It's Me Opera Arias

~ Release by Jonas Kaufmann (see all versions of this release, 1 available)

Tracklist

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1▼CD: Romantic Arias
#TitleArtistRatingLength
1La Boheme: Che gelida manina
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 2007-08-05 until 2007-08-15)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato5:07
2Carmen: La fleur que tu m'avais jetée
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 2007-08-05 until 2007-08-15)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato4:21
3Martha: Ach! so fromm
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) (from 2007-08-05 until 2007-08-15)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato3:23
4Tosca: E lucevan le stelle
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Cavaradossi]:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 2007-08-05 until 2007-08-15)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato3:21
5Don Carlo: Io l'ho perduta!... Io la vidi, e il suo sorriso
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato3:42
6Der Freischütz: Nein, länger trag' ich nicht die Qualen... Durch die Wälder, durch die Auen
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (from 2007-08-05 until 2007-08-15)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato7:03
7La Traviata: Lunge da lei... De' miei bollenti spiriti... Annina, donde vieni?... Oh mio rimorso
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Jana Sibera (from 2007-08-05 until 2007-08-15)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Oh, mio rimorso! Oh, infamia!” (Alfredo) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Jonas Kaufmann, Jana Sibera, Prague Philharmonic Orchestra, Marco Armiliato7:25
8Manon: Je suis seul!... Ah! Fuyez, douce image
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux) (from 2007-08-05 until 2007-08-15)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato5:17
9Rigoletto: Ella mi fu rapita!... Parmi veder le lagrime
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (from 2007-08-05 until 2007-08-15)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato5:27
10Faust: Quel trouble inconnu me pénètre?... Salut! demeure chaste et pure
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (from 2007-08-05 until 2007-08-15)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato6:14
11Die Meistersinger von Nürnberg: Morgenlich leuchtend (Preislied)
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied) (from 2007-08-05 until 2007-08-15)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato5:16
12La Damnation de Faust: Nature immense, impénetrable et fière (Invocation à la Nature)
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
La Damnation de Faust : Quatrième Partie, scène 16. Invocation à la Nature « Nature immense, impénetrable et fière » (Faust) (from 2007-08-05 until 2007-08-15)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato5:21
13Werther: Toute mon âme est là!... Pourqoi me réveiller
engineer:
Oldřich Slezák (engineer) and Ivan Zbíral
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (from 2007-08-05 until 2007-08-15)
orchestra:
Prague Philharmonic Orchestra (from 2007-08-05 until 2007-08-15)
conductor:
Marco Armiliato (conductor) (from 2007-08-05 until 2007-08-15)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (from 2007-08-05 until 2007-08-15)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (from 2007-08-05 until 2007-08-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato3:12
2▼CD: Sehnsucht
#TitleRatingLength
1Lohengrin: In fernem Land / Mein lieber Schwan!
10:55
2Die Zauberflöte: Dies Bildnis ist bezaubernd schön / Die Weisheitslehre dieser Knaben ... Wie stark ist nicht dein Zauberton
14:21
3Fierrabras: Was Quälst Du Mich, O Mißgeschick! ... In Tiefbewegter Brust
5:56
4Alfonso Und Estrella: Schon Wenn Es Beginnt Zu Tagen
4:38
5Fidelio: Gott! Welch Dunkel Hier!
10:42
6Die Walküre: Winterstürme Wichen Dem Wonnemond
3:48
7Parsifal: Amfortas! - Die Wunde! / Nur Eine Waffe Taugt
18:51
3▼CD: Verismo Arias
#TitleArtistRatingLength
1Giulietta e Romeo: “Giulietta, son io”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
Giulietta e Romeo
composer:
Riccardo Zandonai
librettist:
Arturo Rossato
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:49
2Andrea Chénier: Atto I. “Colpito qui m’avete” / “Un dì all’azzurro spazio”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:54
3Andrea Chénier: Atto IV. “Come un bel dì di maggio”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:52
4L’Arlesiana: Atto II. “È la solita storia” (Lamento di Federico)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
L’Arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’Arlesiana: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:35
5La bohème: Atto III. “Musetta! O gioia della mia dimora!” – “Testa adorata”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La bohème: Atto III. “Ecco, ho finito” / “Musetta! O gioia della mia dimora!” / “Testa adorata” (Marcello, Musette)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto III (Leoncavallo)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:22
6Pagliacci: Atto I. “Recitar!” – “Vesti la giubba”
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (in 2010-03)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2010-03)
conductor:
Antonio Pappano (conductor and pianist) (in 2010-03)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 2010-03)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:42
7Cavalleria rusticana: “Intanto, amici, qua…” – “Viva il vino spumeggiante”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Rosa Feola (soprano)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
chorus master:
Ciro Visco (chorus master)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Ciro Visco, Coro dell’Accademia Nazionale di Santa Cecilia, Rosa Feola, Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:50
8Cavalleria rusticana: “Mamma, quel vino e generoso”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:48
9Mefistofele: Atto I. “Dai campi, dai prati”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:35
10Mefistofele: Epilogo. “Giunto sul passo estremo”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:23
11Fedora: Atto II. “Amor ti vieta”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano1:49
12Adriana Lecouvreur: Atto II. “L’anima ho stanca”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto II. “L’anima ho stanca” (Maurizio, La principessa)
composer:
Francesco Cilea (composer) (, in 1902)
librettist:
Arturo Colautti (, in 1902)
part of:
Adriana Lecouvreur: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:02
13Adriana Lecouvreur: Atto I. “La dolcissima effigie”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio, Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:31
14I Lituani: “Sì… Questa estrema grazia”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
I Lituani: Act III
composer:
Amilcare Ponchielli (composer)
librettist:
Antonio Ghislanzoni
part of:
I Lituani
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:32
15La Gioconda: Atto II. “Cielo e mar”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano5:24
16Ombra di nube
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Ombra di nube
composer:
Licinio Refice (Italian composer & priest, 1883-1954) (in 1935)
librettist:
Emidio Mucci (in 1935)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:23
17Andrea Chénier: Atto IV. “Vicino a te s’acqueta”
soprano vocals:
Eva-Maria Westbroek (Dutch soprano)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Jonas Kaufmann, Eva-Maria Westbroek, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano7:18
4▼CD: Wagner
#TitleArtistRatingLength
1Die Walküre, Erster Aufzug - "Ein Schwert verhieß mir der Vater"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (in 2012-09)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles6:27
2Siegfried, Zweiter Aufzug - "Daß der mein Vater nicht ist...Du holdes Voglein!"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Siegfried, WWV 86C: Akt II, Scene II "Wir sind zur Stelle; bleib’ hier steh’n!" (in 2012-09)
composer:
Richard Wagner (composer) (from 1857-05-20 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt II
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles10:44
3Rienzi, Act 5 "Allmächt'ger Vater, blick herab"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Akt V, Nr. 13. Introduction und Gebet "Allmächt'ger Vater, blick herab!" (in 2012-09)
composer:
Richard Wagner (composer) (from 1838-07 until 1840-11)
librettist:
Richard Wagner (composer)
part of:
Rienzi, der letzte der Tribunen, WWV 49: Akt V
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles9:47
4Tannhäuser, Act 3 "Inbrunst im Herzen"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene III. "Ich hörte Harfenschlag, wie klang er traurig!" (in 2012-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles13:08
5Die Meistersinger von Nürnberg, Act 1 - "Am stillen Herd"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt I, Scene III. "Seid meiner Treue wohl versehen" (in 2012-09)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt I
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles3:47
6Lohengrin, Act 3 "In fernem Land, unnahbar euren Schritten"
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung) (in 2012-09)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles10:25
7Wesendonck Lieder - Der Engel
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles3:11
8Wesendonck Lieder - Stehe still
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles3:49
9Wesendonck Lieder - Im Treibhaus
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles6:07
10Wesendonck Lieder - Schmerzen
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles2:23
11Wesendonck Lieder - Träume
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (in 2012-09)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles4:26