A Copland Celebration, Volume 2

~ Veröffentlichung von Aaron Copland (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lincoln Portrait
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-16)
Sprecher [narrator]:
Carl Sandburg (am 1958-03-16)
Orchester:
New York Philharmonic (am 1958-03-16)
conductor:
André Kostelanetz (conductor) (am 1958-03-16)
recording of:
Lincoln Portrait (am 1958-03-16)
Premiere in:
Cincinnati, Ohio, Vereinigte Staaten (am 1942-05-14)
Texter:
Abraham Lincoln (16th President of the United States)
Komponist(in):
Aaron Copland (composer) (in 1942)
was commissioned by:
André Kostelanetz (conductor)
uraufgeführt von:
Cincinnati Symphony Orchestra (am 1942-05-14) und André Kostelanetz (conductor) (am 1942-05-14)
Aaron Copland13:59
2Poems of Emily Dickinson: No. 1. Nature, the Gentlest Mother
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
David Diamond (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
David Diamond (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland3:55
3Poems of Emily Dickinson: No. 2. There Came a Wind Like a Bugle
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Elliott Carter (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Elliott Carter (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland1:37
4Poems of Emily Dickinson: No. 3. Why Do They Shut Me Out of Heaven?
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Ingolf Dahl (German-American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Ingolf Dahl (German-American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland1:55
5Poems of Emily Dickinson: No. 4. The World Feels Dusty
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Alexei Haieff (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Alexei Haieff (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland1:50
6Poems of Emily Dickinson: No. 5. Heart, We Will Forget Him
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Marcelle de Manziarly
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Marcelle de Manziarly
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:18
7Poems of Emily Dickinson: No. 6. Dear March, Come In!
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Juan Orrego-Salas (Chilean composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Juan Orrego-Salas (Chilean composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:15
8Poems of Emily Dickinson: No. 7. Sleep Is Supposed to Be
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Irving Fine (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Irving Fine (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:52
9Poems of Emily Dickinson: No. 8. When They Come Back
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Harold Shapero (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Harold Shapero (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland1:55
10Poems of Emily Dickinson: No. 9. I Felt a Funeral in My Brain
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
M. Camargo Guarnieri (Brazilian composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
M. Camargo Guarnieri (Brazilian composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:16
11Poems of Emily Dickinson: No. 10. I've Heard an Organ Talk Sometimes
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Alberto Ginastera (Argentinean composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer)
gewidmet:
Alberto Ginastera (Argentinean composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:03
12Poems of Emily Dickinson: No. 11. Going to Heaven!
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland2:50
13Poems of Emily Dickinson: No. 12. The Chariot
Klavier:
Aaron Copland (composer) (von 1950 bis 1952, am 1952-04-02)
Mezzosoprangesang:
Martha Lipton (mezzo soprano) (von 1950 bis 1952, am 1952-04-02)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (von 1950 bis 1952)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Arthur Berger (American composer)
Teil von:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (am 1952-04-02)
Texter:
Emily Dickinson (US poet)
Komponist(in):
Aaron Copland (composer) (in 1950)
gewidmet:
Arthur Berger (American composer)
Teil von:
Twelve Poems of Emily Dickinson
Aaron Copland3:03
14Old American Songs, Book 1: No. 1. The Boatmen's Dance
Produzent(in):
David Oppenheim (clarinetist) und David Oppenheim (producer of classical recordings)
Klavier:
Aaron Copland (composer) (am 1951-08-16)
Baritongesang:
William Warfield (bass-baritone) (am 1951-08-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1951-08-16)
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (am 1951-08-16)
Komponist(in):
Aaron Copland (composer) (in 1950)
Teil von:
Old American Songs, Set 1
Aaron Copland3:31
15Old American Songs, Book 1: No. 2. The Dodger
Produzent(in):
David Oppenheim (clarinetist) und David Oppenheim (producer of classical recordings)
Klavier:
Aaron Copland (composer) (am 1951-08-16)
Baritongesang:
William Warfield (bass-baritone) (am 1951-08-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1951-08-16)
recording of:
Old American Songs, Set 1: No. 2. The Dodger (am 1951-08-16)
Komponist(in):
Aaron Copland (composer) (in 1950)
Teil von:
Old American Songs, Set 1
Aaron Copland2:11
16Old American Songs, Book 1: No. 3. Long Time Ago
Produzent(in):
David Oppenheim (clarinetist) und David Oppenheim (producer of classical recordings)
Klavier:
Aaron Copland (composer) (am 1951-08-16)
Baritongesang:
William Warfield (bass-baritone) (am 1951-08-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1951-08-16)
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (am 1951-08-16)
Komponist(in):
Aaron Copland (composer) (in 1950)
Teil von:
Old American Songs, Set 1
Aaron Copland3:12
17Old American Songs, Book 1: No. 4. Simple Gifts
Produzent(in):
David Oppenheim (clarinetist) und David Oppenheim (producer of classical recordings)
Klavier:
Aaron Copland (composer) (am 1951-08-16)
Baritongesang:
William Warfield (bass-baritone) (am 1951-08-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1951-08-16)
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (am 1951-08-16)
Komponist(in):
Aaron Copland (composer) (in 1950)
Teil von:
Old American Songs, Set 1
Aaron Copland1:35
18Old American Songs, Book 1: No. 5. I Bought Me a Cat
Produzent(in):
David Oppenheim (clarinetist) und David Oppenheim (producer of classical recordings)
Klavier:
Aaron Copland (composer) (am 1951-08-16)
Baritongesang:
William Warfield (bass-baritone) (am 1951-08-16)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1951-08-16)
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (am 1951-08-16)
Komponist(in):
Aaron Copland (composer) (in 1950)
Teil von:
Old American Songs, Set 1
Aaron Copland2:13
19Old American Songs, Book 2: No. 1. The Little Horses
Produzent(in):
Howard H. Scott (classical music producer)
Klavier:
Aaron Copland (composer) (am 1953-08-18)
Baritongesang:
William Warfield (bass-baritone) (am 1953-08-18)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-18)
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (am 1953-08-18)
Komponist(in):
Aaron Copland (composer) (in 1952)
Teil von:
Old American Songs, Set 2
Aaron Copland2:54
20Old American Songs, Book 2: No. 2. Zion's Walls
Produzent(in):
Howard H. Scott (classical music producer)
Klavier:
Aaron Copland (composer) (am 1953-08-18)
Baritongesang:
William Warfield (bass-baritone) (am 1953-08-18)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-18)
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (am 1953-08-18)
Komponist(in):
Aaron Copland (composer) (in 1952)
Teil von:
Old American Songs, Set 2
Aaron Copland2:01
21Old American Songs, Book 2: No. 3. The Golden Willow Tree
Produzent(in):
Howard H. Scott (classical music producer)
Klavier:
Aaron Copland (composer) (am 1953-08-18)
Baritongesang:
William Warfield (bass-baritone) (am 1953-08-18)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-18)
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (am 1953-08-18)
Komponist(in):
Aaron Copland (composer) (in 1952)
Teil von:
Old American Songs, Set 2
Aaron Copland3:34
22Old American Songs, Book 2: No. 4. At the River
Produzent(in):
Howard H. Scott (classical music producer)
Klavier:
Aaron Copland (composer) (am 1953-08-18)
Baritongesang:
William Warfield (bass-baritone) (am 1953-08-18)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-18)
recording of:
Old American Songs, Set 2: No. 4. At the River (am 1953-08-18)
Texter:
Robert Lowry (American hymn writer, 1826-1899)
Komponist(in):
Aaron Copland (composer) (in 1952)
Teil von:
Old American Songs, Set 2
Aaron Copland3:05
23Old American Songs, Book 2: No. 5. Ching-a-ring Chaw
Produzent(in):
Howard H. Scott (classical music producer)
Klavier:
Aaron Copland (composer) (am 1953-08-18)
Baritongesang:
William Warfield (bass-baritone) (am 1953-08-18)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1953-08-18)
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (am 1953-08-18)
Komponist(in):
Aaron Copland (composer) (in 1952)
Teil von:
Old American Songs, Set 2
Aaron Copland1:31
24Billy the Kid: The Open Prairie
Klavier:
Oscar Levant
recording of:
Billy the Kid: I. The Open Prairie (piano suite, Foss)
Komponist(in):
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss2:53
25Billy the Kid: Street in a Frontier Town
Klavier:
Oscar Levant
recording of:
Billy the Kid: II. Street Scene in a Frontier Town (piano suite, Foss)
Komponist(in):
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss1:37
26Billy the Kid: Celebration Dance (After Billy's Capture)
Klavier:
Oscar Levant
recording of:
Billy the Kid: IV. Celebration After Billy’s Capture (piano suite, Foss)
Komponist(in):
Aaron Copland (composer)
arranger:
Lukas Foss (German-American composer, pianist and conductor)
Teil von:
Billy the Kid (piano suite, Foss)
Aaron Copland / Lukas Foss1:54

Nennungen

Veröffentlichung

ASIN:US: B000050HWT [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001546087 [Info]