Mastermix Classic Cuts: The Sixties Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: A–F
2▼CD: F–L
#TitoloArtistaValutazioneDurata
1Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.52:52
2Baby Now That I’ve Found You
registrazione di:
Baby Now That I’ve Found You (nel 1967)
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:35
3Reach Out I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops43:00
4A Little Loving
registrazione di:
A Little Loving
paroliere e compositore:
Russ Alquist
The Fourmost2:07
5I’m Telling You Now
registrazione di:
I'm Telling You Now
autore:
Freddie Garrity e Mitch Murray
Freddie & the Dreamers2:09
6You Were Made for Me
registrazione di:
You Were Made for Me
paroliere e compositore:
Mitch Murray
Freddie & the Dreamers2:19
7Judy in Disguise (With Glasses)
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:52
8Halfway to Paradise
registrazione cover di:
Halfway to Paradise
paroliere:
Gerry Goffin
compositore:
Carole King
Billy Fury2:27
9I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:11
10I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:15
11How Do You Do It?
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Columbia Pictures Industries, Inc. (nel 1963)
registrazione di:
How Do You Do It (nel 1963-03)
paroliere e compositore:
Mitch Murray
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:55
12It’s My Party
registrazione di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore2:19
13I’m Into Something Good
tecnico:
Val Valentin
produttore:
Mickie Most (English record producer)
basso elettrico :
Karl Green
batteria :
Barry Whitwam
chitarra :
Keith Hopwood e Derek Leckenby
voce principale:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione cover di:
I’m Into Something Good
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Herman’s Hermits4.352:29
14I’m Alive
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
registrazione cover di:
I’m Alive
paroliere e compositore:
Clint Ballard, Jr.
The Hollies2:26
15Just One Look
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-01-27)
registrazione cover di:
Just One Look (il 1964-01-27)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies12:28
16Stay
produttore:
Ron Richards
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
registrazione cover di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
The Hollies2:12
17I Remember You
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
registrazione cover di:
I Remember You
paroliere:
Johnny Mercer (nel 1941)
compositore:
Victor Schertzinger (nel 1941)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation e Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield1:59
18Tossing & Turning
registrazione di:
Tossing and Turning
compositore:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:26
19Funny How Love Can Be
registrazione di:
Funny How Love Can Be
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
The Ivy League2:07
20Mony Mony
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:53
21Good Timin’
registrazione di:
Good Timin’
autore:
Clint Ballard, Jr. e Fred Tobias (Broadway lyricist)
Jimmy Jones2:05
22It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.52:00
23Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates2:19
24It Might as Well Rain Until September
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962) e Screen Gems (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 28)
registrazione di:
It Might as Well Rain Until September
paroliere:
Gerry Goffin
compositore:
Carole King
Carole King2:26
25All Day and All of the Night
produttore:
Shel Talmy
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (il 1964-09-23)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (il 1964-09-23)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (il 1964-09-23)
pianoforte :
Perry Ford (English pop singer) (il 1964-09-23)
voce di accompagnamento:
Johnny B. Great (il 1964-09-23)
voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (il 1964-09-23)
editore:
Edward Kassner Music Co. Ltd.
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 23)
registrazione di:
All Day and All of the Night (il 1964-09-23)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd., Jay Boy e Kassner Associated Publishers Ltd.
The Kinks4.552:23
26You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:14
27Do You Want to Know a Secret
registrazione cover di:
Do You Want to Know a Secret
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer & The Dakotas32:03
28The Loco‐Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:24
29Let the Heartaches Begin
registrazione di:
Let the Heartaches Begin
compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
Long John Baldry3:14
30Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
31Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair42:56
3▶CD: L–R
4▶CD: S–Z

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