Frog: 1956-1962

~ Pubblicazione di Ben Webster (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Bye Bye Blackbird
tecnico:
Val Valentin
produttore:
Russell Garcia
basso e contrabbasso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
Bye Bye Blackbird (il 1959-11-06)
paroliere:
Mort Dixon (nel 1926)
compositore:
Ray Henderson (nel 1926)
editore:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) e Warner Bros., Inc. (not for release label use!)
Ben Webster6:45
2In the Wee Small Hours of the Morning
tecnico:
Val Valentin
produttore:
Russell Garcia
basso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
In the Wee Small Hours of the Morning (il 1959-11-06)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ben Webster3:12
3How Deep Is the Ocean?
tecnico:
Val Valentin
produttore:
Russell Garcia
basso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
How Deep Is the Ocean? (il 1959-11-06)
paroliere e compositore:
Irving Berlin (nel 1932)
editore:
Francis, Day & Hunter Ltd. e Irving Berlin Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ben Webster2:34
4The Touch of Your Lips
tecnico:
Val Valentin
produttore:
Russell Garcia
basso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
The Touch of Your Lips (il 1959-11-06)
paroliere e compositore:
Ray Noble
editore:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music e Silver Seahorse Music LLC
Ben Webster6:19
5When Your Lover Has Gone
tecnico:
Val Valentin
produttore:
Russell Garcia
basso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
When Your Lover Has Gone (il 1959-11-06)
paroliere e compositore:
Einar Aaron Swan
editore:
Remick Music Corp. e Warner Bros., Inc. (Warner Bros. Music Division)
Ben Webster3:59
6Sunday
tecnico:
Val Valentin
produttore:
Russell Garcia
basso :
Ray Brown (jazz bassist) (il 1959-11-06)
batteria :
Ed Thigpen (il 1959-11-06)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-11-06)
sassofono tenore :
Ben Webster (il 1959-11-06)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1959-11-06)
registrazione strumentale di:
Sunday (famously sung by Frank Sinatra & others) (il 1959-11-06)
autore:
Chester Conn (fino al 1926), Benny Krueger (jazz saxophonist) (fino al 1926), Ned Miller (Nathan "Ned" Miller) (fino al 1926) e Jule Styne (fino al 1926)
editore:
EMI United Partnership Ltd. e Leo Feist, Inc.
Ben Webster3:58
7My One and Only Love
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
My One and Only Love (il 1956-09-11)
paroliere:
Robert Mellin
compositore:
Robert Mellin e Guy Wood
editore:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
versione di:
Music from Beyond the Moon (My One and Only Love)
The Art Tatum/Ben Webster Quartet6:14
8Night and Day
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1956-09-11)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
The Art Tatum/Ben Webster Quartet5:29
9My Ideal
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
My Ideal (from “Playboy of Paris”) (il 1956-09-11)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Newell Chase e Richard A. Whiting (composer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Art Tatum/Ben Webster Quartet7:18
10Where or When
registrata a:
Los Angeles, California, Stati Uniti (il 1956-09-11)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Bill Douglass (American jazz drummer) (il 1956-09-11)
contrabbasso e contrabbasso [bass] :
Red Callender (il 1956-09-11)
pianoforte :
Art Tatum (US jazz pianist) (il 1956-09-11)
sassofono tenore :
Ben Webster (il 1956-09-11)
registrazione strumentale di:
Where or When (from “Babes in Arms”) (il 1956-09-11)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
The Art Tatum/Ben Webster Quartet6:27
11How Long Has This Been Going On?
batteria :
Clarence Johnston (il 1962-06-07)
contrabbasso :
George Duvivier (il 1962-06-07)
pianoforte :
Hank Jones (piano) (il 1962-06-07)
sassofono tenore :
Ben Webster (il 1962-06-07)
registrazione strumentale di:
How Long Has This Been Going On? (Funny Face, 1957 film) (il 1962-06-07)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Co. (nel 1927)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Rosalie
Ben Webster5:36
12Did You Call Her Today
batteria :
Clarence Johnston (il 1962-06-06)
contrabbasso :
George Duvivier (il 1962-06-06)
pianoforte :
Hank Jones (piano) (il 1962-06-06)
sassofono tenore :
Ben Webster (il 1962-06-06)
tromba :
Harry “Sweets” Edison (il 1962-06-06)
Ben Webster8:59

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