Love Has Many Faces: A Quartet, a Ballet, Waiting to Be Danced

~ Release by Joni Mitchell (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Act 1: Birth of Rock & Roll Days
#TitleRatingLength
1In France They Kiss on Main Street
assistant engineer:
Ellis Sorkin (in 1975)
engineer:
Henry Lewy (in 1975)
producer:
Joni Mitchell
mixer:
Henry Lewy (in 1975) and Joni Mitchell (in 1975)
acoustic guitar and background vocals and lead vocals:
Joni Mitchell (in 1975)
bass:
Max Bennett (US jazz bassist and session musician) (in 1975)
drums (drum set):
John Guerin (in 1975)
electric guitar:
Robben Ford (blues, jazz & rock guitarist and songwriter) (in 1975) and Jeff Baxter (in 1975)
electric piano:
Victor Feldman (jazz musician) (in 1975)
background vocals:
David Crosby (in 1975), Graham Nash (in 1975) and James Taylor (singer-songwriter and guitarist) (in 1975)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1975)
recording of:
In France They Kiss on Main Street (in 1975)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
53:19
2Ray Dad’s Cadillac
engineer:
Dan Marnien
producer:
Larry Klein and Joni Mitchell
mixer:
Dan Marnien and Mike Shipley (audio engineer, mixer, producer)
bass:
Larry Klein (from 1989 until 1990)
guitar and keyboard:
Joni Mitchell (from 1989 until 1990)
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1989 until 1990)
vocals:
Joni Mitchell (from 1989 until 1990) and Brenda Russell (US singer-songwriter & keyboardist) (from 1989 until 1990)
recording of:
Ray's Dad's Cadillac (from 1989 until 1990)
lyricist and composer:
Joni Mitchell
34:34
3You Turn Me On I’m a Radio
sound engineer:
Henry Lewy
harmonica:
Graham Nash
vocals:
Joni Mitchell
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
You Turn Me On I’m a Radio
publisher:
Joni Mitchell (in 1972)
lyricist and composer:
Joni Mitchell
publisher:
BMI (in 1972)
42:40
4Harlem in Havana
recording of:
Harlem in Havana
lyricist and composer:
Joni Mitchell
34:26
5Car on a Hill
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Wayne Perkins (in 1973)
vocals:
Joni Mitchell (in 1973)
arranger:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Car on a Hill (in 1973)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
43:00
6Dancin’ Clown
producer:
Larry Klein and Joni Mitchell
bass:
Larry Klein (from 1986 until 1987)
drums (drum set) and percussion:
Manu Katché (from 1986 until 1987)
guitar:
Joni Mitchell (from 1986 until 1987) and Steve Stevens (US guitarist and songwriter) (from 1986 until 1987)
keyboard, background vocals and lead vocals:
Joni Mitchell (from 1986 until 1987)
keyboard [fairlight marimba]:
Thomas Dolby (from 1986 until 1987)
guest lead vocals:
Billy Idol (English rock singer‐songwriter) (from 1986 until 1987) and Tom Petty (from 1986 until 1987)
3:52
7River
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
piano:
Joni Mitchell
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 247)
recording of:
River (in 1971)
lyricist and composer:
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp. and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
quotes music from:
Jingle Bells
4.054:03
8Chinese Cafe/Unchained Melody
bass:
Larry Klein
drums (drum set):
John Guerin
electric guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
piano and lead vocals:
Joni Mitchell
synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
recording of:
Chinese Cafe
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
partial cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
35:17
9Harry’s House/Centerpiece
assistant engineer:
Ellis Sorkin (in 1975)
engineer:
Henry Lewy (in 1975)
producer:
Joni Mitchell
mixer:
Henry Lewy (in 1975) and Joni Mitchell (in 1975)
bass:
Max Bennett (US jazz bassist and session musician) (in 1975)
drums (drum set):
John Guerin (in 1975)
guitar:
Robben Ford (blues, jazz & rock guitarist and songwriter) (in 1975)
keyboard:
Joe Sample (in 1975)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975)
vocals:
Joni Mitchell (in 1975)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1975)
medley including a cover recording of:
Centerpiece (in 1975)
lyricist:
Jon Hendricks
composer:
Harry “Sweets” Edison
publisher:
Caphryl Music and Carlin Music Corporation
medley including a recording of:
Harry's House (in 1975)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
6:48
10Shades of Scarlett Conquering
assistant engineer:
Ellis Sorkin (in 1975)
engineer:
Henry Lewy (in 1975)
producer:
Joni Mitchell
mixer:
Henry Lewy (in 1975) and Joni Mitchell (in 1975)
bass:
Max Bennett (US jazz bassist and session musician) (in 1975)
drums (drum set):
John Guerin (in 1975)
electric guitar:
Larry Carlton (in 1975)
electric piano and vibraphone:
Victor Feldman (jazz musician) (in 1975)
piano:
Joni Mitchell (in 1975)
vocals:
Joni Mitchell (in 1975)
strings arranger:
Dale Oehler (in 1975)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1975)
recording of:
Shades of Scarlett Conquering (in 1975)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:58
11Number One
producer:
Larry Klein and Joni Mitchell
bass:
Larry Klein (from 1986 until 1987)
guitar and keyboard:
Joni Mitchell (from 1986 until 1987)
organ:
Steven Lindsey (US producer and songwriter) (from 1986 until 1987)
snare drum:
Manu Katché (from 1986 until 1987)
background vocals:
Benjamin Orr (co-lead singer for The Cars) (from 1986 until 1987)
3:48
12The Windfall (Everything for Nothing)
5:14
13Come in From the Cold
recording of:
Come In From the Cold
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
33:36
2▼CD: Act 2: The Light Is Hard to Find
#TitleRatingLength
1Court and Spark
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
chimes:
Wilton Felder (in 1973)
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Larry Carlton (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Court and Spark (in 1973)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
32:46
2Not to Blame
bass:
Larry Klein
drums (drum set):
Carlos Vega
keyboard and piano:
Joni Mitchell
pedal steel guitar:
Greg Leisz
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
recording of:
Not to Blame
composer:
Joni Mitchell
4:18
3Nothing Can Be Done
engineer:
Dan Marnien
producer:
Larry Klein and Joni Mitchell
mixer:
Dan Marnien and Mike Shipley (audio engineer, mixer, producer)
acoustic guitar and keyboard:
Joni Mitchell (from 1989 until 1990)
bass and keyboard:
Larry Klein (from 1989 until 1990)
guitar:
Bill Dillon (from 1989 until 1990)
percussion:
Alex Acuña (from 1989 until 1990)
vocals:
David Baerwald (from 1989 until 1990) and Joni Mitchell (from 1989 until 1990)
recording of:
Nothing Can Be Done (from 1989 until 1990)
lyricist:
Joni Mitchell
composer:
Larry Klein
4:52
4Comes Love
producer:
Larry Klein and Joni Mitchell
solo trumpet:
Mark Isham (American musician and score composer)
cover recording of:
Comes Love
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
34:28
5Trouble Child
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
bass:
Max Bennett (US jazz bassist and session musician) (in 1973)
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Dennis Budimir (in 1973)
trumpet:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Trouble Child (in 1973)
lyricist and composer:
Joni Mitchell
34:01
6No Apologies
4:16
7Moon at the Window
bass:
Larry Klein
drums (drum set):
John Guerin
electric guitar and lead vocals:
Joni Mitchell
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer)
synthesizer:
Russell Ferrante (keyboardist)
recording of:
Moon at the Window
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
3:44
8Blue
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
piano:
Joni Mitchell
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
recording of:
Blue (in 1971)
publisher:
Joni Mitchell
lyricist and composer:
Joni Mitchell
3.93:04
9Tax Free
recording of:
Tax Free
lyricist:
Joni Mitchell
composer:
Larry Klein
4:15
10The Wolf That Lives in Lindsey
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Wolf That Lives in Lindsey
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
6:33
11Hana
recording engineer:
Dan Marnien
electric guitar and synthesizer:
Joni Mitchell
percussion:
Paulinho da Costa (Brazilian percussionist)
soprano saxophone:
Bob Sheppard (American jazz musician)
vocals:
Joni Mitchell
recorded at:
Castle Oaks Productions in Calabasas, California, United States
recording of:
Hana (Joni Mitchell)
composer:
Joni Mitchell
publisher:
Sony/ATV Tunes LLC (ASCAP)
3:42
12Hejira
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
clarinet:
Abe Most
guitar:
Joni Mitchell
percussion:
Bobbye Hall
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Hejira
lyricist and composer:
Joni Mitchell
36:47
13Stay in Touch
recording of:
Stay in Touch
writer:
Joni Mitchell
2:58
14Night Ride Home
recording of:
Night Ride Home
lyricist and composer:
Joni Mitchell
3:34
3▼CD: Act 3: Love Has Many Faces
#TitleRatingLength
1You’re My Thrill
producer:
Larry Klein and Joni Mitchell
cover recording of:
You’re My Thrill
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:51
2The Crazy Cries of Love
recording of:
The Crazy Cries of Love
writer:
Don Freed and Joni Mitchell
3:54
3Love Puts on a New Face
3:47
4Borderline
bass:
Larry Klein
guitar and keyboard:
Joni Mitchell
pedal steel guitar:
Greg Leisz
vocals:
Joni Mitchell
recording of:
Borderline
composer:
Joni Mitchell
publisher:
Crazy Crow Music
4:48
5A Strange Boy
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
guitar:
Larry Carlton and Joni Mitchell
percussion:
Bobbye Hall
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
A Strange Boy
lyricist and composer:
Joni Mitchell
3.44:18
6You Dream Flat Tires
recording of:
You Dream Flat Tires
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
3:46
7Love
recording of:
Love
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
5:39
8All I Want
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
Appalachian dulcimer:
Joni Mitchell
guitar:
James Taylor (singer-songwriter and guitarist) (in 1971)
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
recording of:
All I Want (in 1971)
lyricist and composer:
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4.53:33
9Be Cool
recording of:
Be Cool
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
5:10
10Yvette in English
bass:
Larry Klein
guitar and keyboard:
Joni Mitchell
organ:
Bill Dillon
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer)
background vocals:
Kris Kello and Charles Valentino
vocals:
Joni Mitchell
recording of:
Yvette in English
composer:
David Crosby and Joni Mitchell
5:17
11Just Like This Train
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Larry Carlton (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Just Like This Train (in 1973)
lyricist and composer:
Joni Mitchell
4.54:24
12Carey
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
Appalachian dulcimer:
Joni Mitchell
bass and guitar:
Stephen Stills (in 1971)
drums (drum set):
Russ Kunkel (session drummer) (in 1971)
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
recording of:
Carey (in 1971)
publisher:
Joni Mitchell
lyricist and composer:
Joni Mitchell
3.253:04
13The Only Joy in Town
recording of:
The Only Joy in Town
lyricist and composer:
Joni Mitchell
5:10
4▼CD: Act 4: If You Want Me I’ll Be in the Bar
#TitleRatingLength
1Don Juan’s Reckless Daughter
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
ankle rattlers:
Alex Acuña (in 1977)
bass:
Jaco Pastorius (in 1977)
guitar:
Joni Mitchell (in 1977)
shakers:
Don Alias (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Don Juan’s Reckless Daughter (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
36:39
2Two Grey Rooms
recording of:
Two Grey Rooms
lyricist and composer:
Joni Mitchell
3:56
3God Must Be a Boogie Man
recording of:
God Must Be a Boogie Man
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
3:56
4Down to You
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
clavinet:
Joe Sample (in 1973)
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Larry Carlton (in 1973)
background vocals:
David Crosby (in 1973) and Susan Webb (in 1973)
vocals:
Joni Mitchell (in 1973)
arranger:
Joni Mitchell and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Down to You (in 1973)
lyricist and composer:
Joni Mitchell
3.155:37
5A Case of You
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
Appalachian dulcimer:
Joni Mitchell
drums (drum set):
Russ Kunkel (session drummer) (in 1971)
guitar:
James Taylor (singer-songwriter and guitarist) (in 1971)
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 26), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 29) and Huffington Post: 100 Best Canadian Songs Ever (number: 47)
recording of:
A Case of You (in 1971)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music, Joni Mitchell Publishing Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.754:24
6The Last Time I Saw Richard
recording of:
The Last Time I Saw Richard
lyricist and composer:
Joni Mitchell
4:58
7Raised on Robbery
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Robbie Robertson (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Raised on Robbery (in 1973)
lyricist and composer:
Joni Mitchell
3.753:05
8Sweet Sucker Dance
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Sweet Sucker Dance
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
version of:
Sweet Sucker Dance
8:06
9Lakota
producer:
Larry Klein and Joni Mitchell
bass and keyboard:
Larry Klein (from 1986 until 1987)
drums (drum set) and percussion:
Manu Katché (from 1986 until 1987)
guitar:
Michael Landau (from 1986 until 1987)
background vocals:
Don Henley (from 1986 until 1987) and Joni Mitchell (from 1986 until 1987)
lead vocals:
Joni Mitchell (from 1986 until 1987)
6:26
10Cool Water
producer:
Larry Klein and Joni Mitchell
bass and drum machine [808 congas]:
Larry Klein (from 1986 until 1987)
drums (drum set) and percussion:
Manu Katché (from 1986 until 1987)
guitar:
Michael Landau (from 1986 until 1987)
background vocals and lead vocals:
Joni Mitchell (from 1986 until 1987)
guest lead vocals:
Willie Nelson (from 1986 until 1987)
5:26
11Amelia
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
guitar:
Larry Carlton and Joni Mitchell
vibraphone:
Victor Feldman (jazz musician)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Amelia
lyricist and composer:
Joni Mitchell
6:46
12Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:45
13My Best to You
2:55