Love Has Many Faces: A Quartet, a Ballet, Waiting to Be Danced

~ Release by Joni Mitchell (see all versions of this release, 1 available)

Tracklist

1▶CD: Act 1: Birth of Rock & Roll Days
2▶CD: Act 2: The Light Is Hard to Find
3▶CD: Act 3: Love Has Many Faces
4▼CD: Act 4: If You Want Me I’ll Be in the Bar
#TitleRatingLength
1Don Juan’s Reckless Daughter
recording engineer and mixer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
ankle rattlers:
Alex Acuña (in 1977)
bass:
Jaco Pastorius (in 1977)
guitar:
Joni Mitchell (in 1977)
shakers:
Don Alias (in 1977)
vocals:
Joni Mitchell (in 1977)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1977)
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Don Juan’s Reckless Daughter (in 1977)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
36:39
2Two Grey Rooms
recording of:
Two Grey Rooms
lyricist and composer:
Joni Mitchell
3:56
3God Must Be a Boogie Man
recording of:
God Must Be a Boogie Man
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music (in 1979)
3:56
4Down to You
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
clavinet:
Joe Sample (in 1973)
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Larry Carlton (in 1973)
background vocals:
David Crosby (in 1973) and Susan Webb (in 1973)
vocals:
Joni Mitchell (in 1973)
arranger:
Joni Mitchell and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Down to You (in 1973)
lyricist and composer:
Joni Mitchell
3.155:37
5A Case of You
engineer:
Henry Lewy
producer:
Joni Mitchell (in 1971)
Appalachian dulcimer:
Joni Mitchell
drums (drum set):
Russ Kunkel (session drummer) (in 1971)
guitar:
James Taylor (singer-songwriter and guitarist) (in 1971)
vocals:
Joni Mitchell (in 1971)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 26), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 29) and Huffington Post: 100 Best Canadian Songs Ever (number: 47)
recording of:
A Case of You (in 1971)
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music, Joni Mitchell Publishing Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.754:24
6The Last Time I Saw Richard
recording of:
The Last Time I Saw Richard
lyricist and composer:
Joni Mitchell
4:58
7Raised on Robbery
sound engineer:
Henry Lewy
engineer:
Henry Lewy and Ellis Sorkin
producer:
Henry Lewy and Joni Mitchell
drums (drum set) and percussion:
John Guerin (in 1973)
electric guitar:
Robbie Robertson (in 1973)
vocals:
Joni Mitchell (in 1973)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1974)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1973)
recording of:
Raised on Robbery (in 1973)
lyricist and composer:
Joni Mitchell
3.753:05
8Sweet Sucker Dance
recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears) and Henry Lewy
mixer:
Steve Katz (guitarist for Blood, Sweat & Tears), Henry Lewy and Joni Mitchell
bass:
Jaco Pastorius
congas:
Don Alias
drums (drum set):
Peter Erskine (US jazz drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Joni Mitchell
percussion:
Emil Richards
soprano saxophone [soprano sax]:
Wayne Shorter (US jazz saxophonist and composer)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Sweet Sucker Dance
lyricist:
Joni Mitchell
composer:
Charles Mingus
publisher:
Crazy Crow Music (in 1978) and Jazz Workshop, Inc. (in 1978)
version of:
Sweet Sucker Dance
8:06
9Lakota
producer:
Larry Klein and Joni Mitchell
bass and keyboard:
Larry Klein (from 1986 until 1987)
drums (drum set) and percussion:
Manu Katché (from 1986 until 1987)
guitar:
Michael Landau (from 1986 until 1987)
background vocals:
Don Henley (from 1986 until 1987) and Joni Mitchell (from 1986 until 1987)
lead vocals:
Joni Mitchell (from 1986 until 1987)
6:26
10Cool Water
producer:
Larry Klein and Joni Mitchell
bass and drum machine [808 congas]:
Larry Klein (from 1986 until 1987)
drums (drum set) and percussion:
Manu Katché (from 1986 until 1987)
guitar:
Michael Landau (from 1986 until 1987)
background vocals and lead vocals:
Joni Mitchell (from 1986 until 1987)
guest lead vocals:
Willie Nelson (from 1986 until 1987)
5:26
11Amelia
assistant recording engineer:
Steve Katz (guitarist for Blood, Sweat & Tears)
recording engineer:
Henry Lewy
producer:
Joni Mitchell
mixer:
Henry Lewy and Joni Mitchell
guitar:
Larry Carlton and Joni Mitchell
vibraphone:
Victor Feldman (jazz musician)
vocals:
Joni Mitchell
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
Amelia
lyricist and composer:
Joni Mitchell
6:46
12Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:45
13My Best to You
2:55