The Very Best of Jazz After Dark

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Every Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.653:34
2I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:52
3Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:59
4Midnight Blue
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
drums (drum set):
Bill English (US jazz drummer) (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Midnight Blue (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell4:02
5Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:46
6Somewhere Over the Rainbow
engineer:
Max Bolleman
executive producer:
Steve Backer
bass:
Benoît Quersin (Belgian jazz bassist)
drums (drum set):
Daniel Humair
guitar:
René Thomas (Belgian jazz guitarist)
piano:
Amadeo Thommasi
reeds:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist)
trumpet:
Chet Baker (American jazz trumpeter and vocalist)
instrumental recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:30
7A Taste of Honey
recording engineer:
Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian (US 1940–90s record producer)
alto saxophone:
Paul Desmond (on 1964-07-14)
double bass:
Gene Wright (bass) (on 1964-07-14)
drums (drum set):
Connie Kay (on 1964-07-14)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1964-07-14)
phonographic copyright (℗) by:
BMG Music (in 1965)
instrumental cover recording of:
A Taste of Honey (on 1964-07-14)
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
Paul Desmond44:31
8That Ole Devil Called Love
recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
9Come Rain or Come Shine
recorded in:
New York, New York, United States
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Sarah Vaughan3:25
10Misty
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Misty (original instrumental work)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bob Brookmeyer5:17
11Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
12Blue in Green
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis4.755:27
13In a Sentimental Mood
Michel Petrucciani5:58
14I'm a Fool to Want You
bass:
Bob Cranshaw (on 1965-05-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-05-27)
piano:
Barry Harris (Jazz pianist) (on 1965-05-27)
tenor saxophone:
Dexter Gordon (on 1965-05-27)
trumpet:
Freddie Hubbard (on 1965-05-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-05-27)
instrumental recording of:
I’m a Fool to Want You (on 1965-05-27)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dexter Gordon6:43
15My Foolish Heart
producer:
Creed Taylor
bass:
Chuck Israels (on 1966-02-21)
drums (drum set):
Arnold Wise (on 1966-02-21)
piano:
Bill Evans (pianist) (on 1966-02-21)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1966-02-21)
live instrumental recording of:
My Foolish Heart (on 1966-02-21)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans4:49
16'round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sonny Rollins4:01
17I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:08
2▼CD
#TitleArtistRatingLength
1Mercy Mercy Me
engineer:
Rudy van Gelder (in 1971-09)
producer:
Creed Taylor
baritone saxophone:
Don Ashworth (woodwind) (in 1971-09)
bass:
Ron Carter (US jazz double-bassist) (in 1971-09)
cello:
Maurice Brown (jazz cellist) (in 1971-09), Charles McCracken (cellist) (in 1971-09), Alan Shulman (cellist and composer) (in 1971-09) and Anthony Sophos (in 1971-09)
drums (drum set):
Idris Muhammad (in 1971-09)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
flugelhorn and trumpet:
Eugene Young (in 1971-09)
French horn and trumpet:
Thad Jones (American jazz trumpeter) (in 1971-09)
guitar:
Eric Gale (in 1971-09)
organ:
Richard Tee (in 1971-09)
percussion:
Airto Moreira (percussionist) (in 1971-09)
saxophone:
Grover Washington, Jr. (in 1971-09)
trombone:
Wayne Andre (in 1971-09)
violin:
Julius Brand (in 1971-09), Paul Gershman (in 1971-09), Julius Held (in 1971-09), Leo Kahn (in 1971-09), Harry Katzman (in 1971-09), Raoul Polikian (in 1971-09), Max Pollikoff (in 1971-09) and Paul Winter (violin) (in 1971-09)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1971-09)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-09)
instrumental cover recording of:
Mercy Mercy Me (The Ecology) (in 1971-09)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Grover Washington, Jr.5:07
2Songbird
recording of:
Songbird
composer:
Kenny G (saxophonist)
publisher:
EMI Blackwood Music Inc., High Tech Music, Kenny G Music and Kuzu Music (publisher)
Kenny G4:00
3Theme From "Summer of '42"
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn and trumpet:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Phil Kraus (in 1971-11) and Airto Moreira (percussionist) (in 1971-11)
piccolo:
Hubert Laws (in 1971-11)
vibraphone:
Phil Kraus (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
cover recording of:
The Summer Knows (Summer of ’42; instrumental version) (in 1971-11)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
George Benson5:07
4Fragile
engineer:
Peter Doell
producer:
Todd Cochran
mixer:
Todd Cochran, Peter Doell and Bernie Kirsh
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
cover recording of:
Fragile
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. and Magnetic Publishing Ltd.
Freddie Hubbard4:37
5Go Away Come Back
The John Cameron Quartet5:11
6Meditation
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Meditation (from 1965-01-27 until 1965-01-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay (French lyricist)
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), New Thunder Music Co., Songs of Universal, Inc. (BMI) and 大洋音楽 (Taiyō Music)
translated version of:
Meditação
Astrud Gilberto2:42
7O Grande Amor
Stan Getz4:44
8Once I Loved
recorded in:
New York, New York, United States (on 1962-12-10)
alto saxophone:
Cannonball Adderley (on 1962-12-10) and Paulo Moura (on 1962-12-10)
double bass:
Octavio Bailly Jr. (on 1962-12-10)
guitar:
Durval Ferreira (on 1962-12-10)
membranophone:
Dom Um Romão (on 1962-12-10)
piano:
Sérgio Mendes (on 1962-12-10)
trumpet:
Pedro Paulo (on 1962-12-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Essential Media Group LLC (in 2009)
Cannonball Adderley7:49
9Wave
engineer:
Rudy van Gelder (from 1974-09-24 until 1974-09-26)
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1974-09-24 until 1974-09-26)
drums (drum set):
Connie Kay (from 1974-09-24 until 1974-09-26)
electric guitar [guitar]:
Ed Bickert (from 1974-09-24 until 1974-09-26)
conductor:
Don Sebesky (from 1974-09-24 until 1974-09-26)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1974-09-24 until 1974-09-26)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
instrumental cover recording of:
Wave (original instrumental) (from 1974-09-24 until 1974-09-26)
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
Paul Desmond6:17
10The Girl From Ipanema
Cafe Brazil2:57
11Early Autumn
Harry Allen3:22
12Theme From 'Taxi Driver'
Bernard Herrmann4:05
13These Foolish Things
Chet Baker4:57
14Someone to Watch Over Me
recorded in:
New York, New York, United States (on 1950-09-12)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1950-09-12)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:14