John Williams: Movie Time

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Hedwig's Theme - From "Harry Potter And The Philosopher's Stone"
John Williams, Czech National Symphony Orchestra & Paul Bateman1:28
2Theme From Jurassic Park - From "Jurassic Park" Soundtrack
assistant engineer:
Sue McLean
producer:
John Williams (American score composer and conductor)
mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgart (editor)
conductor:
John Williams (American score composer and conductor) (in 1993)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Theme From Jurassic Park (Jurassic Park) (in 1993)
composer:
John Williams (American score composer and conductor) (in 1993)
part of:
Jurassic Park (1993 film score)
John Williams43:25
3The Battle [Star Wars]
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
The Battle (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta5:35
4E.T.: Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra3:45
5Luke & Leia - From "Star Wars: Return of the Jedi"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Wiener Philharmoniker4:05
6Escapades – 1. Closing in - From "Catch me if you can"
saxophone:
Jess Gillam (saxophonist)
orchestra:
BBC Concert Orchestra
conductor:
Jessica Cottis
recording of:
Escapades: I. Closing In
composer:
John Williams (American score composer and conductor)
part of:
Escapades
John Williams, Jess Gillam, BBC Concert Orchestra & Jessica Cottis2:44
7The Shark Cage Fugue - From "Jaws" Soundtrack
engineer:
Ted Keep (from 1975-03-03 until 1975-03-10)
violin:
Israel Baker (American violinist) (from 1975-03-03 until 1975-03-10), Arnold Belnick (from 1975-03-03 until 1975-03-10), Harry Bluestone (from 1975-03-03 until 1975-03-10), Thomas Buffum (from 1975-03-03 until 1975-03-10), Herman Clebanoff (from 1975-03-03 until 1975-03-10), Bonnie Douglas (from 1975-03-03 until 1975-03-10), Assa Drori (from 1975-03-03 until 1975-03-10) and Erno Neufeld (from 1975-03-03 until 1975-03-10)
conductor:
John Williams (American score composer and conductor) (from 1975-03-03 until 1975-03-10)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States (from 1975-03-03 until 1975-03-10)
recording of:
The Shark Cage Fugue (Jaws)
composer:
John Williams (American score composer and conductor)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
John Williams & Wiener Philharmoniker31:58
8The Separation Of The Family - Original Motion Picture Soundtrack
conductor:
John Williams (American score composer and conductor)
recording of:
The Separation of the Family (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams2:36
9The Witches of Eastwick: Devil's Dance (Arr. Williams)
piano:
Jonathan Feldman (pianist)
violin:
Gil Shaham (violinist)
arranger:
John Williams (American score composer and conductor)
recording of:
The Devil’s Dance (The Witches of Eastwick)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
arrangement of:
Dance of the Witches (The Witches of Eastwick)
part of:
The Witches of Eastwick
John Williams, Gil Shaham & Jonathan Feldman4:11
10Hiding The Family
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Hiding the Family (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams1:25
11Marion's Theme - From "Indiana Jones and the Raiders of the Lost Ark"
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Marion’s Theme (Raiders of the Lost Ark) (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra4:23
12Ray And Rachel - Original Motion Picture Soundtrack
conductor:
John Williams (American score composer and conductor)
recording of:
Ray and Rachel (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams2:41
13TreeSong: 1. Doctor Hu And The Meta Sequoia
violin:
Gil Shaham (violinist) (in 2000-10)
orchestra:
Boston Symphony Orchestra (in 2000-10)
conductor:
John Williams (American score composer and conductor) (in 2000-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
TreeSong for Violin and Orchestra: I. Dreamly. "Doctor Hu and the Metasequoia" (in 2000-10)
composer:
John Williams (American score composer and conductor) (in 2000)
part of:
TreeSong for Violin and Orchestra
John Williams, Gil Shaham & Boston Symphony Orchestra6:36
14Harry's Wondrous World - From "Harry Potter And The Philosopher's Stone" / Live At Walt Disney Concert Hall, Los Angeles / 2019
recording engineer:
Alexander Lipay and Dmitriy Lipay (recording engineer & producer)
producer:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (from 2019-01-24 until 2019-01-27)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2019-01-24 until 2019-01-27)
recorded at:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, United States (from 2019-01-24 until 2019-01-27)
live recording of:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone) (from 2019-01-24 until 2019-01-27)
publisher:
Hal Leonard
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:40
15Hatikvah (The Hope)
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Hatikva (The Hope) (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams2:02
16Theme - From "Jurassic Park"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Theme (From Jurassic Park) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Theme From Jurassic Park (Jurassic Park) (in 2021-10)
composer:
John Williams (American score composer and conductor) (in 1993)
part of:
Jurassic Park (1993 film score)
John Williams & Berliner Philharmoniker5:37
17Letter Bombs
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Letter Bombs (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams2:48
18Between Attacks - From "Jaws" Soundtrack
compilation of:
From Bad to Worse by John Williams (American score composer and conductor) and Quint Thinks It Over by John Williams (American score composer and conductor)
John Williams & Berliner Philharmoniker32:05
19Jazz Autographs - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
double bass [bass]:
Michael Valerio (double bassist)
piano:
Randy Kerber
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Jazz Autographs (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams3:45
20The Flight to Neverland - From "Hook"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Flight to Neverland (Hook) (in 2020-01)
composer:
John Williams (American score composer and conductor)
part of:
Hook
John Williams & Wiener Philharmoniker5:13
21Yoda's Theme - From "Star Wars: The Empire Strikes Back"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Yoda’s Theme (From Star Wars: The Empire Strikes Back) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Berliner Philharmoniker3:39
22Hedwig's Theme - From "Harry Potter And The Philosopher's Stone" / Live At Walt Disney Concert Hall, Los Angeles / 2019
recording engineer:
Alexander Lipay and Dmitriy Lipay (recording engineer & producer)
producer:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (from 2019-01-24 until 2019-01-27)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2019-01-24 until 2019-01-27)
recorded at:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, United States (from 2019-01-24 until 2019-01-27)
live recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (from 2019-01-24 until 2019-01-27)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:58
23The Reunion - Original Motion Picture Soundtrack
spoken vocals:
Morgan Freeman (actor)
conductor:
John Williams (American score composer and conductor)
recording of:
The Reunion (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams3:16
24The Adventures of Han - From "Solo: A Star Wars Story"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
The Adventures of Han (From Solo: A Star Wars Story) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
The Adventures of Han (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Solo: A Star Wars Story
John Williams & Berliner Philharmoniker4:16
25Avner And Daphna
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Avner and Daphna (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams4:02
26The Duel - From "The Adventures Of Tintin"
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
The Duel (from "The Adventures Of Tintin") (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
The Adventures of Tintin: The Secret of the Unicorn
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:23
27Discovering Hans
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Discovering Hans (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams2:47
28Main Theme (Arr. Williams) - From "Schindler's List"
classical guitar:
村治佳織 (Japanese classical guitarist)
recorded at:
水戸芸術館 コンサートホールATM (Art Tower Nito, Art Tower Mito) in Mito (Mito City), Ibaraki (Ibaraki Prefecture), Japan (from 2018-05-23 until 2018-05-26)
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams & Kaori Muraji3:16
29Hedwig's Theme - From "Harry Potter and the Philosopher's Stone"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Hedwig’s Theme (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams & Berliner Philharmoniker5:05
30Munich, 1972
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Munich, 1972 (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams42:37
31Return Of The Jedi: Parade Of The Ewoks
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Boston Pops Orchestra3:32
32Theme - From "Jurassic Park"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Theme From Jurassic Park (Jurassic Park) (in 2020-01)
composer:
John Williams (American score composer and conductor) (in 1993)
part of:
Jurassic Park (1993 film score)
John Williams & Wiener Philharmoniker6:02
33The Rebellion is Reborn - From "Star Wars: The Last Jedi"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Rebellion Is Reborn (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams & Wiener Philharmoniker4:34
34Star Wars: Princess Leia
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Boston Pops Orchestra4:06
35Theme from "Schindler's List" (Adapt. for Cello and Orchestra)
cello:
Camille Thomas (cellist)
orchestra:
Brussels Philharmonic
conductor:
Mathieu Herzog (French violist and conductor)
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams, Camille Thomas, Brussels Philharmonic & Mathieu Herzog4:14
36Return Of The Jedi: Jabba The Hutt
producer:
John McClure (recording engineer and record producer)
tuba:
Chester Schmitz (tubist) (in 1983-06)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra3:33
37Main Title And First Victim - From "Jaws" Soundtrack
recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer and conductor)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
John Williams3.53:23
38Adventures on Earth - From "E.T. the Extra-Terrestrial"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 2020-01)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Wiener Philharmoniker10:09
39Superman March
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2021)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Superman March (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Main Theme (Superman: The Movie) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams & Berliner Philharmoniker4:54
40Return Of The Jedi: The Forest Battle
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Boston Pops Orchestra4:04
41The Throne Room - End Title [Star Wars]
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
cover recording of:
End Titles (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
cover recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta7:14
42Star Wars
John Williams & Ingolf Wunder5:49
43The Confrontation With Ogilvy - Original Motion Picture Soundtrack
conductor:
John Williams (American score composer and conductor)
recording of:
The Confrontation With Ogilvy (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams4:34
44Excerpts - From "Close Encounters of the Third Kind"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Excerpts From Close Encounters of the Third Kind (Close Encounters of the Third Kind) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Hal Leonard Corporation and EMI Gold Horizon Music Corp. (in 1977)
is based on:
Close Encounters of the Third Kind (film soundtrack)
John Williams & Wiener Philharmoniker7:47
45Han Solo and the Princess - From "Star Wars: The Empire Strikes Back"
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (from 2021-09 until 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:26
46Scherzo for Motorcycle and Orchestra - From "Indiana Jones and the Last Crusade"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Scherzo for Motorcycle and Orchestra (From Indiana Jones and the Last Crusade) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Indiana Jones and the Last Crusade
John Williams & Berliner Philharmoniker3:36
47Raiders March - From "Indiana Jones and the Raiders of the Lost Ark"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
violin:
Anne‐Sophie Mutter (violinist) (in 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Raiders March (Raiders of the Lost Ark) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:44
48The Chairman's Waltz - From "Memoirs Of A Geisha"
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
cello:
Lynn Harrell (cellist) (in 2019-04)
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
The Chairman's Waltz (Memoirs of a Geisha) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter, Lynn Harrell & Recording Arts Orchestra of Los Angeles4:00
49Superman: Superman: Love Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams & Boston Pops Orchestra4:48
50Violin Concerto No. 2: II. Rounds
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Violin Concerto no. 2: II. Rounds (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra9:28
51Dartmoor, 1912 - From "War Horse"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Dartmoor (War Horse) (in 2020-01)
composer:
John Williams (American score composer and conductor)
part of:
War Horse (2011 film score)
John Williams & Wiener Philharmoniker6:36
52Harry's Wondrous World - From "Harry Potter and the Philosopher's Stone"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Harry’s Wondrous World (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone) (in 2021-10)
publisher:
Hal Leonard
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker5:17
53Sayuri's Theme - From "Memoirs Of A Geisha"
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Sayuri's Theme (Memoirs of a Geisha) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:43
54Olympic Fanfare and Theme
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Olympic Fanfare and Theme (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Olympic Fanfare and Theme (1984 version) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Official Songs of the Olympic Games (number: 1984)
John Williams & Berliner Philharmoniker4:16
55Raiders March - From "Indiana Jones and the Raiders of the Lost Ark"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Raiders March (From Indiana Jones and the Raiders of the Lost Ark) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
The Raiders March (Raiders of the Lost Ark) (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams & Berliner Philharmoniker5:51
56"Destiny"... "Canneloni"... and The Tale Of Viktor Navorski Reprise - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
“Destiny” … “Canneloni” … and the Tale of Viktor Navorski (reprise) (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams5:05
57Princess Leia's Theme - From "Star Wars: A New Hope"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Princess Leia’s Theme (From Star Wars: A New Hope) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Berliner Philharmoniker4:41
58Devil's Dance - From "The Witches of Eastwick"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
violin:
Anne‐Sophie Mutter (violinist) (in 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Devil’s Dance (The Witches of Eastwick) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
arrangement of:
Dance of the Witches (The Witches of Eastwick)
part of:
The Witches of Eastwick
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:50
59Throne Room & Finale - From "Star Wars: A New Hope"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Throne Room & Finale (From Star Wars: A New Hope) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Berliner Philharmoniker8:32
60Marion's Theme - From "Indiana Jones and the Raiders of the Lost Ark"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Marion’s Theme (From Indiana Jones and the Raiders of the Lost Ark) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Marion’s Theme (Raiders of the Lost Ark) (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
John Williams & Berliner Philharmoniker4:05
61The Wedding Of Officer Torres - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
The Wedding of Officer Torres (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams5:01
62TreeSong: 3. The Tree Sings
violin:
Gil Shaham (violinist) (in 2000-10)
orchestra:
Boston Symphony Orchestra (in 2000-10)
conductor:
John Williams (American score composer and conductor) (in 2000-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2000-10)
recording of:
TreeSong for Violin and Orchestra: III. Tempo primo. "The Tree Sings" (in 2000-10)
composer:
John Williams (American score composer and conductor) (in 2000)
part of:
TreeSong for Violin and Orchestra
John Williams, Gil Shaham & Boston Symphony Orchestra5:09
63Violin Concerto No. 2: IV. Epilogue
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Violin Concerto no. 2: IV. Epilogue (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra8:17
64Excerpts - From "Close Encounters of the Third Kind"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Excerpts (From Close Encounters of the Third Kind) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Excerpts From Close Encounters of the Third Kind (Close Encounters of the Third Kind) (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Hal Leonard Corporation and EMI Gold Horizon Music Corp. (in 1977)
is based on:
Close Encounters of the Third Kind (film soundtrack)
John Williams & Berliner Philharmoniker8:00
65Violin Concerto No. 2: I. Prologue
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Violin Concerto no. 2: I. Prologue (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra11:12
66The Fountain Scene - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
The Fountain Scene (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams5:33
67Superman March - From "Superman" / Live At Walt Disney Concert Hall, Los Angeles / 2019
recording engineer:
Alexander Lipay and Dmitriy Lipay (recording engineer & producer)
producer:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (from 2019-01-24 until 2019-01-27)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2019-01-24 until 2019-01-27)
recorded at:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, United States (from 2019-01-24 until 2019-01-27)
live recording of:
Main Theme (Superman: The Movie) (from 2019-01-24 until 2019-01-27)
composer:
John Williams (American score composer and conductor)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:25
68Theme - From "The Long Goodbye"
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
The Long Goodbye (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:54
69Elegy for Cello and Orchestra
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
cello:
Bruno Delepelaire (cellist) (in 2021-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Elegy for Cello and Orchestra (with applause) by Bruno Delepelaire (cellist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Elegy for Cello and Orchestra (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Marjer Publishing
John Williams, Berliner Philharmoniker & Bruno Delepelaire7:42
70Violin Concerto No. 2: III. Dactyls
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Violin Concerto no. 2: III. Dactyls (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra6:00
71Shark Attack - From "Jaws" Soundtrack
engineer:
Ted Keep (from 1975-03-03 until 1975-03-10)
violin:
Israel Baker (American violinist) (from 1975-03-03 until 1975-03-10), Arnold Belnick (from 1975-03-03 until 1975-03-10), Harry Bluestone (from 1975-03-03 until 1975-03-10), Thomas Buffum (from 1975-03-03 until 1975-03-10), Herman Clebanoff (from 1975-03-03 until 1975-03-10), Bonnie Douglas (from 1975-03-03 until 1975-03-10), Assa Drori (from 1975-03-03 until 1975-03-10) and Erno Neufeld (from 1975-03-03 until 1975-03-10)
conductor:
John Williams (American score composer and conductor) (from 1975-03-03 until 1975-03-10)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States (from 1975-03-03 until 1975-03-10)
John Williams, Berliner Philharmoniker & Bruno Delepelaire41:16
72Finale - From "Fiddler On The Roof" Soundtrack
John Williams, Jerry Bock, Isaac Stern & The Motion Picture Studio Orchestra1:49
73The Imperial March - From "Star Wars: The Empire Strikes Back"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
The Imperial March (From Star Wars: The Empire Strikes Back) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Berliner Philharmoniker3:11
74Nimbus 2000 - From "Harry Potter and the Philosopher's Stone"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Nimbus 2000 (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Nimbus 2000 (Harry Potter and the Sorcerer’s Stone) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker2:16
75Flying Theme - From "E.T."
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1991-02)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams, Hollywood Bowl Orchestra & John Mauceri4:10
76Flying Theme - From "E.T. the Extra-Terrestrial"
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Flying Theme (From E.T. the Extra-Terrestrial) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 2021-10)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Berliner Philharmoniker3:58
77The Cantina band [Star Wars]
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Jules Chaikin (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, The Cantina Band & Jules Chaikin2:36
78Viktor And His Friends - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Viktor and His Friends (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams4:43
79Main Title - From "Star Wars: A New Hope"
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Main Title (Star Wars) (in 2020-01)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams & Wiener Philharmoniker6:25
80Luke and Leia - From "Star Wars: Return Of The Jedi"
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2019-04)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:01
81Star Wars: Main Title
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Title (Star Wars) (in 1980-06)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams & Boston Pops Orchestra5:37
82Superman March - From "Superman"
recording engineer:
Geoff Foster (sound engineer) (on 2017-11-20)
orchestra:
London Symphony Orchestra (on 2017-11-20)
conductor:
Gavin Greenaway (on 2017-11-20)
concertmaster:
Carmine Lauri (violinist) (on 2017-11-20)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 2017-11-20)
recording of:
Main Theme (Superman: The Movie)
composer:
John Williams (American score composer and conductor)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams, London Symphony Orchestra & Gavin Greenaway4:37
83The Tale Of Viktor Navorski - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Viktor’s Tale (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams4:12
84Krakozhia National Anthem and Homesickness - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Krakozhia National Anthem and Homesickness (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams1:49
85The Raid In Tarifa
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Raid in Tarifa
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams2:03
86The Attack On The Car - Original Motion Picture Soundtrack
conductor:
John Williams (American score composer and conductor)
recording of:
The Attack on the Car (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams2:44
87A Happy Navorski Ending! - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
A Happy Navorski Ending! (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams2:47
88Prologue - Original Motion Picture Soundtrack
spoken vocals:
Morgan Freeman (actor)
conductor:
John Williams (American score composer and conductor)
recording of:
Prologue (War of the Worlds)
composer:
John Williams (American score composer and conductor)
part of:
War of the Worlds (2005 film score)
John Williams & Morgan Freeman2:52
89The Attack At Olympic Village
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Attack at Olympic Village (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams3:00
90Refusing To Escape - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Refusing to Escape (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams3:01
91Avner's Theme
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
solo guitar:
Adam Del Monte
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Avner's Theme (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams3:07
92A Legend Is Born - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
A Legend Is Born (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams3:16
93Looking For Work - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Looking for Work (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams3:17
94Gupta's Deliverance - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Gupta's Deliverance (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams3:18
95Encounter In London And Bomb Malfunctions
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Encounter in London and Bomb Malfunctions (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams3:37
96Finding Coins and Learning To Read - The Terminal/Soundtrack Version
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ken Wannberg and Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at and mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Finding Coins and Learning to Read (The Terminal)
composer:
John Williams (American score composer and conductor)
part of:
The Terminal (2004 film score)
John Williams4:02
97End Credits
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
End Credits (Munich)
composer:
John Williams (American score composer and conductor)
part of:
Munich (2005 film score)
John Williams4:06
98The Empire Strikes Back: The Asteroid Field
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra4:14
99Princess Leia's Theme
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta4:26
100The Little People [Star Wars]
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
The Little People (Star Wars, Episode IV: A New Hope) (in 1977-12)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta4:43