At The Opera House

~ Pubblicazione di Stan Getz and J.J. Johnson (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1Billie's Bounce
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-19)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-19)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-19)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-19)
sassofono tenore :
Stan Getz (il 1957-10-19)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-19)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Chicago Opera House in Chicago, Illinois, Stati Uniti (il 1957-10-19)
registrazione dal vivo di:
Billie’s Bounce (il 1957-10-19)
compositore:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
9:47
2My Funny Valentine
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-19)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-19)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-19)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-19)
sassofono tenore :
Stan Getz (il 1957-10-19)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-19)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Chicago Opera House in Chicago, Illinois, Stati Uniti (il 1957-10-19)
registrazione dal vivo di:
My Funny Valentine (from “Babes in Arms”) (il 1957-10-19)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
48:10
3Crazy Rhythm
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-19)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-19)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-19)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-19)
sassofono tenore :
Stan Getz (il 1957-10-19)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-19)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Chicago Opera House in Chicago, Illinois, Stati Uniti (il 1957-10-19)
7:52
4It Never Entered My Mind
registrazione di:
It Never Entered My Mind
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
Chappell & Co., Inc. (USA) e Lorenz Hart Publishing Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:29
5Blues in the Closet
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-19)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-19)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-19)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-19)
sassofono tenore :
Stan Getz (il 1957-10-19)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-19)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Chicago Opera House in Chicago, Illinois, Stati Uniti (il 1957-10-19)
registrazione dal vivo di:
Blues in the Closet (il 1957-10-19)
compositore:
Oscar Pettiford
9:04
6Billie's Bounce
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
7:57
7My Funny Valentine
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
registrazione dal vivo di:
My Funny Valentine (from “Babes in Arms”) (il 1957-10-25)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
8:28
8Crazy Rhythm
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
7:47
9Yesterdays
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
registrazione dal vivo di:
Yesterdays (il 1957-10-25)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
3:42
10It Never Entered My Mind
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
registrazione dal vivo di:
It Never Entered My Mind (il 1957-10-25)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
Chappell & Co., Inc. (USA) e Lorenz Hart Publishing Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
11Blues in the Closet
produttore:
Norman Granz
batteria :
Connie Kay (il 1957-10-25)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-25)
sassofono tenore :
Stan Getz (il 1957-10-25)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1957-10-25)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Shrine Auditorium in Los Angeles, California, Stati Uniti (il 1957-10-25)
registrazione dal vivo di:
Blues in the Closet (il 1957-10-25)
compositore:
Oscar Pettiford
6:18

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