The Fabulous Victoria de los Ángeles

~ Release by Victoria de los Angeles (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sheherzade: Asie
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: I. Asie (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel9:05
2Sheherzade: La Flûte enchantée
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: II. La Flûte enchantée (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel2:43
3Sheherzade: L'Indifférent
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Shéhérazade: III. L'Indifférent (from 1962-02-20 until 1962-02-24)
lyricist:
Tristan Klingsor
composer:
Maurice Ravel (French composer) (in 1903)
part of:
Schéhérazade: Trois poèmes pour chant et orchestre
Maurice Ravel3:04
4Cinq Mélodies populaires grecques: Le Réveil de la mariée
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: I. Chanson de la mariée (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:31
5Cinq Mélodies populaires grecques: Lá-bas vers l'église
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: II. Là-bas, vers l'église (from 1962-02-20 until 1962-02-24)
lyricist:
Michel-Dimitri Calvocoressi
composer:
Francis Poulenc (French composer and pianist) and Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:19
6Cinq Mélodies populaires grecques: Quel galant m'est comprable
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel0:51
7Cinq Mélodies populaires grecques: Chanson des cueileuses de lentisques
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel2:21
8Cinq Mélodies populaires grecques: Tout gai!
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Cinq Mélodies populaires grecques: V. Tout gai! (from 1962-02-20 until 1962-02-24)
composer:
Maurice Ravel (French composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:02
9Deux Mélodies hebraiques: Kaddisch
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 1. Kaddisch (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel4:42
10Deux Melodies hebraïques: L'Énigme éternelle
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
orchestrator and composer:
Maurice Ravel (French composer)
orchestration of:
Deux mélodies hébraïques: No. 2. L'Énigme éternelle (Mejerke) (for voice and piano)
part of:
Deux mélodies hébraïques (for voice and orchestra)
Maurice Ravel1:35
11L'Invitation au voyage
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
L’Invitation au voyage (for voice and orchestra) (from 1962-02-20 until 1962-02-24)
lyricist:
Charles Baudelaire
composer:
Henri Duparc (French composer)
Henri Duparc4:10
12Phidylé
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
Phidylé (from 1962-02-20 until 1962-02-24)
lyricist:
Leconte de Lisle
composer:
Henri Duparc (French composer) (in 1882)
Henri Duparc5:17
13L'Enfant prodigue: Recit and Air de Lia-L'année en vain chasse l'année
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-20 until 1962-02-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-20 until 1962-02-24)
conductor:
Georges Prêtre (French conductor) (from 1962-02-20 until 1962-02-24)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-20 until 1962-02-24)
recording of:
L’Enfant prodigue, L. 57, CD 61: II. Air "L'année, en vain chasse l'année ; Azaël, pourquoi m'as-tu quittée?" (from 1962-02-20 until 1962-02-24)
lyricist:
Édouard Guinand
composer:
Claude Debussy (French composer) (on 1884-05-24)
revised by:
Claude Debussy (French composer) (from 1907 until 1908)
part of:
L’Enfant prodigue, L. 57, CD 61 (1908 revision)
Claude Debussy4:53
14Poeme de l'amour et de la mer: La Fleur des eaux
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: I. La fleur des eaux (from 1969-02-10 until 1969-02-19)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson11:33
15Poeme de l'amour et de la mer: Interlude
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: II. Interlude (from 1969-02-10 until 1969-02-19)
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson2:33
16Poeme de l'amour et de la mer: La Mort de l'amour
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-10 until 1969-02-19)
orchestra:
Orchestre de l'Association des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-02-10 until 1969-02-19)
conductor:
Jean‐Pierre Jacquillat (conductor) (from 1969-02-10 until 1969-02-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-02-10 until 1969-02-19)
recording of:
Poème de l'amour et de la mer, op. 19: III. La mort de l'amour (from 1969-02-10 until 1969-02-19)
lyricist:
Maurice Bouchor
composer:
Ernest Chausson (composer)
part of:
Poème de l'amour et de la mer, op. 19
Ernest Chausson13:27
2▼CD
#TitleArtistRatingLength
1Cinco canciones negras: Cuba dentro de un piano
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cinco canciones negras, nº 1: Cuba dentro de un piano (for voice and orchestra) (from 1962-02-05 until 1962-02-28)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 1: Cuba dentro de un piano (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
Xavier Montsalvatge4:04
2Cinco canciones negras: Punto de habanera
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cinco canciones negras, nº 2: Punto de habanera (for voice and orchestra) (from 1962-02-05 until 1962-02-28)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Néstor Luján
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 2: Punto de habanera (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
recording of:
Cinco canciones negras, nº 3: Chévere (for voice and orchestra)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Nicolás Guillén
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 3: Chévere (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
Xavier Montsalvatge1:55
3Cinco canciones negras: Chévere
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cinco canciones negras, nº 3: Chévere (for voice and orchestra) (from 1962-02-05 until 1962-02-28)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Nicolás Guillén
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 3: Chévere (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
Xavier Montsalvatge1:56
4Cinco canciones negras: Canción de cuna para dormir a un negrito
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito (for voice and orchestra) (from 1962-02-05 until 1962-02-28)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Ildefonso Pereda Valdés
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
Xavier Montsalvatge2:21
5Cinco canciones negras: Canto negro
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cinco canciones negras, nº 5: Canto negro (for voice and orchestra) (from 1962-02-05 until 1962-02-28)
orchestrator:
Xavier Montsalvatge (Catalan composer) (in 1949)
lyricist:
Nicolás Guillén
composer:
Xavier Montsalvatge (Catalan composer) (in 1945)
orchestration of:
Cinco canciones negras, nº 5: Canto negro (for voice and piano)
part of:
Cinco canciones negras (for voice and orchestra)
Xavier Montsalvatge1:19
6Colección de canciones amatorias: Llorad corazón
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones amatorias, nº 3: Llorad, corazón (from 1962-02-05 until 1962-02-28)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados2:29
7Colección de canciones amatorias: Iban al pinar
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones amatorias, nº 6: Iban al pinar (from 1962-02-05 until 1962-02-28)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer) (in 1915)
part of:
Canciones amatorias
Enrique Granados1:53
8Cuatro madrigales amatorios: ¿Con qué la lavaré?
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cuatro madrigales amatorios, nº 1: ¿Con qué la lavaré? (from 1962-02-05 until 1962-02-28)
lyricist:
[anonymous] (special purpose artist)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1948)
part of:
Cuatro madrigales amatorios
Joaquín Rodrigo2:25
9Cuatro madrigales amatorios: Vos me matásteis
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cuatro madrigales amatorios, nº 2: Vos me matásteis (from 1962-02-05 until 1962-02-28)
lyricist:
[anonymous] (special purpose artist)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1948)
part of:
Cuatro madrigales amatorios
Joaquín Rodrigo2:33
10Cuatro madrigales amatorios: ¿De dónde venís, amore?
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cuatro madrigales amatorios, nº 3: ¿De dónde venís, amore? (from 1962-02-05 until 1962-02-28)
lyricist:
[anonymous] (special purpose artist)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1948)
part of:
Cuatro madrigales amatorios
Joaquín Rodrigo1:03
11Cuatro madrigales amatorios: De los álamos vengo, madre
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Cuatro madrigales amatorios, nº 4: De los álamos vengo, madre (from 1962-02-05 until 1962-02-28)
lyricist:
[anonymous] (special purpose artist)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1948)
part of:
Cuatro madrigales amatorios
Joaquín Rodrigo2:00
12Cinco canciones playeras españolas: Rutas
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones playeras: N.º 1. Rutas (from 1962-02-05 until 1962-02-28)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Óscar Esplá (in 1929)
part of:
Canciones playeras
Óscar Esplá1:23
13Cinco canciones playeras españolas: Pregón
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones playeras: N.º 2. Pregón (from 1962-02-05 until 1962-02-28)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Óscar Esplá (in 1929)
part of:
Canciones playeras
Óscar Esplá3:01
14Cinco canciones playeras españolas: Las 12
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones playeras: N.º 3. Las 12 (from 1962-02-05 until 1962-02-28)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Óscar Esplá (in 1929)
part of:
Canciones playeras
Óscar Esplá1:30
15Cinco canciones playeras españolas: El pescador sin dinero
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones playeras: N.º 4. El pescador sin dinero (from 1962-02-05 until 1962-02-28)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Óscar Esplá (in 1929)
part of:
Canciones playeras
Óscar Esplá3:21
16Cinco canciones playeras españolas: Coplilla
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-05 until 1962-02-28)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-02-05 until 1962-02-28)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1962-02-05 until 1962-02-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-02-05 until 1962-02-28)
recording of:
Canciones playeras: N.º 5. Coplilla (from 1962-02-05 until 1962-02-28)
lyricist:
Rafael Alberti (Spanish poet)
composer:
Óscar Esplá (in 1929)
part of:
Canciones playeras
Óscar Esplá1:35
17Quatre cançons: Cançó de grumet
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-01-13 until 1969-01-17)
orchestra:
Patronato Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (from 1969-01-13 until 1969-01-17)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-01-13 until 1969-01-17)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1969-01-13 until 1969-01-17)
recording of:
L'ombra del lledoner: III. Cançó de grumet (from 1969-01-13 until 1969-01-17)
lyricist:
Tomàs Garcés
composer:
Eduard Toldrà (Catalan composer)
part of:
L'ombra del lledoner
Eduard Toldrà2:03
18Quatre cançons: Cançó incerta
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-01-13 until 1969-01-17)
orchestra:
Patronato Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (from 1969-01-13 until 1969-01-17)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-01-13 until 1969-01-17)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1969-01-13 until 1969-01-17)
recording of:
Garba: I. Cançó incerta (from 1969-01-13 until 1969-01-17)
lyricist:
Josep Carner
composer:
Eduard Toldrà (Catalan composer)
part of:
Garba
Eduard Toldrà2:44
19Quatre cançons: Maig
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-01-13 until 1969-01-17)
orchestra:
Patronato Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (from 1969-01-13 until 1969-01-17)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-01-13 until 1969-01-17)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1969-01-13 until 1969-01-17)
recording of:
Maig (from 1969-01-13 until 1969-01-17)
lyricist:
Trinitat Catasús i Catasús
composer:
Eduard Toldrà (Catalan composer)
Eduard Toldrà4:02
20Quatre cançons: Anacreóntica
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-01-13 until 1969-01-17)
orchestra:
Patronato Orquesta Ciudad de Barcelona (Barcelona Symphony and Catalonia National Orchestra) (from 1969-01-13 until 1969-01-17)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-01-13 until 1969-01-17)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1969-01-13 until 1969-01-17)
recording of:
Garba: II. Anacreòntica (from 1969-01-13 until 1969-01-17)
lyricist:
Clementina Arderiu
composer:
Eduard Toldrà (Catalan composer)
part of:
Garba
Eduard Toldrà2:21
21Three Folksongs: La Dama d'Aragó
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
La dama d'Aragó (from 1969-03-10 until 1969-03-14)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]3:17
22Three Folksongs: El cant dels ocells
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
El cant dels ocells (from 1969-03-10 until 1969-03-14)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]3:11
23Three Folksongs: Canço de Sega
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
[traditional]2:15
24El Combat del Somni: Damunt de tu només les flors
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
El combat del somni: I. Damunt de tu, només les flors (from 1969-03-10 until 1969-03-14)
lyricist:
Josep Janés i Olivé
composer:
Frederic Mompou (composer and pianist) (in 1942)
part of:
El combat del somni
Federico Mompou4:42
25El Combat del Somni: Aquesta nit un mateix vent
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
El combat del somni: II. Aquesta nit un mateix vent (from 1969-03-10 until 1969-03-14)
lyricist:
Josep Janés i Olivé
composer:
Frederic Mompou (composer and pianist)
part of:
El combat del somni
Federico Mompou2:53
26El Combat del Somni: Jo et presentia com la mar
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
El combat del somni: III. Jo et pressentia com la mar (from 1969-03-10 until 1969-03-14)
lyricist:
Josep Janés i Olivé
composer:
Frederic Mompou (composer and pianist)
part of:
El combat del somni
Federico Mompou2:06
27Tríptic de Mossen Cinto: L'Harpa Sagrada
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
Tríptic de Mossèn Cinto: I. L'harpa sagrada (from 1969-03-10 until 1969-03-14)
lyricist:
Jacint Verdaguer
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Tríptic de Mossèn Cinto
Joaquín Rodrigo4:11
28Tríptic de Mossen Cinto: Lo violí de Sant Francesch
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
Tríptic de Mossèn Cinto: II. Lo violí de Sant Francesc (from 1969-03-10 until 1969-03-14)
lyricist:
Jacint Verdaguer
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Tríptic de Mossèn Cinto
Joaquín Rodrigo3:03
29Tríptic de Mossen Cinto: Sant Francesch i la cigala
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-03-10 until 1969-03-14)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (from 1969-03-10 until 1969-03-14)
conductor:
Antoni Ros‐Marbà (conductor) (from 1969-03-10 until 1969-03-14)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1969-03-10 until 1969-03-14)
recording of:
Tríptic de Mossèn Cinto: III. Sant Francesc i la cigala (from 1969-03-10 until 1969-03-14)
lyricist:
Jacint Verdaguer
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Tríptic de Mossèn Cinto
Joaquín Rodrigo3:49
3▼CD
#TitleArtistRatingLength
1Chansons de Bilitis: La Flûte de Pan
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:58
2Chansons de Bilitis: La Chevelure
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:17
3Chansons de Bilitis: La Tombeau des Naïades
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:02
4Fêtes gallantes: En sourdine
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:05
5Fêtes gallantes: Fantoches
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy1:16
6Fêtes gallantes: Clair de lune
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy2:55
7Noël des enfants qui n'ont plus de maisons
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Noël des enfants qui n'ont plus de maison, L. 139, CD 147 "Nous n’avons plus de maison" (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (in 1915-12)
premiered at:
[concert] (1916-03-09)
publisher:
Durand et Cie (1909–1947) (in 1915-12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 139) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 147)
Claude Debussy2:49
8Chants populaires: Chanson espagnole
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: I. Chanson espagnole (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel2:39
9Chants populaires: Chanson francaise
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: II. Chanson française (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:56
10Chants populaires: Chanson italienne
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: III. Chanson italienne (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:22
11Chants populaires: Chanson hébraïque
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: IV. Chanson hébraïque (from 1966-01-19 until 1966-01-26)
lyricist:
[traditional] (special purpose artist)
composer:
Maurice Ravel (French composer)
part of:
Chants populaires
Maurice Ravel4:37
12Trois jours de vendage
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Trois jours de vendange (from 1966-01-19 until 1966-01-26)
lyricist:
Alphonse Daudet
composer:
Reynaldo Hahn (composer)
part of:
Premier Recueil de 20 mélodies (1896) (number: 9)
Reynaldo Hahn3:05
13Le Rossignol des lilas
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Le Rossignol des lilas (from 1966-01-19 until 1966-01-26)
lyricist:
Léopold Dauphin
composer:
Reynaldo Hahn (composer)
part of:
Second Recueil de 20 mélodies (1922) (number: 10)
Reynaldo Hahn2:10
14Tristesse, Op.6, No.2
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Tristesse, op. 6 no. 2 (from 1966-01-19 until 1966-01-26)
lyricist:
Théophile Gautier
composer:
Gabriel Fauré (French composer) (in 1873)
part of:
3 Songs, op. 6
Gabriel Fauré2:30
15Au bord de l'eau, Op.8, No.1
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Au bord de l’eau, op. 8 no. 1 (from 1966-01-19 until 1966-01-26)
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1875)
part of:
3 Songs, op. 8
Gabriel Fauré2:24
16Les Roses d'Ispahan, Op.39, No.4
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Les Roses d'lspahan, op. 39 no. 4 (from 1966-01-19 until 1966-01-26)
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
4 Songs, op. 39
Gabriel Fauré2:54
17Trois Poèmes d'un jour, Op.21, No.2: Toujours
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Poème d’un jour, op. 21 : 2. Toujours (from 1966-01-19 until 1966-01-26)
lyricist:
Charles Grandmougin
composer:
Gabriel Fauré (French composer) (in 1878)
part of:
Poème d’un jour, op. 21
Gabriel Fauré1:26
18Siete canciones populares españolas: El paño murano
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 1: El paño moruno (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:20
19Siete canciones populares espanoles: Seguidilla murciana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:15
20Siete canciones populares españolas: Asturiana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 3: Asturiana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:52
21Siete canciones populares españolas: Jota
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:52
22Siete canciones populares españolas: Nana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:35
23Siete canciones populares españolas: Canción
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 6: Canción (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:01
24Siete canciones populares españolas: Polo
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 7: Polo (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:34
25Doce canciones gallegas: As floritas dos toxos
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
As froliñas dos toxos (from 1961-12-04 until 1962-01-05)
lyricist:
Antonio Noriega Varela (Galician writer)
composer:
Eduard Toldrà (Catalan composer)
Eduard Toldrà2:45
26Tríptico, Op.45: Farruca
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Tríptico, op. 45: I. Farruca (from 1961-12-04 until 1962-01-05)
lyricist:
Ramón de Campoamor
composer:
Joaquín Turina (Spanish composer) (from 1927-09-12 until 1927-10-06)
part of:
Tríptico, op. 45
Joaquín Turina3:06
27Villancios: Pastorcito santo
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Retablo de Navidad: Villancicos, nº 1: Pastorcito santo (from 1961-12-04 until 1962-01-05)
lyricist:
Félix Lope de Vega (Spanish playwright/poet)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Retablo de Navidad: Villancicos
Joaquín Rodrigo2:45
28Psyché
recorded in:
Paris, Île-de-France, France (from 1969-02-17 until 1969-02-20)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and René Challan (French composer)
flute:
Jean‐Claude Gérard (flutist) (from 1969-02-17 until 1969-02-20)
harp:
Annie Challan (from 1969-02-17 until 1969-02-20)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-17 until 1969-02-20)
orchestra:
Trio à cordes français (from 1969-02-17 until 1969-02-20)
balance engineer:
Paul Vavasseur (engineer) (from 1969-02-17 until 1969-02-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Psyché (from 1969-02-17 until 1969-02-20)
lyricist:
Georges Jean-Aubry
composer:
Manuel de Falla (Spanish composer) (in 1924)
Manuel de Falla5:01
29Soneto e Córdoba
recorded in:
Paris, Île-de-France, France (from 1969-02-17 until 1969-02-20)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and René Challan (French composer)
harp:
Annie Challan (from 1969-02-17 until 1969-02-20)
piano:
Gonzalo Soriano (pianist) (from 1969-02-17 until 1969-02-20)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-17 until 1969-02-20)
balance engineer:
Paul Vavasseur (engineer) (from 1969-02-17 until 1969-02-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Soneto a Córdoba (from 1969-02-17 until 1969-02-20)
lyricist:
Luis de Góngora
composer:
Manuel de Falla (Spanish composer) (in 1927)
Manuel de Falla2:19
4▶CD