Handel's Messiah

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleRatingLength
A1Overture
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:10
A2Comfort Ye
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:51
A3Ev'ry Valley Shall Be Exhalted
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
7:51
A4And The Glory Of The Lord
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:23
A5Thus Saith The Lord
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
4:37
A6But Who May Abide
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:08
B1And He Shall Purify
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:37
B2Behold A Virgin
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
1:11
B3Oh Thou That Tellest
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
6:32
B4For, Behold, Darkness Shall Cover The Earth
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:56
B5The People That Walked In Darkness
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:13
B6For Into Us A Child Is Born
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
4:18
B7Pastorale Symphony
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:40
2▼12" Vinyl
#TitleRatingLength
C1There Were Shepherds Abiding In The Field
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:29
C2Glory To God
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
1:42
C3Rejoice Greatly
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
5:27
C4Then Shall The Eyes Of The Blind Be Open'd
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:31
C5He Shall Feed His Flock
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
7:20
C6His Yolk Is Easy
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:45
C7Behold The Lamb Of God
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:41
D1He Was Despised And Rejected Of Men
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
5:19
D2Surely, He Hath Borne Our Griefs
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:58
D3And With His Stripes We Are Healed
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
1:59
D4All We Like Sheep Have Gone Astray
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
4:14
D5All They That See Him
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
1:00
D6He Trusted In God
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:52
D7Thy Rebuke Hath Broken His Heart
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:49
D8He Was Cut Off From The Land Of The Living
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:30
D9But Thou Didst Not Leave His Soul In Hell
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:52
3▼12" Vinyl
#TitleRatingLength
E1Lift Up Your Heads
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:10
E2How Beautiful Are The Feet
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:11
E3Why Do The Nations
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:00
E4Let Us Break Their Bonds Asunder
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
1:55
E5He That Dwelleth In Heaven
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:19
E6Thou Shalt Break Them
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
2:18
E7Hallelujah
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
4:26
E8I Know That My Redeemer Liveth
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
8:03
F1Since My Man Came Death
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:55
F2For As In Adam
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:34
F3Even So In Christ
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:36
F4Behold, I Tell You A Mystery
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
0:42
F5The Trumpet Shall Sound
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
9:11
F6Worthy Is The Lamb
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
3:57
F7Amen
harpsichord:
George Malcolm (English harpsichordist, conductor)
organ:
Harold Darke
bass vocals:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
soprano vocals:
April Cantelo (soprano)
tenor vocals:
Wilfred Brown (tenor)
orchestra:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
performer:
London Philharmonic Choir
recorded at:
St Mary Magdalene (Paddington) in London (Greater London), England, United Kingdom
4:22