Original Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Rating	Length
1	Max Is Making Wax recording of: Max Making Wax composer: Oscar Pettiford	Miles Davis		4:07
2	Autumn Leaves	Stan Getz		7:28
3	Rays Idea recording of: Ray's Idea composer: Ray Brown (jazz bassist) and Walter “Gil” Fuller (jazz composer & arranger)	Dizzy Gillespie		2:25
4	Stupendous recording of: Stupendous composer: Howard McGhee	Charlie Parker		2:53
5	You'd Be So Nice to Come Home to recorded in: New York, New York, United States (on 1955-07-29) alto saxophone: Julian “Cannonball” Adderley (on 1955-07-29) baritone saxophone: Cecil Payne (on 1955-07-29) cornet: Nat Adderley (on 1955-07-29) double bass: Paul Chambers (US jazz bassist) (on 1955-07-29) drums (drum set): Kenny Clarke (on 1955-07-29) flute and tenor saxophone: Jerome Richardson (on 1955-07-29) piano: John Williams (American jazz pianist) (on 1955-07-29) trombone: J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29) arranger: Quincy Jones phonographic copyright (℗) by: UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010) instrumental cover recording of: You’d Be So Nice to Come Home To (on 1955-07-29) lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2) instrumental recording of: You’d Be So Nice to Come Home To (on 1955-07-29) lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2) recording of: You’d Be So Nice to Come Home To lyricist and composer: Cole Porter (composer) (in 1943) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: The 16th Academy Award for Best Original Song (number: 2)	Cannonball Adderley		3:47
6	Oo Pop a Dub	Dizzy Gillespie		5:40
7	That Old Black Magic	Miles Davis		2:23
8	Woke Up Clipped	Ben Webster		3:11
9	I Can't Getstarted With You	Artie Shaw		3:22
10	Opus One	Gene Krupa		2:58
11	Red Cross recording of: Red Cross composer: Charlie Parker (aka “Bird”, jazz alto saxophonist)	Charlie Parker		3:06
12	Pan De Arara recording of: Pau de arara arranger: Lalo Schifrin (pianist & composer) is based on: Pau de arara (Pau-de-arara)	Dizzy Gillespie		3:35
13	Fallen Feathers recording of: Fallen Feathers composer: Quincy Jones	Cannonball Adderley		3:55
14	Cheers recording of: Cheers composer: Howard McGhee	Charlie Parker		3:05
15	Toy recording of: Toy composer: Clifford Jordan publisher: Upam Music Co.	Cannonball Adderley		5:20
16	Teezol	Ben Webster		2:49
17	Heart Place	Stan Getz		6:30
18	Lorraine recording of: Lorraine composer: Dizzy Gillespie	Dizzy Gillespie		3:56