Cantatas BWV 18 / 59 / 89 / 90 / 106 / 118 / 152 / 161 / 182

~ Release by Johann Sebastian Bach; Sheila Armstrong, Rotraud Hansmann, Julia Falk, Helen Watts, Kurt Equiluz, Bert van t'Hoff, Max van Egmond, Jacques Villisech, Monteverdi‐Chor Hamburg, Jürgen Jürgens (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleArtistRatingLength
1Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: I. Sonatina
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1963-05-22 until 1963-05-30)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1963-05-22 until 1963-05-30)
conductor:
Jürgen Jürgens (chorus master and conductor) (from 1963-05-22 until 1963-05-30)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1963-05-22 until 1963-05-30)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:45
2Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: II. Coro: Gottes Zeit Ist Die Allerbeste Zeit / [Arioso] (Tenore): Ach, Herr, Lehre Uns Bedenken / [Arioso] (Basso): Bestelle Dein Haus / Coro: Es Ist Der Alte Bund
bass vocals:
Jacques Villisech (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
tenor vocals:
Bert van t'Hoff (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach8:54
3Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: III. [Aria] (Alto): In Deine Hände Befehl Ich Meinen Geist / [Arioso; Chorale] (Basso/Alto): Heute Wirst Du Mit Mir Im Paradies Sein
alto vocals:
Julia Falk (alto/contralto)
bass vocals:
Jacques Villisech (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:40
4Cantata "Gottes Zeit Ist Die Allerbeste Zeit" BWV 106: IV. Coro: Glorie, Lob, Ehr Und Herrlichkeit
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1963-05-22 until 1963-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:49
5Cantata "Himmelskönig, Sei Willkommen" BWV 182: I. Sonata
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1963-05-22 until 1963-05-30)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1963-05-22 until 1963-05-30)
conductor:
Jürgen Jürgens (chorus master and conductor) (from 1963-05-22 until 1963-05-30)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1963-05-22 until 1963-05-30)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:05
6Cantata "Himmelskönig, Sei Willkommen" BWV 182: II. Coro: Himmelskönig Sei Willkommen
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:17
7Cantata "Himmelskönig, Sei Willkommen" BWV 182: III. Recitativo (Basso): Siehe, Siehe, Ich Komme
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:51
8Cantata "Himmelskönig, Sei Willkommen" BWV 182: IV. Aria (Basso): Starkes Lieben, Das Dich, Grosser Gottessohn
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:31
9Cantata "Himmelskönig, Sei Willkommen" BWV 182: V. Aria (Alto): Leget Euch Dem Heiland Unter, Herzen
alto vocals:
Julia Falk (alto/contralto)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach7:02
10Cantata "Himmelskönig, Sei Willkommen" BWV 182: VI. Aria (Tenore): Jesu, Laß Durch Wohl Und Weh, Mich Auch Mit Dir Ziehen
tenor vocals:
Bert van t'Hoff (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach5:39
11Cantata "Himmelskönig, Sei Willkommen" BWV 182: VII. Choral (Coro): Jesu, Deine Passion Ist Mir Lauter Freude
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:28
12Cantata "Himmelskönig, Sei Willkommen" BWV 182: VIII. Coro: So Lasset Uns Gehen In Salem Der Freuden
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (from 1963-05-22 until 1963-05-30)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach4:14
13Cantata "Tritt Auf Die Glaubensbahn" BWV152: I. Concerto
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:25
14Cantata "Tritt Auf Die Glaubensbahn" BWV152: II. Aria (Basso): Tritt Auf Die Glaubensbahn
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:13
15Cantata "Tritt Auf Die Glaubensbahn" BWV152: III. Recitativo (Basso): Der Heiland Ist Gesetzt In Israel
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:41
16Cantata "Tritt Auf Die Glaubensbahn" BWV152: IV. Aria (Soprano): Stein, Der Über Alle Schätze
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:15
17Cantata "Tritt Auf Die Glaubensbahn" BWV152: V. Recitativo (Basso): Es Ärgre Sich Die Kluge Welt
bass vocals:
Jacques Villisech (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:18
18Cantata "Tritt Auf Die Glaubensbahn" BWV152: VI. Duet (Soprano/Basso): Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?
bass vocals:
Jacques Villisech (bass-baritone)
soprano vocals:
Agnes Giebel (soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Jürgen Jürgens (chorus master and conductor)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 1964-02-10 until 1964-02-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:51
19Motet "O Jesu Christ, Mein's Lebens Licht" BWV 118
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1967)
organ:
Gustav Leonhardt (conductor, harpsichordist) (in 1967)
choir vocals:
Monteverdi‐Chor Hamburg (in 1967)
orchestra:
Concerto Amsterdam (in 1967)
conductor:
Jürgen Jürgens (chorus master and conductor) (in 1967)
performer:
Jaap Schröder (Dutch violinist and conductor) (in 1967)
recorded at:
Hervormde Kerk (Bennebroek) in Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands and Hervormde kerk (Rhoon) in Rhoon, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1967)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (from 1966 until 1967)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
Johann Sebastian Bach3:45
2▶Medium