John Williams: Movie Time

~ Pubblicazione di John Williams (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Hedwig's Theme - From "Harry Potter And The Philosopher's Stone"
John Williams, Czech National Symphony Orchestra & Paul Bateman1:28
2Theme From Jurassic Park - From "Jurassic Park" Soundtrack
assistente tecnico:
Sue McLean
produttore:
John Williams (American score composer and conductor)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgart (editor)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1993)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Theme From Jurassic Park (Jurassic Park) (nel 1993)
compositore:
John Williams (American score composer and conductor) (nel 1993)
parte di:
Jurassic Park (1993 film score)
John Williams43:25
3The Battle [Star Wars]
produttore:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (nel 1977-12)
direttore d'orchestra:
Zubin Mehta (conductor) (nel 1977-12)
tecnico di bilanciamento:
Simon Eadon (classical music engineer) (nel 1977-12) e James Lock (James Locke, engineer) (nel 1977-12)
registrata presso:
Royce Hall in Los Angeles, California, Stati Uniti (nel 1977-12)
registrazione cover di:
The Battle (Star Wars, Episode IV: A New Hope) (nel 1977-12)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta5:35
4E.T.: Flying Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1982)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (nel 1982)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra3:45
5Luke & Leia - From "Star Wars: Return of the Jedi"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Wiener Philharmoniker4:05
6Escapades – 1. Closing in - From "Catch me if you can"
sassofono :
Jess Gillam (saxophonist)
orchestra:
BBC Concert Orchestra
direttore d'orchestra:
Jessica Cottis
registrazione di:
Escapades: I. Closing In
compositore:
John Williams (American score composer and conductor)
parte di:
Escapades
John Williams, Jess Gillam, BBC Concert Orchestra & Jessica Cottis2:44
7The Shark Cage Fugue - From "Jaws" Soundtrack
tecnico:
Ted Keep (dal 1975-03-03 al 1975-03-10)
violino :
Israel Baker (American violinist) (dal 1975-03-03 al 1975-03-10), Arnold Belnick (dal 1975-03-03 al 1975-03-10), Harry Bluestone (dal 1975-03-03 al 1975-03-10), Thomas Buffum (dal 1975-03-03 al 1975-03-10), Herman Clebanoff (dal 1975-03-03 al 1975-03-10), Bonnie Douglas (dal 1975-03-03 al 1975-03-10), Assa Drori (dal 1975-03-03 al 1975-03-10) e Erno Neufeld (dal 1975-03-03 al 1975-03-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 1975-03-03 al 1975-03-10)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti (dal 1975-03-03 al 1975-03-10)
registrazione di:
The Shark Cage Fugue (Jaws)
compositore:
John Williams (American score composer and conductor)
parte di:
Jaws (1975 film score)
parte di:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
John Williams & Wiener Philharmoniker31:58
8The Separation Of The Family - Original Motion Picture Soundtrack
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Separation of the Family (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:36
9The Witches of Eastwick: Devil's Dance (Arr. Williams)
pianoforte :
Jonathan Feldman (pianist)
violino :
Gil Shaham (violinist)
arrangiatore:
John Williams (American score composer and conductor)
registrazione di:
The Devil’s Dance (The Witches of Eastwick)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
arrangiamento di:
Dance of the Witches (The Witches of Eastwick)
parte di:
The Witches of Eastwick
John Williams, Gil Shaham & Jonathan Feldman4:11
10Hiding The Family
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Hiding the Family (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams1:25
11Marion's Theme - From "Indiana Jones and the Raiders of the Lost Ark"
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Marion’s Theme (Raiders of the Lost Ark) (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
Bantha Music
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra4:23
12Ray And Rachel - Original Motion Picture Soundtrack
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Ray and Rachel (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:41
13TreeSong: 1. Doctor Hu And The Meta Sequoia
violino :
Gil Shaham (violinist) (nel 2000-10)
orchestra:
Boston Symphony Orchestra (nel 2000-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2000-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
TreeSong for Violin and Orchestra: I. Dreamly. "Doctor Hu and the Metasequoia" (nel 2000-10)
compositore:
John Williams (American score composer and conductor) (nel 2000)
parte di:
TreeSong for Violin and Orchestra
John Williams, Gil Shaham & Boston Symphony Orchestra6:36
14Harry's Wondrous World - From "Harry Potter And The Philosopher's Stone" / Live At Walt Disney Concert Hall, Los Angeles / 2019
tecnico di registrazione:
Alexander Lipay e Dmitriy Lipay (recording engineer & producer)
produttore:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (dal 2019-01-24 al 2019-01-27)
direttore d'orchestra:
Gustavo Dudamel (conductor and violinist) (dal 2019-01-24 al 2019-01-27)
registrata presso:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, Stati Uniti (dal 2019-01-24 al 2019-01-27)
registrazione dal vivo di:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone) (dal 2019-01-24 al 2019-01-27)
editore:
Hal Leonard
compositore:
John Williams (American score composer and conductor)
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
parte di:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:40
15Hatikvah (The Hope)
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Hatikva (The Hope) (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:02
16Theme - From "Jurassic Park"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Theme (From Jurassic Park) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Theme From Jurassic Park (Jurassic Park) (nel 2021-10)
compositore:
John Williams (American score composer and conductor) (nel 1993)
parte di:
Jurassic Park (1993 film score)
John Williams & Berliner Philharmoniker5:37
17Letter Bombs
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Letter Bombs (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:48
18Between Attacks - From "Jaws" Soundtrack
raccolta di:
From Bad to Worse di John Williams (American score composer and conductor) e Quint Thinks It Over di John Williams (American score composer and conductor)
John Williams & Berliner Philharmoniker32:05
19Jazz Autographs - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
contrabbasso [bass] :
Michael Valerio (double bassist)
pianoforte :
Randy Kerber
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Jazz Autographs (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:45
20The Flight to Neverland - From "Hook"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Flight to Neverland (Hook) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
parte di:
Hook
John Williams & Wiener Philharmoniker5:13
21Yoda's Theme - From "Star Wars: The Empire Strikes Back"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
tecnico e tecnico di missaggio:
René Möller
produttore:
Christoph Franke (engineer/producer)
editor:
Erik Brauer e Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Yoda’s Theme (From Star Wars: The Empire Strikes Back) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (nel 2021-10)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Berliner Philharmoniker3:39
22Hedwig's Theme - From "Harry Potter And The Philosopher's Stone" / Live At Walt Disney Concert Hall, Los Angeles / 2019
tecnico di registrazione:
Alexander Lipay e Dmitriy Lipay (recording engineer & producer)
produttore:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (dal 2019-01-24 al 2019-01-27)
direttore d'orchestra:
Gustavo Dudamel (conductor and violinist) (dal 2019-01-24 al 2019-01-27)
registrata presso:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, Stati Uniti (dal 2019-01-24 al 2019-01-27)
registrazione dal vivo di:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (dal 2019-01-24 al 2019-01-27)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:58
23The Reunion - Original Motion Picture Soundtrack
voce parlata:
Morgan Freeman (actor)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Reunion (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams3:16
24The Adventures of Han - From "Solo: A Star Wars Story"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
The Adventures of Han (From Solo: A Star Wars Story) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
The Adventures of Han (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Solo: A Star Wars Story
John Williams & Berliner Philharmoniker4:16
25Avner And Daphna
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Avner and Daphna (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams4:02
26The Duel - From "The Adventures Of Tintin"
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
The Duel (from "The Adventures Of Tintin") (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
The Adventures of Tintin: The Secret of the Unicorn
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:23
27Discovering Hans
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Discovering Hans (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:47
28Main Theme (Arr. Williams) - From "Schindler's List"
chitarra classica :
村治佳織 (Japanese classical guitarist)
registrata presso:
水戸芸術館 コンサートホールATM (Art Tower Nito, Art Tower Mito) in Mito (Mito City), Ibaraki (Ibaraki Prefecture), Giappone (dal 2018-05-23 al 2018-05-26)
registrazione di:
Main Theme (Schindler’s List)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
John Williams & Kaori Muraji3:16
29Hedwig's Theme - From "Harry Potter and the Philosopher's Stone"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Hedwig’s Theme (From Harry Potter and the Philosopher’s Stone) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams & Berliner Philharmoniker5:05
30Munich, 1972
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Munich, 1972 (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams42:37
31Return Of The Jedi: Parade Of The Ewoks
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Boston Pops Orchestra3:32
32Theme - From "Jurassic Park"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Theme From Jurassic Park (Jurassic Park) (nel 2020-01)
compositore:
John Williams (American score composer and conductor) (nel 1993)
parte di:
Jurassic Park (1993 film score)
John Williams & Wiener Philharmoniker6:02
33The Rebellion is Reborn - From "Star Wars: The Last Jedi"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
The Rebellion Is Reborn (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
editore:
Utapau Music
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams & Wiener Philharmoniker4:34
34Star Wars: Princess Leia
registrata a:
Boston, Massachusetts, Stati Uniti (nel 1980-06)
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (nel 1980-06)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Boston Pops Orchestra4:06
35Theme from "Schindler's List" (Adapt. for Cello and Orchestra)
violoncello :
Camille Thomas (cellist)
orchestra:
Brussels Philharmonic
direttore d'orchestra:
Mathieu Herzog (French violist and conductor)
registrazione di:
Main Theme (Schindler’s List)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
John Williams, Camille Thomas, Brussels Philharmonic & Mathieu Herzog4:14
36Return Of The Jedi: Jabba The Hutt
produttore:
John McClure (recording engineer and record producer)
tuba :
Chester Schmitz (tubist) (nel 1983-06)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra3:33
37Main Title And First Victim - From "Jaws" Soundtrack
registrazione di:
Main Theme (Jaws)
compositore:
John Williams (American score composer and conductor)
compresa in:
Trail Mix‐Up
parte di:
Jaws (1975 film score)
John Williams3.53:23
38Adventures on Earth - From "E.T. the Extra-Terrestrial"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (nel 2020-01)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Wiener Philharmoniker10:09
39Superman March
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
tecnico e tecnico di missaggio:
René Möller
produttore:
Christoph Franke (engineer/producer)
editor:
Erik Brauer e Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2021)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Superman March (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Main Theme (Superman: The Movie) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Superman: The Movie (1978 film soundtrack)
John Williams & Berliner Philharmoniker4:54
40Return Of The Jedi: The Forest Battle
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1983)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Boston Pops Orchestra4:04
41The Throne Room - End Title [Star Wars]
produttore:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (nel 1977-12)
direttore d'orchestra:
Zubin Mehta (conductor) (nel 1977-12)
tecnico di bilanciamento:
Simon Eadon (classical music engineer) (nel 1977-12) e James Lock (James Locke, engineer) (nel 1977-12)
registrata presso:
Royce Hall in Los Angeles, California, Stati Uniti (nel 1977-12)
registrazione cover di:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (nel 1977-12)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
registrazione cover di:
End Titles (Star Wars, Episode IV: A New Hope)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
registrazione cover di:
The Throne Room (Star Wars, Episode IV: A New Hope)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta7:14
42Star Wars
John Williams & Ingolf Wunder5:49
43The Confrontation With Ogilvy - Original Motion Picture Soundtrack
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Confrontation With Ogilvy (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams4:34
44Excerpts - From "Close Encounters of the Third Kind"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Excerpts From Close Encounters of the Third Kind (Close Encounters of the Third Kind) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
editore:
Hal Leonard Corporation e EMI Gold Horizon Music Corp. (nel 1977)
si basa su:
Close Encounters of the Third Kind (film soundtrack)
John Williams & Wiener Philharmoniker7:47
45Han Solo and the Princess - From "Star Wars: The Empire Strikes Back"
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (dal 2021-09 al 2021-10)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:26
46Scherzo for Motorcycle and Orchestra - From "Indiana Jones and the Last Crusade"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Scherzo for Motorcycle and Orchestra (From Indiana Jones and the Last Crusade) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Indiana Jones and the Last Crusade
John Williams & Berliner Philharmoniker3:36
47Raiders March - From "Indiana Jones and the Raiders of the Lost Ark"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
violino :
Anne‐Sophie Mutter (violinist) (nel 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
The Raiders March (Raiders of the Lost Ark) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
editore:
BMG Music
parte di:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:44
48The Chairman's Waltz - From "Memoirs Of A Geisha"
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
violoncello :
Lynn Harrell (cellist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
The Chairman's Waltz (Memoirs of a Geisha) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter, Lynn Harrell & Recording Arts Orchestra of Los Angeles4:00
49Superman: Superman: Love Theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Can You Read My Mind (Superman: The Movie, love theme) (nel 1980-06)
paroliere:
Leslie Bricusse
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
versione di:
Flying Part III (Superman: The Movie)
parte di:
Superman: The Movie (1978 film soundtrack)
John Williams & Boston Pops Orchestra4:48
50Violin Concerto No. 2: II. Rounds
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Violin Concerto no. 2: II. Rounds (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra9:28
51Dartmoor, 1912 - From "War Horse"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Dartmoor (War Horse) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
parte di:
War Horse (2011 film score)
John Williams & Wiener Philharmoniker6:36
52Harry's Wondrous World - From "Harry Potter and the Philosopher's Stone"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
tecnico e tecnico di missaggio:
René Möller
produttore:
Christoph Franke (engineer/producer)
editor:
Erik Brauer e Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Harry’s Wondrous World (From Harry Potter and the Philosopher’s Stone) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone) (nel 2021-10)
editore:
Hal Leonard
compositore:
John Williams (American score composer and conductor)
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
parte di:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker5:17
53Sayuri's Theme - From "Memoirs Of A Geisha"
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Sayuri's Theme (Memoirs of a Geisha) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:43
54Olympic Fanfare and Theme
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Olympic Fanfare and Theme (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Olympic Fanfare and Theme (1984 version) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Official Songs of the Olympic Games (numero: 1984)
John Williams & Berliner Philharmoniker4:16
55Raiders March - From "Indiana Jones and the Raiders of the Lost Ark"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Raiders March (From Indiana Jones and the Raiders of the Lost Ark) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
The Raiders March (Raiders of the Lost Ark) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
BMG Music
parte di:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams & Berliner Philharmoniker5:51
56"Destiny"... "Canneloni"... and The Tale Of Viktor Navorski Reprise - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
“Destiny” … “Canneloni” … and the Tale of Viktor Navorski (reprise) (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams5:05
57Princess Leia's Theme - From "Star Wars: A New Hope"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Princess Leia’s Theme (From Star Wars: A New Hope) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Berliner Philharmoniker4:41
58Devil's Dance - From "The Witches of Eastwick"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
violino :
Anne‐Sophie Mutter (violinist) (nel 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
The Devil’s Dance (The Witches of Eastwick) (nel 2020-01)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
arrangiamento di:
Dance of the Witches (The Witches of Eastwick)
parte di:
The Witches of Eastwick
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:50
59Throne Room & Finale - From "Star Wars: A New Hope"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Throne Room & Finale (From Star Wars: A New Hope) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Throne Room / Finale (Star Wars, Episode IV: A New Hope) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Berliner Philharmoniker8:32
60Marion's Theme - From "Indiana Jones and the Raiders of the Lost Ark"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Marion’s Theme (From Indiana Jones and the Raiders of the Lost Ark) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Marion’s Theme (Raiders of the Lost Ark) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
Bantha Music
John Williams & Berliner Philharmoniker4:05
61The Wedding Of Officer Torres - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
The Wedding of Officer Torres (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams5:01
62TreeSong: 3. The Tree Sings
violino :
Gil Shaham (violinist) (nel 2000-10)
orchestra:
Boston Symphony Orchestra (nel 2000-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2000-10)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 2000-10)
registrazione di:
TreeSong for Violin and Orchestra: III. Tempo primo. "The Tree Sings" (nel 2000-10)
compositore:
John Williams (American score composer and conductor) (nel 2000)
parte di:
TreeSong for Violin and Orchestra
John Williams, Gil Shaham & Boston Symphony Orchestra5:09
63Violin Concerto No. 2: IV. Epilogue
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Violin Concerto no. 2: IV. Epilogue (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra8:17
64Excerpts - From "Close Encounters of the Third Kind"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Excerpts (From Close Encounters of the Third Kind) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Excerpts From Close Encounters of the Third Kind (Close Encounters of the Third Kind) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
Hal Leonard Corporation e EMI Gold Horizon Music Corp. (nel 1977)
si basa su:
Close Encounters of the Third Kind (film soundtrack)
John Williams & Berliner Philharmoniker8:00
65Violin Concerto No. 2: I. Prologue
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Violin Concerto no. 2: I. Prologue (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra11:12
66The Fountain Scene - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
The Fountain Scene (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams5:33
67Superman March - From "Superman" / Live At Walt Disney Concert Hall, Los Angeles / 2019
tecnico di registrazione:
Alexander Lipay e Dmitriy Lipay (recording engineer & producer)
produttore:
Dmitriy Lipay (recording engineer & producer)
orchestra:
Los Angeles Philharmonic (dal 2019-01-24 al 2019-01-27)
direttore d'orchestra:
Gustavo Dudamel (conductor and violinist) (dal 2019-01-24 al 2019-01-27)
registrata presso:
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, Stati Uniti (dal 2019-01-24 al 2019-01-27)
registrazione dal vivo di:
Main Theme (Superman: The Movie) (dal 2019-01-24 al 2019-01-27)
compositore:
John Williams (American score composer and conductor)
parte di:
Superman: The Movie (1978 film soundtrack)
John Williams, Los Angeles Philharmonic & Gustavo Dudamel4:25
68Theme - From "The Long Goodbye"
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
The Long Goodbye (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:54
69Elegy for Cello and Orchestra
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
violoncello :
Bruno Delepelaire (cellist) (nel 2021-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Elegy for Cello and Orchestra (with applause) di Bruno Delepelaire (cellist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Elegy for Cello and Orchestra (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
editore:
Marjer Publishing
John Williams, Berliner Philharmoniker & Bruno Delepelaire7:42
70Violin Concerto No. 2: III. Dactyls
violino :
Anne‐Sophie Mutter (violinist) (dal 2021-09 al 2021-10)
orchestra:
Boston Symphony Orchestra (dal 2021-09 al 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 2021-09 al 2021-10)
registrazione di:
Violin Concerto no. 2: III. Dactyls (dal 2021-09 al 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Violin Concerto no. 2
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra6:00
71Shark Attack - From "Jaws" Soundtrack
tecnico:
Ted Keep (dal 1975-03-03 al 1975-03-10)
violino :
Israel Baker (American violinist) (dal 1975-03-03 al 1975-03-10), Arnold Belnick (dal 1975-03-03 al 1975-03-10), Harry Bluestone (dal 1975-03-03 al 1975-03-10), Thomas Buffum (dal 1975-03-03 al 1975-03-10), Herman Clebanoff (dal 1975-03-03 al 1975-03-10), Bonnie Douglas (dal 1975-03-03 al 1975-03-10), Assa Drori (dal 1975-03-03 al 1975-03-10) e Erno Neufeld (dal 1975-03-03 al 1975-03-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (dal 1975-03-03 al 1975-03-10)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti (dal 1975-03-03 al 1975-03-10)
John Williams, Berliner Philharmoniker & Bruno Delepelaire41:16
72Finale - From "Fiddler On The Roof" Soundtrack
John Williams, Jerry Bock, Isaac Stern & The Motion Picture Studio Orchestra1:49
73The Imperial March - From "Star Wars: The Empire Strikes Back"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
The Imperial March (From Star Wars: The Empire Strikes Back) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (nel 2021-10)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Berliner Philharmoniker3:11
74Nimbus 2000 - From "Harry Potter and the Philosopher's Stone"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Nimbus 2000 (From Harry Potter and the Philosopher’s Stone) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
Nimbus 2000 (Harry Potter and the Sorcerer’s Stone) (nel 2021-10)
compositore:
John Williams (American score composer and conductor)
parte di:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker2:16
75Flying Theme - From "E.T."
registrata a:
Culver City, California, Stati Uniti (nel 1991-02)
tecnico:
Joel Moss (nel 1991-02)
produttore:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (nel 1991-02)
direttore d'orchestra:
John Mauceri (conductor) (nel 1991-02)
registrazione di:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (nel 1991-02)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams, Hollywood Bowl Orchestra & John Mauceri4:10
76Flying Theme - From "E.T. the Extra-Terrestrial"
assistente tecnico di registrazione:
Johannes Hartmuth (nel 2021-10) e Jupp Wegner (engineer) (nel 2021-10)
produttore:
Christoph Franke (engineer/producer)
tecnico di missaggio:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (nel 2021-10)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2021-10)
tecnico di bilanciamento:
René Möller (nel 2021-10)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2022)
registrata presso:
Philharmonie in Mitte, Berlin, Germania (nel 2021-10)
edit di:
Flying Theme (From E.T. the Extra-Terrestrial) (with applause) di Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
registrazione dal vivo di:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (nel 2021-10)
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Berliner Philharmoniker3:58
77The Cantina band [Star Wars]
produttore:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (nel 1977-12)
direttore d'orchestra:
Jules Chaikin (nel 1977-12)
tecnico di bilanciamento:
Simon Eadon (classical music engineer) (nel 1977-12) e James Lock (James Locke, engineer) (nel 1977-12)
registrata presso:
Royce Hall in Los Angeles, California, Stati Uniti (nel 1977-12)
registrazione cover di:
Cantina Band (Star Wars, Episode IV: A New Hope) (nel 1977-12)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, The Cantina Band & Jules Chaikin2:36
78Viktor And His Friends - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Viktor and His Friends (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams4:43
79Main Title - From "Star Wars: A New Hope"
tecnico di registrazione:
Tobias Lehmann (nel 2020-01)
assistente tecnico:
Wolfgang Schiefermair (nel 2020-01)
produttore, tecnico di missaggio e editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (nel 2020-01)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2020-01)
diritti fonografici (℗) detenuti da:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (nel 2020)
registrata presso:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (nel 2020-01)
registrazione dal vivo di:
Main Title (Star Wars) (nel 2020-01)
compositore:
John Williams (American score composer and conductor) (conclusa)
editore:
Bantha Music, Fox Fanfare Music Inc., Utapau Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
parte di:
Star Wars Holiday Special (television soundtrack)
parte di:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
parte di:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
parte di:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
parte di:
Star Wars: Shadows of the Empire
John Williams & Wiener Philharmoniker6:25
80Luke and Leia - From "Star Wars: Return Of The Jedi"
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:01
81Star Wars: Main Title
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Main Title (Star Wars) (nel 1980-06)
compositore:
John Williams (American score composer and conductor) (conclusa)
editore:
Bantha Music, Fox Fanfare Music Inc., Utapau Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
parte di:
Star Wars Holiday Special (television soundtrack)
parte di:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
parte di:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
parte di:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
parte di:
Star Wars: Shadows of the Empire
John Williams & Boston Pops Orchestra5:37
82Superman March - From "Superman"
tecnico di registrazione:
Geoff Foster (sound engineer) (il 2017-11-20)
orchestra:
London Symphony Orchestra (il 2017-11-20)
direttore d'orchestra:
Gavin Greenaway (il 2017-11-20)
primo violino:
Carmine Lauri (violinist) (il 2017-11-20)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 2017-11-20)
registrazione di:
Main Theme (Superman: The Movie)
compositore:
John Williams (American score composer and conductor)
parte di:
Superman: The Movie (1978 film soundtrack)
John Williams, London Symphony Orchestra & Gavin Greenaway4:37
83The Tale Of Viktor Navorski - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Viktor’s Tale (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams4:12
84Krakozhia National Anthem and Homesickness - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Krakozhia National Anthem and Homesickness (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams1:49
85The Raid In Tarifa
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
The Raid in Tarifa
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams2:03
86The Attack On The Car - Original Motion Picture Soundtrack
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
The Attack on the Car (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams2:44
87A Happy Navorski Ending! - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
A Happy Navorski Ending! (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams2:47
88Prologue - Original Motion Picture Soundtrack
voce parlata:
Morgan Freeman (actor)
direttore d'orchestra:
John Williams (American score composer and conductor)
registrazione di:
Prologue (War of the Worlds)
compositore:
John Williams (American score composer and conductor)
parte di:
War of the Worlds (2005 film score)
John Williams & Morgan Freeman2:52
89The Attack At Olympic Village
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
The Attack at Olympic Village (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams3:00
90Refusing To Escape - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Refusing to Escape (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:01
91Avner's Theme
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
chitarra solista :
Adam Del Monte
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Avner's Theme (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams3:07
92A Legend Is Born - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
A Legend Is Born (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:16
93Looking For Work - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Looking for Work (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:17
94Gupta's Deliverance - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Gupta's Deliverance (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams3:18
95Encounter In London And Bomb Malfunctions
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Encounter in London and Bomb Malfunctions (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams3:37
96Finding Coins and Learning To Read - The Terminal/Soundtrack Version
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ken Wannberg e Peter Myles (editing Engineer)
orchestra:
Hollywood Studio Symphony
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso e mixata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti
registrazione di:
Finding Coins and Learning to Read (The Terminal)
compositore:
John Williams (American score composer and conductor)
parte di:
The Terminal (2004 film score)
John Williams4:02
97End Credits
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
produttore:
John Williams (American score composer and conductor)
editor:
Ramiro Belgardt e Ken Wannberg
direttore d'orchestra:
John Williams (American score composer and conductor)
diritti fonografici (℗) detenuti da:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
End Credits (Munich)
compositore:
John Williams (American score composer and conductor)
parte di:
Munich (2005 film score)
John Williams4:06
98The Empire Strikes Back: The Asteroid Field
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1980-06)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (nel 1980-06)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra4:14
99Princess Leia's Theme
produttore:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (nel 1977-12)
direttore d'orchestra:
Zubin Mehta (conductor) (nel 1977-12)
tecnico di bilanciamento:
Simon Eadon (classical music engineer) (nel 1977-12) e James Lock (James Locke, engineer) (nel 1977-12)
registrata presso:
Royce Hall in Los Angeles, California, Stati Uniti (nel 1977-12)
registrazione cover di:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (nel 1977-12)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta4:26
100The Little People [Star Wars]
produttore:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (nel 1977-12)
direttore d'orchestra:
Zubin Mehta (conductor) (nel 1977-12)
tecnico di bilanciamento:
Simon Eadon (classical music engineer) (nel 1977-12) e James Lock (James Locke, engineer) (nel 1977-12)
registrata presso:
Royce Hall in Los Angeles, California, Stati Uniti (nel 1977-12)
registrazione cover di:
The Little People (Star Wars, Episode IV: A New Hope) (nel 1977-12)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams, Los Angeles Philharmonic & Zubin Mehta4:43