A Copland Celebration, Volume 2

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Vitebsk, study on a Jewish Theme
cello:
Claus Adam (American cellist and composer) (on 1966-10-28)
piano:
Aaron Copland (composer) (on 1966-10-28)
violin:
Earl Carlyss (violinist) (on 1966-10-28)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-28)
recording of:
Vitebsk, Study on a Jewish Theme (on 1966-10-28)
premiered in:
New York, New York, United States (on 1929-02-16)
composer:
Aaron Copland (composer) (in 1928)
dedicated to:
Roy Harris (American composer)
premiered by:
Walter Gieseking (classical pianist 1895–1956) (on 1929-02-16), Robert Maas (cellist) (on 1929-02-16) and Alphonse Onnou (Belgian early 20th century violinist) (on 1929-02-16)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
11:40
2Sextet, for clarinet, piano & string quartet: I. Allegro vivace
cello:
Claus Adam (American cellist and composer) (on 1966-10-27)
clarinet:
Harold Wright (clarinetist) (on 1966-10-27)
piano:
Aaron Copland (composer) (on 1966-10-27)
viola:
Raphael Hillyer (American violist) (on 1966-10-27)
violin:
Earl Carlyss (violinist) (on 1966-10-27) and Robert Mann (US violinist) (on 1966-10-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-27)
recording of:
Sextet for String Quartet, Clarinet and Piano: I. Allegro vivace (on 1966-10-27)
composer:
Aaron Copland (composer) (in 1937)
part of:
Sextet for String Quartet, Clarinet and Piano
4:20
3Sextet, for clarinet, piano & string quartet: II. Lento
cello:
Claus Adam (American cellist and composer) (on 1966-10-27)
clarinet:
Harold Wright (clarinetist) (on 1966-10-27)
piano:
Aaron Copland (composer) (on 1966-10-27)
viola:
Raphael Hillyer (American violist) (on 1966-10-27)
violin:
Earl Carlyss (violinist) (on 1966-10-27) and Robert Mann (US violinist) (on 1966-10-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-27)
recording of:
Sextet for String Quartet, Clarinet and Piano: II. Lento (on 1966-10-27)
composer:
Aaron Copland (composer) (in 1937)
part of:
Sextet for String Quartet, Clarinet and Piano
5:10
4Sextet, for clarinet, piano & string quartet: III. Finale
cello:
Claus Adam (American cellist and composer) (on 1966-10-27)
clarinet:
Harold Wright (clarinetist) (on 1966-10-27)
piano:
Aaron Copland (composer) (on 1966-10-27)
viola:
Raphael Hillyer (American violist) (on 1966-10-27)
violin:
Earl Carlyss (violinist) (on 1966-10-27) and Robert Mann (US violinist) (on 1966-10-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-27)
recording of:
Sextet for String Quartet, Clarinet and Piano: III. Precise and Rhythmic (on 1966-10-27)
composer:
Aaron Copland (composer) (in 1937)
part of:
Sextet for String Quartet, Clarinet and Piano
5:31
5Piano Quartet: I. Adagio serio
cello:
Claus Adam (American cellist and composer) (on 1966-10-28)
piano:
Aaron Copland (composer) (on 1966-10-28)
viola:
Raphael Hillyer (American violist) (on 1966-10-28)
violin:
Robert Mann (US violinist) (on 1966-10-28)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-28)
recording of:
Quartet for Piano and Strings: I. Adagio serio (on 1966-10-28)
composer:
Aaron Copland (composer) (in 1950)
part of:
Quartet for Piano and Strings
6:42
6Piano Quartet: II. Allegro giusto
cello:
Claus Adam (American cellist and composer) (on 1966-10-28)
piano:
Aaron Copland (composer) (on 1966-10-28)
viola:
Raphael Hillyer (American violist) (on 1966-10-28)
violin:
Robert Mann (US violinist) (on 1966-10-28)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-28)
recording of:
Quartet for Piano and Strings: II. Allegro giusto (on 1966-10-28)
composer:
Aaron Copland (composer) (in 1950)
part of:
Quartet for Piano and Strings
7:39
7Piano Quartet: III. Non troppo lento
cello:
Claus Adam (American cellist and composer) (on 1966-10-28)
piano:
Aaron Copland (composer) (on 1966-10-28)
viola:
Raphael Hillyer (American violist) (on 1966-10-28)
violin:
Robert Mann (US violinist) (on 1966-10-28)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-10-28)
recording of:
Quartet for Piano and Strings: III. Non troppo lento (on 1966-10-28)
composer:
Aaron Copland (composer) (in 1950)
part of:
Quartet for Piano and Strings
6:59
8Duo for flute & piano: I. Flowing
flute:
Elaine Shaffer (flutist) (in 1972-12)
piano:
Aaron Copland (composer) (in 1972-12)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1972-12)
recording of:
Duo for Flute and Piano: I. Flowing (in 1972-12)
composer:
Aaron Copland (composer)
part of:
Duo for Flute and Piano
5:27
9Duo for flute & piano: II. Poetic, Somewhat Mournful
flute:
Elaine Shaffer (flutist) (in 1972-12)
piano:
Aaron Copland (composer) (in 1972-12)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1972-12)
recording of:
Duo for Flute and Piano: II. Poetic, somewhat mournful (in 1972-12)
composer:
Aaron Copland (composer)
part of:
Duo for Flute and Piano
4:41
10Duo for flute & piano: III. Lively, With Bounce
flute:
Elaine Shaffer (flutist) (in 1972-12)
piano:
Aaron Copland (composer) (in 1972-12)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1972-12)
recording of:
Duo for Flute and Piano: III. Lively, with bounce (in 1972-12)
composer:
Aaron Copland (composer)
part of:
Duo for Flute and Piano
3:32
2▼CD
#TitleArtistRatingLength
1Lincoln Portrait
recorded in:
New York, New York, United States (on 1958-03-16)
spoken vocals [narrator]:
Carl Sandburg (on 1958-03-16)
orchestra:
New York Philharmonic (on 1958-03-16)
conductor:
André Kostelanetz (conductor) (on 1958-03-16)
recording of:
Lincoln Portrait (on 1958-03-16)
premiered in:
Cincinnati, Ohio, United States (on 1942-05-14)
lyricist:
Abraham Lincoln (16th President of the United States)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
André Kostelanetz (conductor)
premiered by:
Cincinnati Symphony Orchestra (on 1942-05-14) and André Kostelanetz (conductor) (on 1942-05-14)
Aaron Copland13:59
2Poems of Emily Dickinson: No. 1. Nature, the Gentlest Mother
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland3:55
3Poems of Emily Dickinson: No. 2. There Came a Wind Like a Bugle
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Elliott Carter (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Elliott Carter (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland1:37
4Poems of Emily Dickinson: No. 3. Why Do They Shut Me Out of Heaven?
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Ingolf Dahl (German-American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Ingolf Dahl (German-American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland1:55
5Poems of Emily Dickinson: No. 4. The World Feels Dusty
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Alexei Haieff (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Alexei Haieff (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland1:50
6Poems of Emily Dickinson: No. 5. Heart, We Will Forget Him
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Marcelle de Manziarly
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Marcelle de Manziarly
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:18
7Poems of Emily Dickinson: No. 6. Dear March, Come In!
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Juan Orrego-Salas (Chilean composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Juan Orrego-Salas (Chilean composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:15
8Poems of Emily Dickinson: No. 7. Sleep Is Supposed to Be
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Irving Fine (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Irving Fine (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:52
9Poems of Emily Dickinson: No. 8. When They Come Back
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Harold Shapero (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Harold Shapero (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland1:55
10Poems of Emily Dickinson: No. 9. I Felt a Funeral in My Brain
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
M. Camargo Guarnieri (Brazilian composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
M. Camargo Guarnieri (Brazilian composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:16
11Poems of Emily Dickinson: No. 10. I've Heard an Organ Talk Sometimes
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Alberto Ginastera (Argentinean composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Alberto Ginastera (Argentinean composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:03
12Poems of Emily Dickinson: No. 11. Going to Heaven!
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland2:50
13Poems of Emily Dickinson: No. 12. The Chariot
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Arthur Berger (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Arthur Berger (American composer)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland3:03
14Old American Songs, Book 1: No. 1. The Boatmen's Dance
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland3:31
15Old American Songs, Book 1: No. 2. The Dodger
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 2. The Dodger (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland2:11
16Old American Songs, Book 1: No. 3. Long Time Ago
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland3:12
17Old American Songs, Book 1: No. 4. Simple Gifts
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland1:35
18Old American Songs, Book 1: No. 5. I Bought Me a Cat
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
Aaron Copland2:13
19Old American Songs, Book 2: No. 1. The Little Horses
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland2:54
20Old American Songs, Book 2: No. 2. Zion's Walls
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland2:01
21Old American Songs, Book 2: No. 3. The Golden Willow Tree
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland3:34
22Old American Songs, Book 2: No. 4. At the River
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 4. At the River (on 1953-08-18)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland3:05
23Old American Songs, Book 2: No. 5. Ching-a-ring Chaw
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
Aaron Copland1:31
24Billy the Kid: The Open Prairie
piano:
Oscar Levant
recording of:
Billy the Kid: I. The Open Prairie (piano suite, Foss)
composer:
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss2:53
25Billy the Kid: Street in a Frontier Town
piano:
Oscar Levant
recording of:
Billy the Kid: II. Street Scene in a Frontier Town (piano suite, Foss)
composer:
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss1:37
26Billy the Kid: Celebration Dance (After Billy's Capture)
piano:
Oscar Levant
recording of:
Billy the Kid: IV. Celebration After Billy’s Capture (piano suite, Foss)
composer:
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss1:54

Credits

Release

ASIN:US: B000050HWT [info]