It's Me Opera Arias

~ Release by Jonas Kaufmann (see all versions of this release, 1 available)

Tracklist

1▶CD: Romantic Arias
2▶CD: Sehnsucht
3▼CD: Verismo Arias
#TitleArtistRatingLength
1Giulietta e Romeo: “Giulietta, son io”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
Giulietta e Romeo
composer:
Riccardo Zandonai
librettist:
Arturo Rossato
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:49
2Andrea Chénier: Atto I. “Colpito qui m’avete” / “Un dì all’azzurro spazio”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:54
3Andrea Chénier: Atto IV. “Come un bel dì di maggio”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:52
4L’Arlesiana: Atto II. “È la solita storia” (Lamento di Federico)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
L’Arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’Arlesiana: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano4:35
5La bohème: Atto III. “Musetta! O gioia della mia dimora!” – “Testa adorata”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La bohème: Atto III. “Ecco, ho finito” / “Musetta! O gioia della mia dimora!” / “Testa adorata” (Marcello, Musette)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto III (Leoncavallo)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:22
6Pagliacci: Atto I. “Recitar!” – “Vesti la giubba”
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Jonas Kaufmann (tenor) (in 2010-03)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2010-03)
conductor:
Antonio Pappano (conductor and pianist) (in 2010-03)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 2010-03)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:42
7Cavalleria rusticana: “Intanto, amici, qua…” – “Viva il vino spumeggiante”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Rosa Feola (soprano)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
chorus master:
Ciro Visco (chorus master)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Ciro Visco, Coro dell’Accademia Nazionale di Santa Cecilia, Rosa Feola, Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:50
8Cavalleria rusticana: “Mamma, quel vino e generoso”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:48
9Mefistofele: Atto I. “Dai campi, dai prati”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:35
10Mefistofele: Epilogo. “Giunto sul passo estremo”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:23
11Fedora: Atto II. “Amor ti vieta”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano1:49
12Adriana Lecouvreur: Atto II. “L’anima ho stanca”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto II. “L’anima ho stanca” (Maurizio, La principessa)
composer:
Francesco Cilea (composer) (, in 1902)
librettist:
Arturo Colautti (, in 1902)
part of:
Adriana Lecouvreur: Atto II
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:02
13Adriana Lecouvreur: Atto I. “La dolcissima effigie”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio, Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:31
14I Lituani: “Sì… Questa estrema grazia”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
I Lituani: Act III
composer:
Amilcare Ponchielli (composer)
librettist:
Antonio Ghislanzoni
part of:
I Lituani
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano2:32
15La Gioconda: Atto II. “Cielo e mar”
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano5:24
16Ombra di nube
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Ombra di nube
composer:
Licinio Refice (Italian composer & priest, 1883-1954) (in 1935)
librettist:
Emidio Mucci (in 1935)
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano3:23
17Andrea Chénier: Atto IV. “Vicino a te s’acqueta”
soprano vocals:
Eva-Maria Westbroek (Dutch soprano)
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Jonas Kaufmann, Eva-Maria Westbroek, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano7:18
4▶CD: Wagner