Cantatas BWV 18 / 59 / 89 / 90 / 106 / 118 / 152 / 161 / 182

~ Release by Johann Sebastian Bach; Sheila Armstrong, Rotraud Hansmann, Julia Falk, Helen Watts, Kurt Equiluz, Bert van t'Hoff, Max van Egmond, Jacques Villisech, Monteverdi‐Chor Hamburg, Jürgen Jürgens (see all versions of this release, 1 available)

Tracklist

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1▼Medium
#TitleArtistRatingLength
1Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: I. Sonatina
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1963-05-22 until 1963-05-30)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1963-05-22 until 1963-05-30)
conductor:
Jürgen Jürgens (chorus master and conductor) (from 1963-05-22 until 1963-05-30)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1963-05-22 until 1963-05-30)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:45
2Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: II. Coro: Gottes Zeit Ist Die Allerbeste Zeit / [Arioso] (Tenore): Ach, Herr, Lehre Uns Bedenken / [Arioso] (Basso): Bestelle Dein Haus / Coro: Es Ist Der Alte Bund
bass vocals:
Jacques Villisech (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
tenor vocals:
Bert van t'Hoff (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach8:54
3Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: III. [Aria] (Alto): In Deine Hände Befehl Ich Meinen Geist / [Arioso; Chorale] (Basso/Alto): Heute Wirst Du Mit Mir Im Paradies Sein
alto vocals:
Julia Falk (alto/contralto)
bass vocals:
Jacques Villisech (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:40
4Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: IV. Coro: Glorie, Lob, Ehr Und Herrlichkeit
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:49
5Cantata "Himmelskönig, Sei Willkommen" BWV 182: I. Sonata
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1963-05-22 until 1963-05-30)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1963-05-22 until 1963-05-30)
conductor:
Jürgen Jürgens (chorus master and conductor) (from 1963-05-22 until 1963-05-30)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1963-05-22 until 1963-05-30)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:05
6Cantata "Himmelskönig, Sei Willkommen" BWV 182: II. Coro: Himmelskönig Sei Willkommen
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:17
7Cantata "Himmelskönig, Sei Willkommen" BWV 182: III. Recitativo (Basso): Siehe, Siehe, Ich Komme
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:51
8Cantata "Himmelskönig, Sei Willkommen" BWV 182: IV. Aria (Basso): Starkes Lieben, Das Dich, Grosser Gottessohn
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:31
9Cantata "Himmelskönig, Sei Willkommen" BWV 182: V. Aria (Alto): Leget Euch Dem Heiland Unter, Herzen
alto vocals:
Julia Falk (alto/contralto)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach7:02
10Cantata "Himmelskönig, Sei Willkommen" BWV 182: VI. Aria (Tenore): Jesu, Laß Durch Wohl Und Weh, Mich Auch Mit Dir Ziehen
tenor vocals:
Bert van t'Hoff (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach5:39
11Cantata "Himmelskönig, Sei Willkommen" BWV 182: VII. Choral (Coro): Jesu, Deine Passion Ist Mir Lauter Freude
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:28
12Cantata "Himmelskönig, Sei Willkommen" BWV 182: VIII. Coro: So Lasset Uns Gehen In Salem Der Freuden
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:14
13Cantata "Tritt Auf Die Glaubensbahn" BWV152: I. Concerto
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:25
14Cantata "Tritt Auf Die Glaubensbahn" BWV152: II. Aria (Basso): Tritt Auf Die Glaubensbahn
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:13
15Cantata "Tritt Auf Die Glaubensbahn" BWV152: III. Recitativo (Basso): Der Heiland Ist Gesetzt In Israel
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:41
16Cantata "Tritt Auf Die Glaubensbahn" BWV152: IV. Aria (Soprano): Stein, Der Über Alle Schätze
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:15
17Cantata "Tritt Auf Die Glaubensbahn" BWV152: V. Recitativo (Basso): Es Ärgre Sich Die Kluge Welt
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:18
18Cantata "Tritt Auf Die Glaubensbahn" BWV152: VI. Duet (Soprano/Basso): Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?
bass vocals:
Jacques Villisech (bass-baritone)
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:51
19Motet "O Jesu Christ, Mein's Lebens Licht" BWV 118
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1967)
organ:
Gustav Leonhardt (conductor, harpsichordist) (in 1967)
choir vocals:
Monteverdi‐Chor Hamburg (in 1967)
orchestra:
Concerto Amsterdam (in 1967)
conductor:
Jürgen Jürgens (chorus master and conductor) (in 1967)
performer:
Jaap Schröder (Dutch violinist and conductor) (in 1967)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands and Hervormde kerk (Rhoon) in Rhoon, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1967)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (from 1966 until 1967)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
Johann Sebastian Bach3:45
2▼Medium
#TitleArtistRatingLength
1Cantata "Gleichwie Der Regen Und Schnee Vom Himmel Fällt" BWV 18: I. Sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (catch-all for all versions) (from 1964-02-10 until 1964-02-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach3:09
2Cantata "Gleichwie Der Regen Und Schnee Vom Himmel Fällt" BWV 18: II. Recitativo (Basso): Gleichwie Der Regen Und Schnee Vom Himmel Fällt
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (catch-all for all versions) (from 1964-02-10 until 1964-02-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach1:06
3Cantata "Gleichwie Der Regen Und Schnee Vom Himmel Fällt" BWV 18: III. Recitativo (Tenore/Basso/[Coro]): Mein Gott, Hier Wird Mein Herze Sein
bass vocals:
Jacques Villisech (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
tenor vocals:
Bert van t'Hoff (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (catch-all for all versions) (from 1964-02-10 until 1964-02-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach5:20
4Cantata "Gleichwie Der Regen Und Schnee Vom Himmel Fällt" BWV 18: IV. Aria (Soprano): Mein Seelenschatz Ist Gottes Wort
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (catch-all for all versions) (from 1964-02-10 until 1964-02-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach3:04
5Cantata "Gleichwie Der Regen Und Schnee Vom Himmel Fällt" BWV 18: V. Choral (Coro): Ich Bitt, O Herr, Aus Herzensgrund
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (catch-all for all versions) (from 1964-02-10 until 1964-02-11)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt" (catch-all for all versions)
Johann Sebastian Bach1:18
6Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: I. Aria (Basso): Was Soll Ich Aus Dir Machen, Ephraim?
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 1969-03-31 until 1969-04-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach3:39
7Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: II. Recitativo (Alto): Ja, Freilich Sollte Gott Ein Wort Zum Urtheil Sprechen
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 1969-03-31 until 1969-04-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:49
8Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: III. Aria (Alto): Ein Unbarmherziges Gerichte Wird Über Dich Gewiss Ergehn
alto vocals:
Helen Watts (contralto)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 1969-03-31 until 1969-04-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach3:07
9Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: IV. Recitativo (Soprano): Wohlan! Mein Herze Legt Zorn, Zank Und Zwietracht Hin
soprano vocals:
Sheila Armstrong (soprano)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 1969-03-31 until 1969-04-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:02
10Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: V. Aria (Soprano): Gerechter Gott, Ach, Rechnest Du?
soprano vocals:
Sheila Armstrong (soprano)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 1969-03-31 until 1969-04-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:33
11Cantata "Was Soll Ich Aus Dir Machen, Ephraim?" BWV 89: VI. Choral (Coro): Mir Mangelt Zwar Sehr Viel
choir vocals:
Junge Kantorei (Not the choir based in Freiburg)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 1969-03-31 until 1969-04-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:54
12Cantata "Es Reifet Euch Ein Schrecklich Ende" BWV 90: I. Aria (Tenore): Es Reifet Euch Ein Schrecklich Ende
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1965-09-05 until 1965-09-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach6:41
13Cantata "Es Reifet Euch Ein Schrecklich Ende" BWV 90: II. Recitativo (Alto): Des Höchsten Güte Wird Von Tag Zu Tage Neu
alto vocals:
Helen Watts (contralto)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1965-09-05 until 1965-09-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:34
14Cantata "Es Reifet Euch Ein Schrecklich Ende" BWV 90: III. Aria (Basso): So Löschet Im Eifer Der Rächende Richter
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1965-09-05 until 1965-09-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:44
15Cantata "Es Reifet Euch Ein Schrecklich Ende" BWV 90: IV. Recitativo (Tenore): Doch Gottes Auge Sieht Auf Uns Als Auserwählte
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1965-09-05 until 1965-09-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:39
16Cantata "Es Reifet Euch Ein Schrecklich Ende" BWV 90: V. Choral (Coro): Leit Uns Mit Deiner Rechten Hand
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1965-09-05 until 1965-09-08)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:10
17Cantata "Komm, Du Süsse Todesstunde" BWV 161: I. Aria (Alto): Komm, Du Süsse Todesstunde
alto vocals:
Helen Watts (contralto)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:21
18Cantata "Komm, Du Süsse Todesstunde" BWV 161: II. Recitativo (Tenore): Welt, Deine Lust Ist Last
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:14
19Cantata "Komm, Du Süsse Todesstunde" BWV 161: III. Aria (Tenore): Mein Verlangen Ist, Den Heiland Zu Umfangen
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach6:16
20Cantata "Komm, Du Süsse Todesstunde" BWV 161: IV. Recitativo (Alto): Der Schluss Ist Schon Gemacht
alto vocals:
Helen Watts (contralto)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:26
21Cantata "Komm, Du Süsse Todesstunde" BWV 161: V. Coro: Wenn Es Meines Gottes Wille
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach3:59
22Cantata "Komm, Du Süsse Todesstunde" BWV 161: VI. Choral (Coro): Der Leib Ist Zwar In Der Erden Von Würmern Wird Verzehrt
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1965-09-05 until 1965-09-08)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:06
23Cantata "Wer Mich Liebet, Der Wird Mein Wort Halten" BWV 59: I. Duetto (Soprano/Basso): Wer Mich Liebet
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Rotraud Hansmann (soprano)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (from 1967-12-11 until 1967-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach3:58
24Cantata "Wer Mich Liebet, Der Wird Mein Wort Halten" BWV 59: II. Recitativo (Soprano): O, Was Sind Das Vor Ehren
soprano vocals:
Rotraud Hansmann (soprano)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (from 1967-12-11 until 1967-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:06
25Cantata "Wer Mich Liebet, Der Wird Mein Wort Halten" BWV 59: III. Choral (Coro): Komm, Heiliger Geist, Herre Gott!
choir vocals:
Amsterdamer Kantorei
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (from 1967-12-11 until 1967-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:48
26Cantata "Wer Mich Liebet, Der Wird Mein Wort Halten" BWV 59: IV. Aria (Basso): Die Welt Mit Allen Königreichen
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concerto Amsterdam
conductor:
Jaap Schröder (Dutch violinist and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (from 1967-12-11 until 1967-12-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach2:55