The Ultimate Collection: Car Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
2Shout
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.54:02
3Get Down on It
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Kool & the Gang43:30
4It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:18
5With a Little Help From My Friends
Wet Wet Wet2:37
6You Take Me Up
Thompson Twins4:25
7The Look of Love, Part 1
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3:28
8Say Hello, Wave Goodbye
recording of:
Say Hello, Wave Goodbye
lyricist:
Marc Almond (English pop singer and songwriter)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
Soft Cell5:24
9Open Your Heart
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1988)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
recording of:
Open Your Heart (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis and Philip Oakey
The Human League3.53:53
10Jackie Wilson Said (I’m in Heaven When You Smile)
Dexys Midnight Runners3:05
11I Can Make You Feel Good
recording engineer and mixer:
Steve Hodge (engineer and producer)
engineer:
Bob Brown (recording, mixing and mastering engineer) and Jim Shifflett
producer:
Leon Sylvers III
drums (drum set):
Ed Greene (drummer)
guitar:
Ernest "Pepper" Reed (guitarist)
guitar [uncredited]:
Earnest Reed
instruments:
Leon Sylvers III
keyboard [uncredited]:
Joey Gallo (songwriter, producer and keyboardist) and Rickey Smith (funk/soul songwriter & keyboard player)
percussion:
Wayne Milstein
background vocals:
Jeffrey Daniel (soul singer), Howard Hewett and Jody Watley
lead vocals:
Howard Hewett
arranger:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer), Leon Sylvers III and William Shelby
recording of:
I Can Make You Feel Good
writer:
Howard Hewett, Renwick Jackson and William Shelby
Shalamar44:16
12Feels Like I’m in LoveKelly Marie3:16
13Mama Used to Say
recording of:
Mama Used to Say
writer:
Bob Carter (keyboardist for Linx) and Junior Giscombe (Norman Washington Giscombe, Jr.)
Junior3:35
14I Only Wanna Be With You
engineer:
Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Dave Ford (remixer, producer & technician known for work with SAW)
recorded at and mixed at:
PWL Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
I Only Want to Be With You (Dusty Springfield song)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
Samantha Fox42:43
15I Ran
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
performer:
A Flock of Seagulls (in 1982)
phonographic copyright (℗) by:
Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls43:39
16Happy Hour
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
bass guitar:
Norman Cook (in 1986)
chimes:
P.d. Heaton (in 1986)
drums (drum set):
Hugh Whitaker (in 1986)
guitar:
Stan Cullimore (in 1986)
background vocals:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) and Hugh Whitaker (in 1986)
lead vocals:
Paul Heaton (in 1986)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Happy Hour (in 1986)
lyricist:
Paul Heaton
composer:
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:20
17Walk the Dinosaur
Was (Not Was)3:33
18Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King (bass guitarist and vocalist)
Level 4233:55
19The Loco‐Motion
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present), PWL International Ltd. (in 1988) and KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kylie Minogue3.53:13
20When I Fall in Love
miscellaneous support:
Nat King Cole (task: dedicated to)
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer and mixer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Matt Aitken (in 1987) and Mike Stock (of Stock Aitken Waterman) (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick Astley (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
cover recording of:
When I Fall in Love (in 1987)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rick Astley3:02
2CD
#TitleArtistRatingLength
1Take Me to Church
producer:
Andrew Hozier‐Byrne (Irish singer/songwriter) and Rob Kirwan
mixer:
Rob Kirwan
bass:
Alex Ryan (multi-instrumentalist)
cello:
Kate Ellis (Irish cellist)
drums (drum set) and percussion:
Fiachra Kinder
guitar, piano and synthesizer:
Andrew Hozier‐Byrne (Irish singer/songwriter)
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographic copyright (℗) by:
Rubyworks (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 481)
recording of:
Take Me to Church
lyricist, composer and arranger:
Andrew Hozier‐Byrne (Irish singer/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC and The Evolving Music Co. Ltd.
Hozier4.34:01
2Hey BrotherAvicii2.53:11
3Love Me Again
recording of:
Love Me Again
writer:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry') and John Newman (English singer)
publisher:
B Unique Limited and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
John Newman43:34
4Moves Like Jagger
bass:
Mickey Madden
drums (drum set) and percussion:
Matt Flynn (Maroon 5 drummer)
guitar:
James Valentine (Maroon 5)
keyboard:
PJ Morton
background vocals and lead vocals:
Adam Levine (Maroon 5’s lead vocalist)
remix of:
Moves Like Jagger by Maroon 5 (fka Kara’s Flowers (1994-2001)) feat. Christina Aguilera
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012), Billboard Year-End Hot 100 singles of 2011 (number: 9) and Billboard Year-End Hot 100 singles of 2012 (number: 36)
recording of:
Moves Like Jagger
writer:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik and Shellback
Maroon 5 feat. Christina Aguilera3.753:21
5California Gurls
programming:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) and Max Martin (Swedish record producer) (in 2010)
assistant engineer:
Aniela Gottwald and Tim Roberts (engineer)
engineer:
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) and Emily Wright
producer:
benny blanco (producer Benjamin Levin), Dr. Luke and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
drums (drum set) and keyboard:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) and Max Martin (Swedish record producer) (in 2010)
other instruments:
Tamra Natisin (in 2010)
guest vocals:
Snoop Dogg (US rapper) (in 2010)
vocals:
Katy Perry (in 2010)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 2010)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2010 (number: 4) and BILLIONS CLUB
recording of:
California Gurls (in 2010)
writer:
Benjamin Levin (producer Benjamin Levin), Calvin Broadus (aka Snoop Dogg), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee and Katy Perry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Copyrights SARL, MXM Music AB, My Own Chit Publishing, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), EMI Blackwood Music Inc. (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and Where da Kasz At (in 2010)
Katy Perry feat. Snoop Dogg3.753:53
6Next to Me
programming and producer:
Craze & Hoax, James Murray (British electronic music composer & producer) and Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistant mixer:
Ben Baptie
mixer:
Tom Elmhirst (mixing engineer)
electric bass guitar:
Anup Paul (British singer-songwriter, musician, producer and engineer)
instruments:
Craze & Hoax, James Murray (British electronic music composer & producer) and Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
piano:
Neil Cowley
background vocals:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
choir vocals:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) and Jack Vasiliou
lead vocals:
Emeli Sandé
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 88)
recording of:
Next to Me
additional writer:
Kendrick Lamar
writer:
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze and Emeli Sandé
publisher:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:14
7Can’t Feel My Face
recording engineer and engineer:
Sam Holland (sound engineer)
additional programming:
Max Martin (Swedish record producer)
programming:
Ali Payami
assistant engineer:
Cory Bice and Jeremy Lertola
producer:
Max Martin (Swedish record producer) and Ali Payami
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
additional keyboard [keys] and guitar [guitars]:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
bass, drums (drum set), keyboard [keys] and synthesizer [synths]:
Ali Payami
vocals arranger:
Peter Carlsson (engineer)
phonographic copyright (℗) by:
The Weeknd XO, Inc.
recorded at and engineered at:
MXM Studios in Los Angeles, California, United States and Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 12), BILLIONS CLUB and Billboard Year-End Hot 100 singles of 2016 (number: 72)
recording of:
Can’t Feel My Face
writer:
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB and Wolf Cousins
The Weeknd3.93:32
8Love Me Like You Do
recording of:
Love Me Like You Do
writer:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami and Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB and Wolf Cousins
Ellie Goulding43:55
9Back to Black
recording of:
Back to Black
writer:
Mark Ronson (British DJ and producer) and Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse3:11
10America
additional engineer:
Chris Thomas (UK record producer / remixer)
engineer:
Sam Miller (alias of Hanno Leichtmann)
producer:
Razorlight
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
12 string guitar, mellotron, organ and Rhodes piano:
Björn Ågren (guitarist)
bass and piano:
Carl Dalemo
drums (drum set) and background vocals:
Andy Burrows (songwriting drummer)
guitar:
Björn Ågren (guitarist), Johnny Borrell and Carl Dalemo
vocals:
Johnny Borrell
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
America
writer:
Johnny Borrell and Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:09
11Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.153:29
12Have a Nice Day
producer:
Marshall Bird and Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:23
13Rise
samples:
Knockin’ on Heaven’s Door by Bob Dylan
recording of:
Rise (in 1999)
writer:
Ollie Dagois (UK producer/songwriter), Bob Dylan, Louise Gabrielle Bobb (British singer‐songwriter) and Ferdy Unger-Hamilton
publisher:
Ram’s Horn Music
Gabrielle3.753:36
14You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree3.33:58
15Love Me for a Reason
producer:
Ray “Madman” Hedges
keyboard [keyboards]:
Martin Brannigan
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Martin Brannigan and Ray Hedges
phonographic copyright (℗) by:
Polygram Ireland Ltd. (in 1994)
cover recording of:
Love Me for a Reason
writer:
Johnny Bristol, Wade Brown Jr. and David Henry Jones
publisher:
Jobete Music (UK) Ltd. and Jobete Music Ltd (in 1974)
Boyzone3.53:38
16Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:40
17Going for Gold
recording of:
Going for Gold
composer:
Paul Banks (UK guitarist for Shed Seven/The Rising), Tom Gladwin, Alan Leach and Rick Witter
Shed Seven34:22
18Black Eyed Boy
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald and Texas (Scottish pop rock band)
sound engineer:
Ash Howes (British mixer, writer and musician)
producer and mixer:
Texas (Scottish pop rock band)
recording of:
Black Eyed Boy
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Richard Hynd, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas3:09
19When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:11
20Let Me Entertain You
programming:
Kerry Hopwood and Steve Power
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Chris Sharrock
guitar:
Fil Eisler (Czech score composer) and Chester Kamen
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer)
percussion:
Andy Duncan (UK drummer and producer)
solo trumpet:
Steve Sidwell (English composer & wind instrumentalist) and Derek Watkins (trumpeter)
background vocals:
Claudia Fontaine (vocals, background vocals), Beverley Skeete, Carroll Thompson and Robbie Williams
vocals:
Robbie Williams
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Steve Sidwell (English composer & wind instrumentalist)
phonographic copyright (℗) by:
Chrysalis Records Ltd (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
Let Me Entertain You
lyricist and writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and BMG VM Music Ltd. (from 2013-05 to present)
Robbie Williams44:21
3CD
#TitleArtistRatingLength
1Driving in My Car
music videos:
Driving in My Car by Madness (English pop/ska band)
recording of:
Driving in My Car
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2.53:17
2Rush Hour
producer:
Stephen Hague
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. and Universal Music–MGB Songs
Jane Wiedlin3:59
3Two Tribes
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
part of:
TV Cream: Real 100 Best Singles Ever (number: 27)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:22
4Alive & Kicking
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and Simple Minds Ltd
Simple Minds3.54:45
5The Size of a Cow
engineer:
Al Stone (UK engineer)
producer and mixer:
Mick Glossop (producer & engineer)
bass:
Paul Clifford (The Wonder Stuff)
fiddle and piano:
Martin Bell (violinist for The Wonder Stuff)
guitar:
Miles Hunt and Malcolm Treece
Hammond organ:
James Taylor (UK keyboardist)
membranophone:
Martin Gilks
vocals:
Miles Hunt and Malcolm Treece
recording of:
The Size of a Cow
writer:
The Wonder Stuff (UK alternative rock band)
The Wonder Stuff43:12
6Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:54
7Crazy Crazy Nights
producer:
Ron Nevison
mixer:
Ron Nevison (from 1987-06 until 1987-07)
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1987-06 until 1987-07)
recording of:
Crazy Crazy Nights
writer:
Adam Mitchell (Scottish-Canadian songwriter) and Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 大洋音楽 (Taiyō Music)
KISS43:40
8All Day and All of the Night
producer:
Ted Hayton and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
music videos:
All Day and All of the Night by The Stranglers
cover recording of:
All Day and All of the Night
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Stranglers42:30
9This Is How It FeelsInspiral Carpets3.353:10
10Finally
CeCe Peniston4:07
11The Power
producer:
Snap! (Eurodance)
phonographic copyright (℗) by:
Anzilotti & Münzing (in 1990) and BMG Ariola München GmbH (in 1990)
recording of:
The Power
writer:
Benito Benites, Antoinette Colandero and John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!43:46
12Showing Out (Get Fresh at the Weekend)
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.753:32
13Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:02
14Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:43
15Green Door
Shakin’ Stevens3:11
16Land of Make Believe
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
miscellaneous support:
Andy Hill (English producer & songwriter)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs and Universal Music–Z Tunes LLC
Bucks Fizz3.353:48
17It’s a Love ThingThe Whispers3:44
18My Guy
Tracey Ullman2:54
19Sealed With a Kiss
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jason Donovan22:32
20That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:03
4CD
#TitleArtistRatingLength
1Mamma Mia
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
additional guitar and guitar:
Janne Schaffer (on 1975-03-16)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1975-03-12)
cello:
Kjell Bjurling (Swedish cellist) (on 1975-03-15) and Olle Gustafsson (cellist) (on 1975-03-15)
drums (drum set):
Roger Palm (on 1975-03-12)
electric guitar:
Finn Sjöberg (on 1975-03-12)
marimba:
Benny Andersson (ABBA) (in 1975-03)
oboe:
Lars-Erik Rönn (on 1975-03-15)
viola:
Nils Heie (on 1975-03-15) and Håkan Roos (Swedish violist) (on 1975-03-15)
violin:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (Swedish violinist) (on 1975-03-15), Sixten Strömvall (Swedish violinist) (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (Swedish violinist) (on 1975-03-15)
lead vocals:
Agnetha Fältskog (on 1975-03-12) and Frida (Swedish singer and member of ABBA) (on 1975-03-12)
cello, viola and violin arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Mamma Mia (from 1975-03-12 until 1975-03-16)
written in:
Lidingö municipality, Stockholms län (Stockholm county), Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
translator:
Buddy McCluskey (translator) and Mary McCluskey (translator)
translated version of:
Mamma Mia
ABBA3.83:31
2Don’t Leave Me This Way
Thelma Houston3:34
3Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor2:57
4You Make Me Feel (Mighty Real)
recording of:
You Make Me Feel (Mighty Real)
writer:
Sylvester (US disco and soul singer-songwriter) and James Wirrick
Sylvester3:50
5Light My Fire
Amii Stewart3:51
6Rapper’s Delight
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3.63:55
7Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat4.753:05
8One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:31
9Up the Junction
recording of:
Up the Junction
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Deptford Songs
Squeeze3:08
10Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:34
11Hersham Boys
producer:
Jimmy Pursey (Founder member of Sham 69) and Peter Wilson (UK Producer)
recording of:
Hersham Boys
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
publisher:
Maxwood Music Ltd.
sub-publisher:
Because Éditions
Sham 693:23
12Whatever You Want
assistant engineer:
Freek Feenstra
engineer:
John Eden (producer) and Barry Hammond
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
mixer:
Simon Sullivan
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
Whatever You Want by Status Quo (UK boogie rock band)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo44:00
13The Ballroom Blitz
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
The Sweet4:01
14The Time Warp (live)
Jason Donovan & The Rocky Horror Show Cast4:16
15Rubber Bullets
recording of:
Rubber Bullets
writer:
Lol Creme, Kevin Godley and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1973)
10cc4:46
16It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:28
17Isn’t She Lovely
David Parton4:07
18Can You Feel the Force
recording of:
Can You Feel the Force
writer:
Chris Amoo and Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4:06
19And the Beat Goes OnThe Whispers3.353:25
20We Got the Funk
recording of:
We Got the Funk
writer:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds and Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (ended), B.I.B. Music and Songs of Universal, Inc. (BMI)
Positive Force3:20
5CD
#TitleArtistRatingLength
1Dancing in the Street
recording of:
Dancing in the Street
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves and the Vandellas2:39
2California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:38
3It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
4Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces42:33
5Ain’t No Mountain High Enough
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell2:25
6Beach Baby
phonographic copyright (℗) by:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4.54:48
7My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:47
8Sweets for My Sweet
recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers2:26
9She’s Not There
The Zombies2:24
10Go Now
The Moody Blues3:10
11Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:21
12Gimme Dat Ding
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 86)
recording of:
Gimme Dat Ding
writer:
Albert Hammond and Mike Hazlewood
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/Dick James Music Ltd. (fka Dick James Music Ltd.) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The Pipkins2:11
13Melting Pot
recording of:
Melting Pot (Blue Mink Song)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Polygram Island Music Publishing
Blue Mink3:47
14Young Gifted & Black
producer:
Harry Johnson
cover recording of:
To Be Young, Gifted and Black
lyricist:
Weldon Irvine
composer:
Nina Simone
Bob & Marcia3:06
15Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:43
16Let Your Yeah Be Yeah
The Pioneers3:06
17You Keep Me Hangin’ On
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Diana Ross & The Supremes2:41
18I Couldn’t Live Without Your Love
recording of:
I Couldn’t Live Without Your Love
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
Welbeck Music Ltd.
Petula Clark2:53
19Guantanamera
The Sandpipers3:12
20Streets of London
producer:
Gus Dudgeon
guitar:
Ralph McTell (in 1969)
vocals:
Ralph McTell (in 1969)
recording of:
Streets of London (in 1969)
lyricist and composer:
Ralph McTell
publisher:
Essex Music International and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell4:06

Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 048) (order: 35)