The Very Best of Jazz After Dark

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Every Time We Say Goodbye
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-02-07)
batteria :
Alvin Stoller (il 1956-02-07)
celesta e pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-07)
chitarra :
Barney Kessel (il 1956-02-07)
contrabbasso :
Joe Mondragon (il 1956-02-07)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-02-07)
oboe :
Bob Cooper (US jazz saxophonist) (il 1956-02-07)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-02-07) e Edgar Lustgarten (il 1956-02-07)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-07)
orchestra:
Buddy Bregman Orchestra (il 1956-02-07)
direttore d'orchestra:
Buddy Bregman (il 1956-02-07)
arrangiatore:
Buddy Bregman
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1956)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-07)
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (il 1956-02-07)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.653:34
2I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:52
3Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:59
4Midnight Blue
tecnico di registrazione:
Rudy van Gelder (il 1963-01-07)
produttore:
Alfred Lion
batteria :
Bill English (US jazz drummer) (il 1963-01-07)
chitarra elettrica :
Kenny Burrell (il 1963-01-07)
congas :
Ray Barretto (il 1963-01-07)
contrabbasso :
Major Holley (il 1963-01-07)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1963-01-07)
registrazione di:
Midnight Blue (il 1963-01-07)
compositore:
Kenny Burrell
Kenny Burrell4:02
5Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:46
6Somewhere Over the Rainbow
tecnico:
Max Bolleman
produttore esecutivo:
Steve Backer
ance :
Bobby Jaspar (Belgian 1940-60s tenor saxophonist)
basso :
Benoît Quersin (Belgian jazz bassist)
batteria :
Daniel Humair
chitarra :
René Thomas (Belgian jazz guitarist)
pianoforte :
Amadeo Thommasi
tromba :
Chet Baker (American jazz trumpeter and vocalist)
registrazione strumentale di:
Over the Rainbow (The Wizard of Oz)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:30
7A Taste of Honey
tecnico di registrazione:
Ray Hall (engineer) e Bob Simpson (US jazz engineer/producer)
produttore:
George Avakian (US 1940–90s record producer)
batteria :
Connie Kay (il 1964-07-14)
chitarra elettrica :
Jim Hall (US jazz guitarist, composer & arranger) (il 1964-07-14)
contrabbasso :
Gene Wright (bass) (il 1964-07-14)
sassofono contralto :
Paul Desmond (il 1964-07-14)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1965)
registrazione strumentale cover di:
A Taste of Honey (il 1964-07-14)
paroliere:
Ric Marlow (nel 1960)
compositore:
Bobby Scott (vocals, piano, US musician & producer) (nel 1960)
editore:
Ambassador Music Ltd. e Songfest Music Corp.
Paul Desmond44:31
8That Ole Devil Called Love
registrazione di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
9Come Rain or Come Shine
registrata a:
New York, New York, Stati Uniti
produttore:
George Treadwell
basso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-19)
batteria :
J.C. Heard (il 1950-05-19)
chitarra :
Mundell Lowe (il 1950-05-19)
chitarra elettrica solista :
Mundell Lowe
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-19)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-19)
sassofono tenore :
Budd Johnson (il 1950-05-19)
sassofono tenore solista :
Budd Johnson
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-19)
trombone :
Bennie Green (jazz trombonist) (il 1950-05-19)
voce:
Sarah Vaughan (il 1950-05-19)
orchestra:
with George Treadwell and his All Stars (il 1950-05-19)
registrazione cover di:
Come Rain or Come Shine (il 1950-05-19)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
Sarah Vaughan3:25
10Misty
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrazione di:
Misty (original instrumental work)
compositore:
Erroll Garner
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bob Brookmeyer5:17
11Black Coffee
batteria :
Ed Shaughnessy (il 1953-05-04)
contrabbasso :
Max Wayne (il 1953-05-04)
pianoforte :
Jimmy Rowles (il 1953-05-04)
tromba :
Pete Candoli (il 1953-05-04)
voce:
Peggy Lee (jazz vocalist) (il 1953-05-04)
registrazione cover di:
Black Coffee (1948 song) (il 1953-05-04)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Peggy Lee3:08
12Blue in Green
batteria :
Jimmy Cobb (US jazz drummer) (il 1959-03-02)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-03-02)
pianoforte :
Bill Evans (pianist) (il 1959-03-02)
sassofono tenore :
John Coltrane (il 1959-03-02)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1959-03-02)
registrazione di:
Blue in Green (il 1959-03-02)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter) e Bill Evans (pianist)
editore:
Jazz Horn Music, Musical Frontiers Pub. Co. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Miles Davis4.755:27
13In a Sentimental Mood
Michel Petrucciani5:58
14I'm a Fool to Want You
basso :
Bob Cranshaw (il 1965-05-27)
batteria :
Billy Higgins (US jazz drummer) (il 1965-05-27)
pianoforte :
Barry Harris (Jazz pianist) (il 1965-05-27)
sassofono tenore :
Dexter Gordon (il 1965-05-27)
tromba :
Freddie Hubbard (il 1965-05-27)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1965-05-27)
registrazione strumentale di:
I’m a Fool to Want You (il 1965-05-27)
autore:
Joel Herron (nel 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (nel 1951) e Jack Wolf (nel 1951)
editore:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dexter Gordon6:43
15My Foolish Heart
produttore:
Creed Taylor
basso :
Chuck Israels (il 1966-02-21)
batteria :
Arnold Wise (il 1966-02-21)
pianoforte :
Bill Evans (pianist) (il 1966-02-21)
registrata presso:
Town Hall in Theater District, New York, New York, Stati Uniti (il 1966-02-21)
registrazione dal vivo strumentale di:
My Foolish Heart (il 1966-02-21)
paroliere:
Ned Washington
compositore:
Victor Young (American composer, arranger, violinist & conductor)
arrangiatore:
Les Harris (Sr., arranger)
editore:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music e Patti Washington Music
parte di:
The 22nd Academy Award for Best Original Song (numero: 2)
Bill Evans4:49
16'round Midnight
registrazione di:
’Round Midnight
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Sonny Rollins4:01
17I Loves You Porgy
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1957-12)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:08
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