Frog: 1956-1962

~ Release by Ben Webster (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Bye Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass and double bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Ben Webster6:45
2In the Wee Small Hours of the Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Ben Webster3:12
3How Deep Is the Ocean?
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ben Webster2:34
4The Touch of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Ben Webster6:19
5When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Ben Webster3:59
6Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1959-11-06)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
Ben Webster3:58
7My One and Only Love
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My One and Only Love (on 1956-09-11)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
The Art Tatum/Ben Webster Quartet6:14
8Night and Day
double bass:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-09-11)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
The Art Tatum/Ben Webster Quartet5:29
9My Ideal
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
My Ideal (from “Playboy of Paris”) (on 1956-09-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting (composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Art Tatum/Ben Webster Quartet7:18
10Where or When
recorded in:
Los Angeles, California, United States (on 1956-09-11)
engineer:
Val Valentin
producer:
Norman Granz
double bass and double bass [bass]:
Red Callender (on 1956-09-11)
drums (drum set):
Bill Douglass (American jazz drummer) (on 1956-09-11)
piano:
Art Tatum (US jazz pianist) (on 1956-09-11)
tenor saxophone:
Ben Webster (on 1956-09-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1956-09-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
The Art Tatum/Ben Webster Quartet6:27
11How Long Has This Been Going On?
double bass:
George Duvivier (on 1962-06-07)
drums (drum set):
Clarence Johnston (on 1962-06-07)
piano:
Hank Jones (piano) (on 1962-06-07)
tenor saxophone:
Ben Webster (on 1962-06-07)
instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1962-06-07)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ben Webster5:36
12Did You Call Her Today
double bass:
George Duvivier (on 1962-06-06)
drums (drum set):
Clarence Johnston (on 1962-06-06)
piano:
Hank Jones (piano) (on 1962-06-06)
tenor saxophone:
Ben Webster (on 1962-06-06)
trumpet:
Harry “Sweets” Edison (on 1962-06-06)
Ben Webster8:59