Concerto in B- Flat Major, HWV 306: VII. Bourrée
organ:
Rien Voskuilen (in 1996)
orchestra:
Dutch Baroque Orchestra (conducted by Pieter Jan Leusink) (in 1996)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1996)
recording of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro (in 1996)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
2:38
19Dettingen Te Deum in D Major, HWV 283: I. Chorus. "Herr Gott! Dir sei Lob!"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: I. We Praise Thee, o God
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
4:05
20Dettingen Te Deum in D Major, HWV 283: II. Chorus. "Alle Welt verehret Dich
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: II. All the Earth Does Worship Thee
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
2:44
21Dettingen Te Deum in D Major, HWV 283: III. Chorus. "Dir singt der Engel reiner Chor"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: III. To Thee All Angels Cry Aloud
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
2:12
22Dettingen Te Deum in D Major, HWV 283: IV. Chorus. "Vor dir Cherubim und Seraphim"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: IV. To Thee Cherubin and Seraphim
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
3:30
23Dettingen Te Deum in D Major, HWV 283: V. Chorus. "Der hochgelobte Gott der Apostel
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: V. To Glorious Company of Th'Apostles
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
3:00
24Dettingen Te Deum in D Major, HWV 283: Vi. Bass Solo and Chorus. "Du bist der Ehrenk'nig, o Christ"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: VII. Thou Art the King of Glory
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
3:04
25Dettingen Te Deum in D Major, HWV 283: VII. Aria (Bass). "Als du auf dich Genommen"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: VIII. When Thou Tookest Upon Thee
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
3:44
26Dettingen Te Deum in D Major, HWV 283: VIII. Chorus. "Als du siegreich zerbrachst den Stachel des Todes"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: IX. When Thou Hadst Overcome the Sharpness of Death
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
1:52
27Dettingen Te Deum in D Major, HWV 283: IX. Chorus (Trio). "Du sitzest zu der Rechten des Herrn"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: XI. Thou Sittest at the Right Hand of God
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
5:06
28Dettingen Te Deum in D Major, HWV 283: X. Chorus. "Nimm uns auf in deiner Heil'gen Zahl"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: XIV. Make Them to Be Number'd
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
1:28
29Dettingen Te Deum in D Major, HWV 283: XI. Chorus. "Tag für Tag sei Dank und Lob Dir"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: XV. Day by Day We Magnify Thee
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
3:25
30Dettingen Te Deum in D Major, HWV 283: XII. Arioso (Bass). "Bewahr, o Herr, du treuer Gott"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: XVII. Vouchsafe, o Lord
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
1:45
31Dettingen Te Deum in D Major, HWV 283: XIII. Chorus. "O Herr, auf dich steht mein Hoffen"
baritone vocals:
Günter Leib (baritone)
choir vocals:
Großer Chor des Berliner Rundfunks
vocals:
Solistenvereinigung des Berliner Rundfunks
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Helmut Koch (conductor)
recorded at:
Rundfunk der DDR in Berlin, Germany (in 1968-09)
recording of:
Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
4:12
32Ode für den Geburtstag der Königin Anna, HWV 74: I. O ew'ger Quell von Licht und Glut (Tenor)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:40
33Ode für den Geburtstag der Königin Anna, HWV 74: II. Am Tag, der uns den Frieden bringt (Tenor, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:48
34Ode für den Geburtstag der Königin Anna, HWV 74: III. Ihr holden Sänger in der Luft (Soprano, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Let All the Winged Race With Joy”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:39
35Ode für den Geburtstag der Königin Anna, HWV 74: IV. Seid, Hirt und Herde, ohne Furcht (Alto, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Let Flocks and Herds Their Fear Forget”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:29
36Ode für den Geburtstag der Königin Anna, HWV 74: V. Der Woge Lauf ist froh erregt (Soprano, Bass, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Let Rolling Streams Their Gladness Show”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:31
37Ode für den Geburtstag der Königin Anna, HWV 74: Vi. Gesundheit, komm auch du herbei (Soprano, Alto)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Kind Health Descends on Downy Wings”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
3:55
38Ode für den Geburtstag der Königin Anna, HWV 74: VII. Am Tag, der uns den Frieden bringt (Soprano, Alto, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth” (shorter reprise)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
1:45
39Ode für den Geburtstag der Königin Anna, HWV 74: VIII. O Missgunst, hier verbirg dein Haupt (Bass, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Let Envy Then Conceal Her Head”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
2:16
40Ode für den Geburtstag der Königin Anna, HWV 74: IX. Vereinter Völker Stimm' erschalt (Tenor, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “United Nations Shall Combine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
3:32
41Utrecht Te Deum in D Major, HWV 278: I. Wir preisen dich (Chorus). Dir singen Engelscharen laut [Soloist, Chorus]. Zu Cherubim [Soloist, Chorus]
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: I. We Praise Thee, O God
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
recording of:
Utrecht Te Deum, HWV 278: II. To Thee all angels cry aloud
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
recording of:
Utrecht Te Deum, HWV 278: III. To Thee Cherubin and Seraphin
composer:
George Frideric Handel (German‐British baroque composer) (until 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
5:39
42Utrecht Te Deum in D Major, HWV 278: II. Der hocherhabene Chor der Apostel (Soloist, Chorus). Du bist der Herr [Chorus]
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: IV. The glorious company of the apostles / Thou art the King of Glory
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
4:38
43Utrecht Te Deum in D Major, HWV 278: III. Als du nahmest auf dich (Soloist, Chorus). Du sitzest zur Rechten des Herrn [Chorus]
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: V. When Thou took'st upon Thee / Thou sittest at the right hand
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
3:04
44Utrecht Te Deum in D Major, HWV 278: IV. Und wir glauben, daß du kommst (Soloist, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: VI. We believe that Thou shalt come
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
2:35
45Utrecht Te Deum in D Major, HWV 278: V. Tag für Tag (Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: VII. Day by day we magnify Thee
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
1:59
46Utrecht Te Deum in D Major, HWV 278: Vi. Verleih' uns Herr (Soloist, Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: IX. Vouchsafe, O Lord
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
2:55
47Utrecht Te Deum in D Major, HWV 278: VII. O Herr, auf dich (Chorus)
vocals:
Berliner Singakademie
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Dietrich Knothe (conductor)
recording of:
Utrecht Te Deum, HWV 278: X. O Lord, in Thee have I trusted
composer:
George Frideric Handel (German‐British baroque composer) (on 1713-01-14)
part of:
Utrecht Te Deum, HWV 278
1:00
48Ode for St. Cecilia'S Day, HWV 76: I. Overture
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: I. Overture
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
5:10
49Ode for St. Cecilia'S Day, HWV 76: II. Accompagnato (Tenor). From Harmony
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: II. Recitative / Accompagnato "From harmony from heav'nly harmony" (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
3:27
50Ode for St. Cecilia'S Day, HWV 76: III. Chorus. From Harmony, from Heavenly Harmony
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: III. Chorus "From harmony, from heav'nly harmony"
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
3:50
51Ode for St. Cecilia'S Day, HWV 76: IV. Air (Soprano). What Passion Cannot Music Raise and Quell!
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: IV. Aria "What passion cannot music raise and quell" (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
7:38
52Ode for St. Cecilia'S Day, HWV 76: V. Air (Tenor and Chorus). The Trumpet's Loud Clangour
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
3:40
53Ode for St. Cecilia'S Day, HWV 76: Vi. March
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St. Cecilia's Day, HWV 76: VI. March
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
2:02
54Ode for St. Cecilia'S Day, HWV 76: VII. Air (Soprano). The Soft Complaining Flute
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: VII. Aria "The soft complaining flute" (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
5:01
55Ode for St. Cecilia'S Day, HWV 76: VIII. Air (Tenor). Sharp Violins Proclaim Their Jealous Pangs
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: VIII. Aria "Sharp violins proclaim" (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
4:01
56Ode for St. Cecilia'S Day, HWV 76: IX. Air (Soprano). But oh! What Art Can Teach
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: IX. Aria "But oh! What art can teach" (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
3:56
57Ode for St. Cecilia'S Day, HWV 76: X. Air (Soprano). Orpheus Could Lead the Savage Race
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: X. Aria "Orpheus could lead the savage race" (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
1:39
58Ode for St. Cecilia'S Day, HWV 76: XI. Accompagnato (Soprano). But bright Cecilia Raised the Wonder Higher
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: XI. Accompagnato "But bright Cecilia" (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
0:42
59Ode for St. Cecilia'S Day, HWV 76: XII. Chorus with Soprano Solo. As from Pow'r of Sacred Lays
recording engineer:
Horst‐Dieter Käppler (engineer)
producer:
Eberhard Geiger
editor:
Ingrid Trumpf (editor)
choir vocals:
Chor des Landestheaters Halle and Hallesche Chorsoloisten
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Eberhard Büchner (tenor)
vocals:
Collegium Vocale
orchestra:
Händel-Festspielorchester Halle
conductor:
Christian Kluttig (conductor)
chorus master:
Dietrich Schlegel
balance engineer:
Eberhard Richter (engineer)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1982-07)
recording of:
Ode for St Cecilia's Day, HWV 76: XII. Soprano and Chorus "As from the pow'r and sacred lays"
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
7:00
60Messiah, HWV 56, Pt. 1: Sinfonia (Ouverture)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:03
61Messiah, HWV 56, Pt. 1: Recitative (Tenor) Comfort Ye My People
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:51
62Messiah, HWV 56, Pt. 1: Air (Tenor) Ev'ry Valley Shall Be Exalted
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:20
63Messiah, HWV 56, Pt. 1: Chorus. And the Glory of the Lord Shall Be Revealed
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:52
64Messiah, HWV 56, Pt. 1: Recitative (Bass) Thus Said the Lord of Hosts
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
1:19
65Messiah, HWV 56, Pt. 1: Air (Alto) But Who May Abide
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
4:05
66Messiah, HWV 56, Pt. 1: Chorus. And He Shall Purify
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:30
67Messiah, HWV 56, Pt. 1: Recitative (Alto) Behold, a Virgin Shall Conceive
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
0:23
68Messiah, HWV 56, Pt. 1: Air (Alto & Chorus) O Thou That Tellest
alto vocals:
Hilary Summers (contralto) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
5:27
69Messiah, HWV 56, Pt. 1: Recitative (Bass) For Behold, Darkness Shall Cover the Earth
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:01
70Messiah, HWV 56, Pt. 1: Air (Bass) The People That Walked in Darkness
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
3:17
71Messiah, HWV 56, Pt. 1: Chorus. For Unto Us a Child is Born
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
4:05
72Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:31
73Messiah, HWV 56, Pt. 1: Recitative (Soprano) There Were Shepherds
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
0:31
74Messiah, HWV 56, Pt. 1: Recitative (Soprano) And the Angel Said Unto Them
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
0:31
75Messiah, HWV 56, Pt. 1: Recitative (Soprano) And Suddenly There Was with the Angel
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
0:17
76Messiah, HWV 56, Pt. 1: Chorus. Glory to God in the Highest
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1994)
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
1:52
77Messiah, HWV 56, Pt. 1: Air (Soprano) Rejoice Greatly, O Daughter of Zion
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
4:17
78Messiah, HWV 56, Pt. 1: Recitative (Alto) Then Shall the Eyes of the Blind
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
0:24
79Messiah, HWV 56, Pt. 1: Duet (Alto & Soprano) He Shall Feed His Flock
alto vocals:
Hilary Summers (contralto) (in 1994)
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
4:35
80Messiah, HWV 56, Pt. 1: Chorus. His Yoke is Easy
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
2:20
81Messiah, HWV 56, Pt. 2: Chorus. Behold, the Lamb of God
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:22
82Messiah, HWV 56, Pt. 2: Air (Tenor) He Was Despised and Rejected of Men
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
9:51
83Messiah, HWV 56, Pt. 2: Chorus. Surely He Hath Borne Our Griefs
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:43
84Messiah, HWV 56, Pt. 2: Chorus. And with His Stripes We Are Healed
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:47
85Messiah, HWV 56, Pt. 2: Chorus. All We Like Sheep Have Gone Astray
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:43
86Messiah, HWV 56, Pt. 2: Recitative (Tenor) All They That See Him
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:40
87Messiah, HWV 56, Pt. 2: Chorus. He Trusted in God
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:19
88Messiah, HWV 56, Pt. 2: Recitative (Tenor) Thy Rebuke Hath Broken His Heart
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:48
89Messiah, HWV 56, Pt. 2: Air (Tenor) Behold, and See If There Be Any Sorrow
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
1:22
90Messiah, HWV 56, Pt. 2: Recitative (Tenor) He Was Cut off Out of the Land
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:17
91Messiah, HWV 56, Pt. 2: Air (Soprano) But Thou Didst Not Leave
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
2:20
92Messiah, HWV 56, Pt. 2: Chorus. Lift Up Your Heads
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
2:58
93Messiah, HWV 56, Pt. 2: Recitative (Tenor) Unto Which of the Angels
tenor vocals:
John Mark Ainsley (tenor) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
0:19
94Messiah, HWV 56, Pt. 2: Chorus. Let All the Angels of God Worship Him
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:28
95Messiah, HWV 56, Pt. 2: Air (Alto) Thou Art Gone up on High
alto vocals:
Hilary Summers (contralto) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
3:12
96Messiah, HWV 56, Pt. 2: Chorus. The Lord Gave the Word
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:04
97Messiah, HWV 56, Pt. 2: Air (Soprano) How Beautiful Are the Feet
soprano vocals:
Lynne Dawson (soprano) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
2:03
98Messiah, HWV 56, Pt. 2: Chorus. Their Sound is Gone Out
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
1:30
99Messiah, HWV 56, Pt. 2: Air (Bass) Why Do the Nations?
bass vocals:
Alastair Miles (operatic bass) (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:26
100Messiah, HWV 56, Pt. 2: Chorus. Let Us Break Their Bonds Asunder
vocals:
The Choir of King’s College, Cambridge (in 1994)
orchestra:
The Brandenburg Consort (in 1994)
conductor:
Stephen Cleobury (organist, conductor) (in 1994)
recorded at:
Pieterskerk (Leiden) in Leiden, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1994)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:43
This medium has too many tracks to load at once; currently showing 100 out of 112 total. Load all tracks...