Mastermix Classic Cuts: The Sixties Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: A–F
#TitleArtistRatingLength
1Bend Me Shape Me
Amen Corner2:38
2Yesterday Man
producer:
Peter Columbus
recording of:
Yesterday Man
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:35
3House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.24:30
4Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:47
5Nut RockerB. Bumble & the Stingers32:01
6Surfin’ USA
engineer:
Chuck Britz
producer:
Nick Venet
lead vocals:
Mike Love (Beach Boys) (on 1963-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1963-01-31)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 9) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Surfin’ U.S.A. (on 1963-01-31)
lyricist:
Brian Wilson (Beach Boys co‐founder)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
is based on:
Sweet Little Sixteen
The Beach Boys4.42:27
7She Loves You
assistant engineer:
Geoff Emerick (British recording engineer) (on 1963-07-01)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-07-01)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-07-01, on 1963-07-04)
acoustic guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1963-07-01)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-07-01)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-07-01)
electric guitar [lead guitar] and background vocals [harmony vocals]:
George Harrison (The Beatles) (on 1963-07-01)
lead vocals:
John Lennon (The Beatles) (on 1963-07-01) and Paul McCartney (The Beatles) (on 1963-07-01)
phonographic copyright (℗) by:
Calderstone Productions Limited (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1992)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-07-01)
mixed at and edited at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-07-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 64) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 135)
recording of:
She Loves You (on 1963-07-01)
writer:
John Lennon (The Beatles) (from 1963-06-26 until 1963-06-27) and Paul McCartney (The Beatles) (from 1963-06-26 until 1963-06-27)
publisher:
Gil Music Corporation, Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
The Beatles3.62:22
8Can’t Buy Me Love
assistant engineer:
Jacques Esmenjaud (on 1964-01-29), Richard Langham (on 1964-02-25) and Geoff Emerick (British recording engineer) (on 1964-06-22)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1964-01-29, on 1964-02-25, on 1964-06-22) and Geoff Emerick (British recording engineer) (on 1964-03-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-01-29, on 1964-02-25, on 1964-03-10, on 1964-06-22)
acoustic guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1964-01-29)
cymbal:
Ringo Starr (The Beatles) (on 1964-02-25)
drums (drum set):
Ringo Starr (The Beatles) (on 1964-01-29)
electric bass guitar:
Paul McCartney (The Beatles) (on 1964-01-29)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1964-01-29, on 1964-02-25)
hi-hat:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1964-03-10)
lead vocals:
Paul McCartney (The Beatles) (on 1964-01-29, on 1964-02-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Studios Pathé-Marconi EMI (Boulogne-Billancourt) in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (on 1964-01-29) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-02-25)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-22)
recording of:
Can’t Buy Me Love (from 1964-01-29 until 1964-02-25)
writer:
John Lennon (The Beatles) (in 1964-01) and Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
The Beatles4.152:13
9Help
additional engineer:
Ken Scott (UK record producer & engineer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer and mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1965-04-13)
drums (drum set) and tambourine:
Ringo Starr (The Beatles) (on 1965-04-13)
electric bass guitar:
Paul McCartney (The Beatles) (on 1965-04-13)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1965-04-13)
background vocals:
George (George Harrison, The Beatles) (on 1965-04-13) and Paul (Paul McCartney, The Beatles) (on 1965-04-13)
lead vocals:
John (John Lennon, The Beatles) (on 1965-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-04-13)
remix of:
Help! (original stereo studio mix, without intro) by The Beatles (UK rock band, “The Fab Four”) (in 1987)
recording of:
Help! (on 1965-04-13)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
The Beatles3.62:19
10Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:55
11A Picture of You
Joe Brown & the Bruvvers2:21
12Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
adaptations:
Setä pelimanni
The Byrds4.152:18
13He’s So Fine
recording of:
He’s So Fine (in 1962)
lyricist and composer:
Ronnie Mack (1960s US songwriter)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:52
14Bits & Pieces
recording of:
Bits and Pieces
writer:
Dave Clark (UK drummer for the Dave Clark Five) and Mike Smith (Lead vocalist and keyboard player for The Dave Clark Five)
publisher:
Ardmore and Beechwood Ltd.
The Dave Clark Five2:02
15Glad All Over
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 487)
recording of:
Glad All Over
writer:
Dave Clark (UK drummer for the Dave Clark Five) and Mike Smith (Lead vocalist and keyboard player for The Dave Clark Five)
publisher:
Campbell Connelly and Campbell Connelly (Australia) P/L
The Dave Clark Five2:45
16Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:10
17Fire
associate producer:
Pete Townshend (of The Who)
producer:
Kit Lambert
bass:
Sean Nicholas
drums (drum set):
Dracken Theaker
organ:
Vincent Crane
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
The Crazy World of Arthur Brown3.852:58
18Bad Moon Rising
producer:
John Fogerty
acoustic guitar and lead vocals:
John Fogerty
bass guitar:
Stu Cook (in 1969-03)
drums (drum set):
Doug Clifford (in 1969-03)
guitar:
John Fogerty (in 1969-03) and Tom Fogerty (in 1969-03)
vocals:
John Fogerty (in 1969-03)
performer:
Creedence Clearwater Revival
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 356)
recording of:
Bad Moon Rising (in 1969-03)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.32:21
19Da Doo Ron Ron
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 114) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Crystals52:20
20Hold Tight
recording of:
Hold Tight
lyricist:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
composer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich2:48
21The Legend of Xanadu
recording of:
The Legend of Xanadu
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:37
22The WandererDion2:41
23The Clapping Song
producer:
Mastermix Music Limited
recording of:
The Clapping Song
lyricist and composer:
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation and EMI Al Gallico Music Corp.
Shirley Ellis2:46
24Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967) and United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:40
25Baby Come Back
recording of:
Baby, Come Back
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
The Equals2:29
26It’s in His Kiss
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Betty Everett42:16
27Cathy’s Clown
bass:
Floyd Chance (on 1960-03-18)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-03-18)
guitar:
Don Everly (on 1960-03-18)
piano:
Floyd Cramer (on 1960-03-18)
performer:
The Everly Brothers (on 1960-03-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 149)
recording of:
Cathy’s Clown (on 1960-03-18)
lyricist and composer:
Don Everly
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:24
28Poor Me
producer:
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:47
29Yeh Yeh
Georgie Fame & the Blue Flames2:48
30Albatross
producer:
Mike Vernon
drums (drum set):
Mick Fleetwood (on 1968-10-06)
electric bass guitar:
John McVie (on 1968-10-06)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1968-10-06) and Danny Kirwan (Fleetwood Mac) (on 1968-10-06)
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 52)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited and Palan Music Publishing Ltd.
Fleetwood Mac4.23:04
2CD: F–L
#TitleArtistRatingLength
1Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:52
2Baby Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations42:35
3Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops43:00
4A Little Loving
recording of:
A Little Loving
lyricist and composer:
Russ Alquist
The Fourmost2:07
5I’m Telling You NowFreddie & the Dreamers2:09
6You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & the Dreamers2:19
7Judy in Disguise (With Glasses)
phonographic copyright (℗) by:
Pye International (in 1968)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band3.852:52
8Halfway to Paradise
cover recording of:
Halfway to Paradise
lyricist:
Gerry Goffin
composer:
Carole King
Billy Fury2:27
9I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:11
10I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:15
11How Do You Do It?
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Columbia Pictures Industries, Inc. (in 1963)
recording of:
How Do You Do It (in 1963-03)
lyricist and composer:
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:55
12It’s My Party
recording of:
It’s My Party
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore2:19
13I’m Into Something Good
engineer:
Val Valentin
producer:
Mickie Most (English record producer)
drums (drum set):
Barry Whitwam
electric bass guitar:
Karl Green
guitar:
Keith Hopwood and Derek Leckenby
lead vocals:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Herman’s Hermits4.352:29
14I’m Alive
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
lyricist and composer:
Clint Ballard, Jr.
The Hollies2:26
15Just One Look
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-01-27)
cover recording of:
Just One Look (on 1964-01-27)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies12:28
16Stay
producer:
Ron Richards
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
cover recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
The Hollies2:12
17I Remember You
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
cover recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield1:59
18Tossing & Turning
recording of:
Tossing and Turning
composer:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:26
19Funny How Love Can Be
recording of:
Funny How Love Can Be
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
The Ivy League2:07
20Mony Mony
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Mony Mony
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Tommy James & the Shondells2:53
21Good Timin’
recording of:
Good Timin’
writer:
Clint Ballard, Jr. and Fred Tobias (Broadway lyricist)
Jimmy Jones2:05
22It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
23Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates2:19
24It Might as Well Rain Until September
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962) and Screen Gems (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 28)
recording of:
It Might as Well Rain Until September
lyricist:
Gerry Goffin
composer:
Carole King
Carole King2:26
25All Day and All of the Night
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1964-09-23)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (on 1964-09-23)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1964-09-23)
piano:
Perry Ford (English pop singer) (on 1964-09-23)
background vocals:
Johnny B. Great (on 1964-09-23)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1964-09-23)
publisher:
Edward Kassner Music Co. Ltd.
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 23)
recording of:
All Day and All of the Night (on 1964-09-23)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Kinks4.552:23
26You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:14
27Do You Want to Know a Secret
cover recording of:
Do You Want to Know a Secret
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer & The Dakotas32:03
28The Loco‐Motion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:24
29Let the Heartaches Begin
recording of:
Let the Heartaches Begin
composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
Long John Baldry3:14
30Black Is Black
recording of:
Black Is Black (in 1966)
writer:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) and Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
31Everlasting LoveLove Affair42:56
3CD: L–R
#TitleArtistRatingLength
1Summer in the City
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
The Lovin’ Spoonful2:41
2Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
Lulu & the Luvvers42:53
3San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:58
4Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and HMV Records Ltd. (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:25
5Pretty Flamingo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
lyricist and composer:
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L and Campbell Connelly & Co. Ltd.
Manfred Mann52:34
6Blue Moon
Manfred Mann2:20
7Bobby’s Girl
Susan Maughan2:36
8Sorrow
cover recording of:
Sorrow
writer and composer:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) and Richard Gottehrer (American songwriter and music executive)
publisher:
EMI Catalogue Partnership, EMI United Partnership Ltd. and Grand Canyon Music Inc.
The Merseys2:17
9I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:42
10Lets Dance
Chris Montez2:17
11Go Now
lead vocals:
Denny Laine
phonographic copyright (℗) by:
Decca Records (in 1964)
cover recording of:
Go Now
writer:
Larry Banks and Milton Bennett
publisher:
Belinda Music and Trio Music Company
The Moody Blues3:12
12Blackberry Way
recording of:
Blackberry Way
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd. and Essex Music International, Inc. (in 1968)
The Move53:35
13Oh Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:01
14Only the Lonely
recorded in:
Nashville, Tennessee, United States (on 1960-03-26)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1960-03-26)
guitar:
Hank Garland (on 1960-03-26) and Harold Bradley (on 1960-03-26)
piano:
Floyd Cramer (on 1960-03-26)
background vocals:
Joe Melson (on 1960-03-26) and The Anita Kerr Singers (mixed vocal group) (on 1960-03-26)
vocals:
Roy Orbison (on 1960-03-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 2) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (on 1960-03-26)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:27
15Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:22
16Twist & Shout
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Brian Poole & The Tremeloes2:06
17Do You Love Me
cover recording of:
Do You Love Me
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:24
18Return to Sender
cover recording of:
Return to Sender
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
translator:
Margot Borgström
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
Elvis Presley2:08
19Rock‐a‐Hula BabyElvis Presley2:00
20Running BearJohnny Preston2:38
21A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:04
22Do You Wanna Dance
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
cover recording of:
Do You Want to Dance
lyricist and composer:
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Cliff Richard2:15
23The Young Ones
producer:
Norrie Paramor
vocals:
Cliff Richard (from 1989-06-16 until 1989-06-17)
performer:
The Shadows (British pop/rock band that once backed Cliff Richard) (from 1989-06-16 until 1989-06-17)
live recording of:
The Young Ones (from 1989-06-16 until 1989-06-17)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
EMI Film & Theatre Music Ltd. and Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard2.653:11
24Summer Holiday
recording of:
Summer Holiday
writer:
Brian Bennett (Shadows drummer) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music and EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard2:06
25You’ve Lost That Loving Feeling
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Righteous Brothers3:43
26Dizzy
Tommy Roe2:52
27It’s All Over Now
producer:
Andrew Loog Oldham
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1964)
cover recording of:
It’s All Over Now
writer:
Bobby Womack and Shirley Jean Womack
publisher:
ABKCO Music Ltd. and ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones43:29
28(I Can’t Get No) Satisfaction
engineer:
David Hassinger
producer:
Andrew Loog Oldham
additional guitar:
Brian Jones (Rolling Stones member) (from 1965-05-11 until 1965-05-12)
drums (drum set):
Charlie Watts (drummer in The Rolling Stones) (from 1965-05-11 until 1965-05-12)
electric bass guitar:
Bill Wyman (from 1965-05-11 until 1965-05-12)
guitar and background vocals:
Keith Richards (Rolling Stones guitarist) (from 1965-05-11 until 1965-05-12)
tambourine:
Jack Nitzsche (American musician and score composer) (from 1965-05-11 until 1965-05-12)
lead vocals:
Mick Jagger (from 1965-05-11 until 1965-05-12)
arranger:
The Rolling Stones
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1965)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-05-11 until 1965-05-12)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 2), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 9), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 31), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 119)
recording of:
(I Can’t Get No) Satisfaction (from 1965-05-11 until 1965-05-12)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
The Rolling Stones4.053:42
4CD: S–Z