Original Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Dizzy Athmosphere
recording of:
Dizzy Atmosphere
composer:
Dizzy Gillespie
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Dizzy Gillespie2:49
2Be Bop a Lula
Charlie Parker2:53
3Four
bass and double bass:
Percy Heath (on 1954-03-15)
drums (drum set):
Art Blakey (on 1954-03-15)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-03-15) and Horace Silver (on 1954-03-15)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-15)
recording of:
Four (original instrumental version) (on 1954-03-15)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis44:04
4I Got Rhythm
Cannonball Adderley6:07
5Embraceable You
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Miles Davis3:58
6Don't Worry About Me
Stan Getz2:43
7Dasafinado
recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Dizzy Gillespie3:35
8Ko Ko
recording of:
Ko Ko
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:54
9Blue Train
alto saxophone:
Eric Dolphy (on 1961-11-23)
double bass:
Reggie Workman (on 1961-11-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-11-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-11-23)
tenor saxophone:
John Coltrane (on 1961-11-23)
recorded at:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1961-11-23)
live recording of:
Blue Train (on 1961-11-23)
composer:
John Coltrane
publisher:
Jowcol Music
recording of:
Blue Train
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane9:05
10Julia Ann
Cannonball Adderley5:58
11Marmaduke
recording of:
Marmaduke
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker2:44
12Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Dizzy Gillespie4:26
13It's Up to You
Gene Krupa2:40
14The Horn
Ben Webster2:33
15Rosalie
Artie Shaw2:44
16Our Delight
recording of:
Our Delight
composer:
Tadd Dameron
Dizzy Gillespie2:32
17Rose Room
recording of:
Rose Room
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
Cannonball Adderley5:57
18Lover Man (Oh, Where Can You Be)
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Charlie Parker3:16
2▼CD
#TitleArtistRatingLength
1Max Is Making Wax
recording of:
Max Making Wax
composer:
Oscar Pettiford
Miles Davis4:07
2Autumn Leaves
Stan Getz7:28
3Rays Idea
recording of:
Ray's Idea
composer:
Ray Brown (jazz bassist) and Walter “Gil” Fuller (jazz composer & arranger)
Dizzy Gillespie2:25
4Stupendous
recording of:
Stupendous
composer:
Howard McGhee
Charlie Parker2:53
5You'd Be So Nice to Come Home to
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:47
6Oo Pop a Dub
Dizzy Gillespie5:40
7That Old Black Magic
Miles Davis2:23
8Woke Up Clipped
Ben Webster3:11
9I Can't Getstarted With You
Artie Shaw3:22
10Opus One
Gene Krupa2:58
11Red Cross
recording of:
Red Cross
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:06
12Pan De Arara
recording of:
Pau de arara
arranger:
Lalo Schifrin (pianist & composer)
is based on:
Pau de arara (Pau-de-arara)
Dizzy Gillespie3:35
13Fallen Feathers
recording of:
Fallen Feathers
composer:
Quincy Jones
Cannonball Adderley3:55
14Cheers
recording of:
Cheers
composer:
Howard McGhee
Charlie Parker3:05
15Toy
recording of:
Toy
composer:
Clifford Jordan
publisher:
Upam Music Co.
Cannonball Adderley5:20
16Teezol
Ben Webster2:49
17Heart Place
Stan Getz6:30
18Lorraine
recording of:
Lorraine
composer:
Dizzy Gillespie
Dizzy Gillespie3:56