The Ultimate Collection: Car Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
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Nr.TitelKünstlerBewertungLänge
1Take Me to Church
Produzent(in):
Andrew Hozier‐Byrne (Irish singer/songwriter) und Rob Kirwan
Mix:
Rob Kirwan
Bass:
Alex Ryan (multi-instrumentalist)
Cello:
Kate Ellis (Irish cellist)
Gitarre, Klavier und Synthesizer:
Andrew Hozier‐Byrne (Irish singer/songwriter)
Perkussion und Schlagzeug:
Fiachra Kinder
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographisches Urheberrecht (℗) von:
Rubyworks (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 481)
recording of:
Take Me to Church
Texter, Komponist(in) und arranger:
Andrew Hozier‐Byrne (Irish singer/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC und The Evolving Music Co. Ltd.
Hozier3.94:01
2Hey BrotherAvicii2.53:11
3Love Me Again
recording of:
Love Me Again
Verfasser(in):
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry') und John Newman (English singer)
publisher:
B Unique Limited und Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
John Newman43:34
4Moves Like Jagger
Bass:
Mickey Madden
Gitarre:
James Valentine (Maroon 5)
Keyboard:
PJ Morton
Perkussion und Schlagzeug:
Matt Flynn (Maroon 5 drummer)
Hintergrundgesang und Sologesang:
Adam Levine (Maroon 5’s lead vocalist)
Remix von:
Moves Like Jagger von Maroon 5 (American pop rock band) feat. Christina Aguilera
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2012), Billboard Year-End Hot 100 singles of 2011 (Nummer: 9) und Billboard Year-End Hot 100 singles of 2012 (Nummer: 36)
recording of:
Moves Like Jagger
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik und Shellback
Maroon 5 feat. Christina Aguilera3.43:21
5California Gurls
Programmierung:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) und Max Martin (Swedish record producer) (in 2010)
assistierende(r) Techniker(in):
Aniela Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Produzent(in):
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
Mix:
Serban Ghenea
andere Instrumente:
Tamra Natisin (in 2010)
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) und Max Martin (Swedish record producer) (in 2010)
Gast vocals:
Snoop Dogg (US rapper) (in 2010)
vocals:
Katy Perry (in 2010)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2010)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 4) und BILLIONS CLUB
recording of:
California Gurls (in 2010)
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Calvin Broadus (aka Snoop Dogg), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Copyrights SARL, MXM Music AB, My Own Chit Publishing, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), EMI Blackwood Music Inc. (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und Where da Kasz At (in 2010)
Katy Perry feat. Snoop Dogg43:53
6Next to Me
Programmierung und Produzent(in):
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistierende(r) Mix:
Ben Baptie
Mix:
Tom Elmhirst (mixing engineer)
E-Bass:
Anup Paul (British singer-songwriter, musician, producer and engineer)
Instrumente:
Craze & Hoax, James Murray (British electronic music composer & producer) und Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
Klavier:
Neil Cowley
Chorgesang:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) und Jack Vasiliou
Hintergrundgesang:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
Sologesang:
Emeli Sandé
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 88)
recording of:
Next to Me
Verfasser(in):
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze und Emeli Sandé
zusätzliche(r) Verfasser(in):
Kendrick Lamar
publisher:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:14
7Can’t Feel My Face
recording engineer und Techniker(in):
Sam Holland (sound engineer)
Programmierung:
Ali Payami
zusätzliche Programmierung:
Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Cory Bice und Jeremy Lertola
Produzent(in):
Max Martin (Swedish record producer) und Ali Payami
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Bass, Keyboard [keys], Schlagzeug und Synthesizer [synths]:
Ali Payami
Gitarre [guitars] und zusätzlich Keyboard [keys]:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
vocals arranger:
Peter Carlsson (engineer)
phonographisches Urheberrecht (℗) von:
The Weeknd XO, Inc.
aufgenommen bei und engineered at:
MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 12), BILLIONS CLUB und Billboard Year-End Hot 100 singles of 2016 (Nummer: 72)
recording of:
Can’t Feel My Face
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB und Wolf Cousins
The Weeknd3.93:32
8Love Me Like You Do
recording of:
Love Me Like You Do
Verfasser(in):
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Tove Lo
publisher:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
Ellie Goulding43:55
9Back to Black
recording of:
Back to Black
Verfasser(in):
Mark Ronson (British DJ and producer) und Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse3:11
10America
Techniker(in):
Sam Miller (alias of Hanno Leichtmann)
zusätzliche(r) Techniker(in):
Chris Thomas (UK record producer / remixer)
Produzent(in):
Razorlight
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bass und Klavier:
Carl Dalemo
Gitarre:
Björn Ågren (guitarist), Johnny Borrell und Carl Dalemo
mellotron, Orgel, Rhodes Piano und zwölfsaitige Gitarre:
Björn Ågren (guitarist)
Schlagzeug und Hintergrundgesang:
Andy Burrows (songwriting drummer)
vocals:
Johnny Borrell
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
America
Verfasser(in):
Johnny Borrell und Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:09
11Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols4.053:29
12Have a Nice Day
Produzent(in):
Marshall Bird und Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:23
13Rise
Samples:
Knockin’ on Heaven’s Door von Bob Dylan
recording of:
Rise (in 1999)
Verfasser(in):
Ollie Dagois (UK producer/songwriter), Bob Dylan, Louise Gabrielle Bobb (British singer‐songwriter) und Ferdy Unger-Hamilton
publisher:
Ram’s Horn Music
Gabrielle3.753:36
14You Gotta Be
drum machine-Programmierung:
Kevin Clarke (in 1999)
Koproduzent(in):
Des’ree und Ashley Ingram
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Keyboard:
Ashley Ingram (in 1999)
Saiteninstrumente arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
Verfasser(in):
Des’ree und Ashley Ingram
Des’ree2.93:58
15Love Me for a Reason
Produzent(in):
Ray “Madman” Hedges
Keyboard [keyboards]:
Martin Brannigan
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Martin Brannigan und Ray Hedges
phonographisches Urheberrecht (℗) von:
Polygram Ireland Ltd. (in 1994)
cover recording of:
Love Me for a Reason
Verfasser(in):
Johnny Bristol, Wade Brown Jr. und David Henry Jones
publisher:
Jobete Music (UK) Ltd. und Jobete Music Ltd (in 1974)
Boyzone3.53:38
16Fly Away
Programmierung:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel und Eric Rehl
Techniker(in) und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Lenny Kravitz
Bass, Gitarre, Schlagzeug, Hintergrundgesang und Sologesang:
Lenny Kravitz
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
Texter und Komponist(in):
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:40
17Going for Gold
recording of:
Going for Gold
Komponist(in):
Paul Banks (UK guitarist for Shed Seven/The Rising), Tom Gladwin, Alan Leach und Rick Witter
Shed Seven34:22
18Black Eyed Boy
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
recording of:
Black Eyed Boy
Texter und Komponist(in):
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Richard Hynd, Johnny McElhone und Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. und BMG 10 Music Ltd.
Texas3:09
19When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:11
20Let Me Entertain You
Programmierung:
Kerry Hopwood und Steve Power
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre:
Fil Eisler (Czech score composer) und Chester Kamen
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer)
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Solo-Trompete:
Steve Sidwell (English composer & wind instrumentalist) und Derek Watkins (trumpeter)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals), Beverley Skeete, Carroll Thompson und Robbie Williams
vocals:
Robbie Williams
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
Let Me Entertain You
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Robbie Williams44:21
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Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, ULTIM5CD) (Nummer: 048) (Reihenfolge: 35)