At The Opera House

~ Veröffentlichung von Stan Getz and J.J. Johnson (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Billie's Bounce
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-19)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-19)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-19)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-19)
Schlagzeug:
Connie Kay (am 1957-10-19)
Tenorsaxophon:
Stan Getz (am 1957-10-19)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Chicago Opera House in Chicago, Illinois, Vereinigte Staaten (am 1957-10-19)
live recording of:
Billie’s Bounce (am 1957-10-19)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
9:47
2My Funny Valentine
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-19)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-19)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-19)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-19)
Schlagzeug:
Connie Kay (am 1957-10-19)
Tenorsaxophon:
Stan Getz (am 1957-10-19)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Chicago Opera House in Chicago, Illinois, Vereinigte Staaten (am 1957-10-19)
live recording of:
My Funny Valentine (from “Babes in Arms”) (am 1957-10-19)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
48:10
3Crazy Rhythm
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-19)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-19)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-19)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-19)
Schlagzeug:
Connie Kay (am 1957-10-19)
Tenorsaxophon:
Stan Getz (am 1957-10-19)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Chicago Opera House in Chicago, Illinois, Vereinigte Staaten (am 1957-10-19)
7:52
4It Never Entered My Mind
recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:29
5Blues in the Closet
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-19)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-19)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-19)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-19)
Schlagzeug:
Connie Kay (am 1957-10-19)
Tenorsaxophon:
Stan Getz (am 1957-10-19)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Chicago Opera House in Chicago, Illinois, Vereinigte Staaten (am 1957-10-19)
live recording of:
Blues in the Closet (am 1957-10-19)
Komponist(in):
Oscar Pettiford
9:04
6Billie's Bounce
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
7:57
7My Funny Valentine
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
live recording of:
My Funny Valentine (from “Babes in Arms”) (am 1957-10-25)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
8:28
8Crazy Rhythm
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
7:47
9Yesterdays
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
live recording of:
Yesterdays (am 1957-10-25)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:42
10It Never Entered My Mind
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
live recording of:
It Never Entered My Mind (am 1957-10-25)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
11Blues in the Closet
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-25)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1957-10-25)
Schlagzeug:
Connie Kay (am 1957-10-25)
Tenorsaxophon:
Stan Getz (am 1957-10-25)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-25)
live recording of:
Blues in the Closet (am 1957-10-25)
Komponist(in):
Oscar Pettiford
6:18

Nennungen

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