Sixties Beat

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Do Wah Diddy Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und HMV Records Ltd. (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
2How Do You Do It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Columbia Pictures Industries, Inc. (in 1963)
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
3Shout
cover recording of:
Shout
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Teil von:
MJ: The Musical
Lulu4.52:52
4I’m Into Something Good
Techniker(in):
Val Valentin
Produzent(in):
Mickie Most (English record producer)
E-Bass:
Karl Green
Gitarre:
Keith Hopwood und Derek Leckenby
Schlagzeug:
Barry Whitwam
Sologesang:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Herman’s Hermits4.352:33
5Don’t Throw Your Love Away
phonographisches Urheberrecht (℗) von:
Wyncote Music Co. Ltd. (in 1964)
cover recording of:
Don’t Throw Your Love Away
Verfasser(in):
Billy Jackson (US soul/disco producer & songwriter)
Komponist(in):
Jimmy Wisner
The Searchers42:17
6I Only Want to Be With You
Produzent(in):
John Franz
phonographisches Urheberrecht (℗) von:
Mercury Ltd (not for release label use!) (in 1963)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1963)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 31) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
Dusty Springfield4.42:37
7You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:14
8Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:37
9There’s Always Something There to Remind Me
vocals:
Sandie Shaw (in 1964)
phonographisches Urheberrecht (℗) von:
Pye International (in 1964) und Pye Records (in 1964)
cover recording of:
(There’s) Always Something There to Remind Me (in 1964)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
recording of:
(There’s) Always Something There to Remind Me
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Sandie Shaw42:36
10Bad to Me
recording of:
Bad to Me
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas32:21
11You’ve Lost That Lovin’ Feeling
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers3:43
12The Locomotion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:25
13A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:00
14It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Peter Sullivan (UK producer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 393)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Leeds Music (beendet), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
15You’ve Got Your Troubles
recording of:
You’ve Got Your Troubles
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Concord Sounds, Greenaway Operations and Activities Limited und Mills Music
The Fortunes3:23
16The Game of Love
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1965)
cover recording of:
Game of Love
Texter und Komponist(in):
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:05
17Juliet
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1964)
recording of:
Juliet (1964 song by the Four Pennies)
Verfasser(in):
Fritz Fryer, Lionel Morton (member of the Four Pennies) und Mike Wilsh
publisher:
Flamingo Music
The Four Pennies2:23
18Lazy Sunday
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Copyrights Ltd. (in 1968)
recording of:
Lazy Sunday
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (beendet) und EMI United Partnership Ltd.
Small Faces3.353:05
19House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:30
20Ain’t She Sweet
assistierendes Sound-Engineering:
Günther Sörensen (am 1961-06-24)
Techniker(in):
Karl Hinze (am 1961-06-24)
Produzent(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) (am 1961-06-24)
E-Bass:
Paul McCartney (The Beatles) (am 1961-06-24)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1961-06-24)
E-Gitarre [rhythm guitar] und Sologesang:
John Lennon (The Beatles) (am 1961-06-24)
Schlagzeug:
Pete Best (original drummer in The Beatles) (am 1961-06-24)
zusätzlich Schlagzeug:
Bernard “Pretty” Purdie (in 1964-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1961)
aufgenommen bei und mixed at:
Studio Rahlstedt in Hamburg, Deutschland (am 1961-06-24)
Remix von:
Ain’t She Sweet (original stereo mix) von The Beatles (UK rock band, “The Fab Four”) (in 1964)
cover recording of:
Ain’t She Sweet (von 1961-06-24 bis 1964-01)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Beatles3.42:13
21He Ain’t Heavy He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:15
2▼CD
Nr.TitelKünstlerBewertungLänge
1Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.253:37
2Summer in the City
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful2:41
3With a Little Help From My Friends
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bassgitarre:
Chris Stainton (keyboard player, session musician and songwriter)
Gitarre:
Jimmy Page
Orgel:
Tommy Eyre
Schlagzeug:
Barrie James Wilson
Hintergrundgesang:
Madeline Bell, Rosetta Hightower und Sunny Weetman
phonographisches Urheberrecht (℗) von:
Straight Ahead Productions Ltd. (in 1968)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 86)
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker3.85:03
4There’s a Kind of Hush
Techniker(in):
Dave Siddle (engineer)
Produzent(in):
Mickie Most (English record producer)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-12-07)
cover recording of:
There’s a Kind of Hush (am 1966-12-07)
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Herman’s Hermits4.52:35
5Stay
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-10-11)
cover recording of:
Stay (am 1963-10-11)
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
The Hollies2:13
6Pretty Flamingo
Manfred Mann2:34
7Tobacco Road
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 40)
cover recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
8She’s Not There
The Zombies2:24
9Sunny Afternoon
recording of:
Sunny Afternoon
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) und Davray (publisher) (in 1984)
The Kinks3:35
10You’ll Never Walk Alone
Interpret(in):
Gerry and the Pacemakers
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1963) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
11Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:54
12Fire!
Arthur Brown2:56
13Pictures of Matchstick Men
recording of:
Pictures of Matchstick Men
Texter und Komponist(in):
Francis Rossi
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo3:08
14Blackberry Way
recording of:
Blackberry Way
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. und Essex Music International, Inc. (in 1968)
The Move53:35
15Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:27
16(If Paradise Is) Half as Nice
recording of:
(If Paradise Is) Half as Nice
Texter:
Jack Fishman
Komponist(in):
Lucio Battisti
publisher:
Cyril Shane Music
basiert auf:
Il paradiso della vita
Amen Corner2:49
17Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:56
18Catch the Wind
recording of:
Catch the Wind
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan2:16
19A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02

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