Smash Hits Love Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:57
2True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
3Stars (2013 Song Book version)
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red34:08
4The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:09
5My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:43
6Come Undone
recording of:
Come Undone
Texter und Komponist(in):
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
Duran Duran34:17
7Crying in the Rain
recording engineer und Mix:
Nick Davis (producer, engineer)
Produzent(in):
Christopher Neil
Bass:
Jørun Bøgeberg
Schlagzeug:
Per Hillestad
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1990) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 274)
cover recording of:
Crying in the Rain (Everly Brothers song)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
a‐ha3.54:20
8I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.554:01
9As Long as You Follow (2002 remaster)
Techniker(in):
Greg Ladanyi
Produzent(in):
Fleetwood Mac und Greg Ladanyi
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
As Long as You Follow
Verfasser(in):
Christine McVie und Eddy Quintela
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac34:18
10Power of Love
Produzent(in):
David Kershenbaum
cover recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Laura Branigan5:25
11Always
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr3:52
12Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:20
13I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
14It Must Have Been Love (from “Pretty Woman”)
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
15Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
16Don’t Let Go (Love)
recording of:
Don't Let Go (Love)
Verfasser(in):
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) und Rico Wade
En Vogue44:03
17The Boy Is Mine (radio edit)
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Bearbeitung von:
The Boy Is Mine (album version) von Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
Brandy & Monica44:00
18Freak Me
recording of:
Freak Me
Verfasser(in):
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) und Keith Sweat
Silk4:27
19You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:50
20Breathless
recording engineer:
Michel Gallone und Tim Martin (engineer)
Programmierung:
Richard Meyer (American folk singer-songwriter)
zusätzliche Programmierung:
Cory Churko und Kevin Churko
assistierende(r) Techniker(in):
Michel Gallone, Frances Murphy und Keith Roche
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
assistierende(r) Mix:
Adam Olmsted (engineer)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bassgitarre:
Keith Duffy (bass player for the Corrs)
Bodhrán, Perkussion und Schlagzeug:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre und Keyboard:
Jim Corr
Gitarre [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
Hintergrundgesang:
Caroline Corr, Jim Corr und Sharon Corr
vocals:
Andrea Corr
aufgenommen bei:
Westland Studios in Dublin, County Dublin, Leinster, Irland
zusätzlich aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Breathless von The Corrs
recording of:
Breathless
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr und Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.653:28
21Dov’è l’amore
zusätzliche Programmierung:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) und Emilio Estefan, Jr.
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
remixer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) und Emilio Estefan, Jr.
Remix von:
Dov’è l’amore von Cher
recording of:
Dov’è l’amore
Verfasser(in):
Paul Barry (songwriter/musician) und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
publisher:
Rive Droite Music
Cher4.253:44
22The Harder I Try
Produzent(in):
Stock Aitken Waterman
recording of:
The Harder I Try
Komponist(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music International AG, All Boys Music Ltd. (, in 1988), Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond13:29
23I Love You Always Forever (edit)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis33:20
24Love Like This
recording of:
Love Like This
Verfasser(in):
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
25Never Ever (radio edit)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints5:12
26Mysterious Girl
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
recording of:
Mysterious Girl
Verfasser(in):
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Peter Andre3:36
27Oh Baby I
recording of:
Oh Baby I…
Verfasser(in):
Tommy Faragher und Lotti Golden
Eternal45:30
28Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
29The Way You Love Me
recording engineer und Mix:
Jon Gass
assistierende(r) Techniker(in):
Toni Greene (engineer)
leitende(r) Produzent(in):
Benny Medina und Leonard Richardson (US hip-hop producer)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug [drums]:
L.A.
Timbales:
Daryl Simmons
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Shaun Earl, Kim Eurisa, Daryl Simmons und Karyn White
gemixt für:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
aufgenommen bei und mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Way You Love Me
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
publisher:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White34:55
30It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:02
31Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
32Wuthering Heights (edit)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:29
33Sweet Love (2012 remaster)
Techniker(in):
Barney Perkins
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:22
34Turn Your Love Around
Produzent(in):
Jay Graydon
Bass-Synthesizer:
David Paich
Becken [Cymbals (payette)]:
Mike Baird (drummer)
flute und Saxophon:
Gary Herbig
Gitarre:
Jay Graydon
Klavier und Rhodes Piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Bill Champlin, Vennette Gloud und Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
Horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
Verfasser(in):
Bill Champlin, Jay Graydon und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
George Benson43:50
35Haven’t You Heard (single version)
recording of:
Haven't You Heard
Verfasser(in):
Sheree Brown, Charles Mims Jr., Patrice Rushen und Freddie Washington (US session bassist)
Patrice Rushen6:44
36I Can’t Wait (2012 collection remaster)
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
37Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
38Paradise
Techniker(in):
Michael Johnson (UK recording engineer and producer)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986)
aufgenommen bei:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich und Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Paradise
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company)
New Order53:53
39The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:34
40True Companion
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Geige / Violine:
Robin Batteau
Gitarre:
Marc Cohn
Keyboard:
Eric Rehl und Ben Wisch
Orgel:
John Leventhal
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 1991 bis heute)
recording of:
True Companion
Verfasser(in):
Marc Cohn
publisher:
Sony/ATV Harmony
Marc Cohn4:10
41Got to Love Somebody (single edit)
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
Got to Love Somebody
Verfasser(in) und arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Chic Music, Inc.
Sister Sledge3:33
42Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
43Get It On (Bang a Gong)
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Jason Corsaro (U.S. music engineer, and record producer) und Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
cover recording of:
Get It On (Bang a Gong)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
The Power Station3.253:45
44We Belong Together
cover recording of:
We Belong Together
Verfasser(in):
Robert Carr, Johnny Mitchell und Hy Weiss
publisher:
Planetary Nom (London) Ltd.
Los Lobos2:01
45Black Velvet
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 79)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:33

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