Handel's Messiah

~ Veröffentlichung von George Frideric Handel (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶12"-Vinyl
2▼12"-Vinyl
Nr.TitelBewertungLänge
C1There Were Shepherds Abiding In The Field
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
2:29
C2Glory To God
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
1:42
C3Rejoice Greatly
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
5:27
C4Then Shall The Eyes Of The Blind Be Open'd
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
0:31
C5He Shall Feed His Flock
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
7:20
C6His Yolk Is Easy
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
2:45
C7Behold The Lamb Of God
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
3:41
D1He Was Despised And Rejected Of Men
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
5:19
D2Surely, He Hath Borne Our Griefs
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
2:58
D3And With His Stripes We Are Healed
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
1:59
D4All We Like Sheep Have Gone Astray
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
4:14
D5All They That See Him
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
1:00
D6He Trusted In God
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
2:52
D7Thy Rebuke Hath Broken His Heart
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
3:49
D8He Was Cut Off From The Land Of The Living
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
0:30
D9But Thou Didst Not Leave His Soul In Hell
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orgel:
Harold Darke
Bass-Gesang:
Roger Stalman (operatic bass)
contralto vocals:
Helen Watts (contralto)
Soprangesang:
April Cantelo (soprano)
Tenor-Gesang:
Wilfred Brown (tenor)
Orchester:
The London Orchestra
conductor:
Walter Susskind (conductor)
chorus master:
Frederick Jackson (bell ringer and chorus master)
Interpret(in):
London Philharmonic Choir
aufgenommen bei:
St Mary Magdalene (Paddington) in London (Greater London), England, Vereinigtes Königreich
2:52
3▶12"-Vinyl

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