Sixties Beat

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.253:37
2Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:41
3With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:03
4There’s a Kind of Hush
tecnico:
Dave Siddle (engineer)
produttore:
Mickie Most (English record producer)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1966-12-07)
registrazione cover di:
There’s a Kind of Hush (il 1966-12-07)
paroliere e compositore:
Les Reed e Geoff Stephens
editore:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Herman’s Hermits4.52:35
5Stay
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2003)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-10-11)
registrazione cover di:
Stay (il 1963-10-11)
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
The Hollies2:13
6Pretty Flamingo
Manfred Mann2:34
7Tobacco Road
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 40)
registrazione cover di:
Tobacco Road
paroliere e compositore:
John D. Loudermilk
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:28
8She’s Not There
The Zombies2:24
9Sunny Afternoon
registrazione di:
Sunny Afternoon
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Davray Music Ltd., Carlin (nel 1984) e Davray (publisher) (nel 1984)
The Kinks3:35
10You’ll Never Walk Alone
esecutore:
Gerry and the Pacemakers
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1963) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione cover di:
You’ll Never Walk Alone (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
11Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:54
12Fire!
Arthur Brown2:56
13Pictures of Matchstick Men
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3:08
14Blackberry Way
registrazione di:
Blackberry Way
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd. e Essex Music International, Inc. (nel 1968)
The Move53:35
15Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:27
16(If Paradise Is) Half as Nice
registrazione di:
(If Paradise Is) Half as Nice
paroliere:
Jack Fishman
compositore:
Lucio Battisti
editore:
Cyril Shane Music
si basa su:
Il paradiso della vita
Amen Corner2:49
17Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:56
18Catch the Wind
registrazione di:
Catch the Wind
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music, Peer Music UK Ltd e Southern Music (publisher)
Donovan2:16
19A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02

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