Smash Hits Love Songs

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.954:57
2True (single edit)
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
3Stars (2013 Song Book version)
engineer and mixer:
Daren Klein (American sound/mixing engineer)
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red34:08
4The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:09
5My Best Friend’s Girl
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer), Jay Faires and Tricia Holloway
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd and Lido Music (not for release label use!) (in 1978)
The Cars4.353:43
6Come Undone
recording of:
Come Undone
lyricist and composer:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
Duran Duran34:17
7Crying in the Rain
recording engineer and mixer:
Nick Davis (producer, engineer)
producer:
Christopher Neil
bass:
Jørun Bøgeberg
drums (drum set):
Per Hillestad
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1990) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
part of:
The Downloader’s Music Source Book (number: 274)
cover recording of:
Crying in the Rain (Everly Brothers song)
lyricist:
Howard Greenfield
writer:
Carole King
publisher:
Screen Gems–EMI Music Ltd.
a‐ha3.54:20
8I’ll Stand by You
engineer:
Steve Williams (UK recording engineer, aka Syco)
producer:
Ian Stanley
drums (drum set):
Jimmy Copley and J.F.T. Hood
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Adam Seymour
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
Pretenders3.554:01
9As Long as You Follow (2002 remaster)
engineer:
Greg Ladanyi
producer:
Fleetwood Mac and Greg Ladanyi
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
As Long as You Follow
writer:
Christine McVie and Eddy Quintela
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac34:18
10Power of Love
producer:
David Kershenbaum
cover recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Laura Branigan5:25
11Always
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr3:52
12Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:20
13I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
14It Must Have Been Love (from “Pretty Woman”)
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
15Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
16Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
writer:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) and Rico Wade
En Vogue44:03
17The Boy Is Mine (radio edit)
producer:
Dallas Austin, Brandy (US R&B singer) and Rodney Jerkins
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) and WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
edit of:
The Boy Is Mine (album version) by Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
writer:
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins and Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
Brandy & Monica44:00
18Freak Me
recording of:
Freak Me
writer:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) and Keith Sweat
Silk4:27
19You Might Need Somebody
recording engineer and engineer:
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) and Ed Lover
membranophone programming:
Ed Baden Powell
producer:
D’Influence
additional keyboard:
Kwame Kwaten
bass guitar:
Ed Baden Powell
horn:
D-I Horny Horns, Steve Marston and Kenny Wellington
strings:
Stephen Hussey
background vocals and lead vocals:
Shola Ama
performer:
D-I Horny Horns
strings arranger:
Ed Baden Powell
arranger:
D’Influence
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1997)
recorded at:
R G Jones in Wimbledon, Merton, London (Greater London), England, United Kingdom and The D Lab
cover recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
20Breathless
recording engineer:
Michel Gallone and Tim Martin (engineer)
additional programming:
Cory Churko and Kevin Churko
programming:
Richard Meyer (American folk singer-songwriter)
assistant engineer:
Michel Gallone, Frances Murphy and Keith Roche
producer:
Robert John “Mutt” Lange (Robert John Lange)
assistant mixer:
Adam Olmsted (engineer)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Keith Duffy (bass player for the Corrs)
bodhrán, drums (drum set) and percussion:
Caroline Corr
guitar and keyboard:
Jim Corr
guitar [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
violin:
Sharon Corr
background vocals:
Caroline Corr, Jim Corr and Sharon Corr
vocals:
Andrea Corr
additionally recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recorded at:
Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
music videos:
Breathless by The Corrs
recording of:
Breathless
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.653:28
21Dov’è l’amore
additional programming:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Emilio Estefan, Jr.
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
remixer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Emilio Estefan, Jr.
remix of:
Dov’è l’amore by Cher
recording of:
Dov’è l’amore
writer:
Paul Barry (songwriter/musician) and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher4.253:44
22The Harder I Try
producer:
Stock Aitken Waterman
recording of:
The Harder I Try
composer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music International AG, All Boys Music Ltd. (, in 1988), Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond13:29
23I Love You Always Forever (edit)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recording of:
I Love You Always Forever
lyricist and composer:
Donna Lewis
publisher:
donna lewis ltd and Warner/Chappell Music, Inc.
Donna Lewis33:20
24Love Like This
recording of:
Love Like This
writer:
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers and Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
25Never Ever (radio edit)
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints5:12
26Mysterious Girl
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1997)
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3:36
27Oh Baby I
recording of:
Oh Baby I…
writer:
Tommy Faragher and Lotti Golden
Eternal45:30
28Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
29The Way You Love Me
recording engineer and mixer:
Jon Gass
assistant engineer:
Toni Greene (engineer)
executive producer:
Benny Medina and Leonard Richardson (US hip-hop producer)
producer:
L.A. & Babyface (US R&B songwriting/production duo)
drums (drum set) [drums] and percussion:
L.A.
keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
timbales:
Daryl Simmons
background vocals:
Babyface (R&B musician Kenny Edmonds), Shaun Earl, Kim Eurisa, Daryl Simmons and Karyn White
mixed for:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
recorded at and mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California, United States
recording of:
The Way You Love Me
writer:
Babyface (R&B musician Kenny Edmonds), L.A. Reid and Daryl Simmons
publisher:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) and Kear Music (publisher)
Karyn White34:55
30It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:02
31Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
32Wuthering Heights (edit)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3:29
33Sweet Love (2012 remaster)
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:22
34Turn Your Love Around
producer:
Jay Graydon
bass synthesizer:
David Paich
cymbal [Cymbals (payette)]:
Mike Baird (drummer)
drums (drum set):
Jeff Porcaro
flute and saxophone:
Gary Herbig
guitar:
Jay Graydon
piano and Rhodes piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
synthesizer:
David Foster (Canadian music producer, arranger and composer) and Jay Graydon
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
writer:
Bill Champlin, Jay Graydon and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
George Benson43:50
35Haven’t You Heard (single version)
recording of:
Haven't You Heard
writer:
Sheree Brown, Charles Mims Jr., Patrice Rushen and Freddie Washington (US session bassist)
Patrice Rushen6:44
36I Can’t Wait (2012 collection remaster)
producer:
John Smith (Nu Shooz) and Rick Waritz (producer)
phonographic copyright (℗) by:
Injection (Netherlands) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 60)
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
37Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
38Paradise
engineer:
Michael Johnson (UK recording engineer and producer)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986)
recorded at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom and Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Paradise
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company)
New Order53:53
39The Rose
additional producer:
Bill Gazecki
producer:
Paul A. Rothchild
lead vocals:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:34
40True Companion
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
guitar:
Marc Cohn
keyboard:
Eric Rehl and Ben Wisch
organ:
John Leventhal
violin:
Robin Batteau
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1991 to present)
recording of:
True Companion
writer:
Marc Cohn
publisher:
Sony/ATV Harmony
Marc Cohn4:10
41Got to Love Somebody (single edit)
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
Got to Love Somebody
writer and arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Chic Music, Inc.
Sister Sledge3:33
42Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
43Get It On (Bang a Gong)
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Bernard Edwards (American bassist and record producer)
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
cover recording of:
Get It On (Bang a Gong)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
The Power Station3.253:45
44We Belong Together
cover recording of:
We Belong Together
writer:
Robert Carr, Johnny Mitchell and Hy Weiss
publisher:
Planetary Nom (London) Ltd.
Los Lobos2:01
45Black Velvet
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 79)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4:33

Credits