The Fabulous Victoria de los Ángeles

~ Release by Victoria de los Angeles (see all versions of this release, 1 available)

Tracklist

1CD
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3CD
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1Chansons de Bilitis: La Flûte de Pan
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:58
2Chansons de Bilitis: La Chevelure
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:17
3Chansons de Bilitis: La Tombeau des Naïades
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 1966-01-19 until 1966-01-26)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:02
4Fêtes gallantes: En sourdine
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy3:05
5Fêtes gallantes: Fantoches
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy1:16
6Fêtes gallantes: Clair de lune
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
Claude Debussy2:55
7Noël des enfants qui n'ont plus de maisons
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Noël des enfants qui n'ont plus de maison, L. 139, CD 147 "Nous n’avons plus de maison" (for voice and piano) (from 1966-01-19 until 1966-01-26)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (in 1915-12)
premiered at:
[concert] (1916-03-09)
publisher:
Durand et Cie (1909–1947) (in 1915-12)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 139) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 147)
Claude Debussy2:49
8Chants populaires: Chanson espagnole
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: I. Chanson espagnole (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel2:39
9Chants populaires: Chanson francaise
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: II. Chanson française (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:56
10Chants populaires: Chanson italienne
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: III. Chanson italienne (from 1966-01-19 until 1966-01-26)
composer:
Maurice Ravel (French composer) (in 1910)
part of:
Chants populaires
Maurice Ravel1:22
11Chants populaires: Chanson hébraïque
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Chants populaires: IV. Chanson hébraïque (from 1966-01-19 until 1966-01-26)
lyricist:
[traditional] (special purpose artist)
composer:
Maurice Ravel (French composer)
part of:
Chants populaires
Maurice Ravel4:37
12Trois jours de vendage
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Trois jours de vendange (from 1966-01-19 until 1966-01-26)
lyricist:
Alphonse Daudet
composer:
Reynaldo Hahn (composer)
part of:
Premier Recueil de 20 mélodies (1896) (number: 9)
Reynaldo Hahn3:05
13Le Rossignol des lilas
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Le Rossignol des lilas (from 1966-01-19 until 1966-01-26)
lyricist:
Léopold Dauphin
composer:
Reynaldo Hahn (composer)
part of:
Second Recueil de 20 mélodies (1922) (number: 10)
Reynaldo Hahn2:10
14Tristesse, Op.6, No.2
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Tristesse, op. 6 no. 2 (from 1966-01-19 until 1966-01-26)
lyricist:
Théophile Gautier
composer:
Gabriel Fauré (French composer) (in 1873)
part of:
3 Songs, op. 6
Gabriel Fauré2:30
15Au bord de l'eau, Op.8, No.1
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Au bord de l’eau, op. 8 no. 1 (from 1966-01-19 until 1966-01-26)
lyricist:
Sully Prudhomme
composer:
Gabriel Fauré (French composer) (in 1875)
part of:
3 Songs, op. 8
Gabriel Fauré2:24
16Les Roses d'Ispahan, Op.39, No.4
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Les Roses d'lspahan, op. 39 no. 4 (from 1966-01-19 until 1966-01-26)
lyricist:
Leconte de Lisle
composer:
Gabriel Fauré (French composer) (in 1884)
part of:
4 Songs, op. 39
Gabriel Fauré2:54
17Trois Poèmes d'un jour, Op.21, No.2: Toujours
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1966-01-19 until 1966-01-26)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gonzalo Soriano (pianist) (from 1966-01-19 until 1966-01-26)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1966-01-19 until 1966-01-26)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1966-01-19 until 1966-01-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
Poème d’un jour, op. 21 : 2. Toujours (from 1966-01-19 until 1966-01-26)
lyricist:
Charles Grandmougin
composer:
Gabriel Fauré (French composer) (in 1878)
part of:
Poème d’un jour, op. 21
Gabriel Fauré1:26
18Siete canciones populares españolas: El paño murano
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 1: El paño moruno (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:20
19Siete canciones populares espanoles: Seguidilla murciana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:15
20Siete canciones populares españolas: Asturiana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 3: Asturiana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:52
21Siete canciones populares españolas: Jota
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:52
22Siete canciones populares españolas: Nana
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:35
23Siete canciones populares españolas: Canción
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 6: Canción (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:01
24Siete canciones populares españolas: Polo
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Siete canciones populares españolas, G. 40, nº 7: Polo (from 1961-12-04 until 1962-01-05)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:34
25Doce canciones gallegas: As floritas dos toxos
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
As froliñas dos toxos (from 1961-12-04 until 1962-01-05)
lyricist:
Antonio Noriega Varela (Galician writer)
composer:
Eduard Toldrà (Catalan composer)
Eduard Toldrà2:45
26Tríptico, Op.45: Farruca
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Tríptico, op. 45: I. Farruca (from 1961-12-04 until 1962-01-05)
lyricist:
Ramón de Campoamor
composer:
Joaquín Turina (Spanish composer) (from 1927-09-12 until 1927-10-06)
part of:
Tríptico, op. 45
Joaquín Turina3:06
27Villancios: Pastorcito santo
recorded in:
Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (from 1961-12-04 until 1962-01-05)
producer:
Victor Olof
piano:
Gonzalo Soriano (pianist) (from 1961-12-04 until 1962-01-05)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1961-12-04 until 1962-01-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1961-12-04 until 1962-01-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Retablo de Navidad: Villancicos, nº 1: Pastorcito santo (from 1961-12-04 until 1962-01-05)
lyricist:
Félix Lope de Vega (Spanish playwright/poet)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Retablo de Navidad: Villancicos
Joaquín Rodrigo2:45
28Psyché
recorded in:
Paris, Île-de-France, France (from 1969-02-17 until 1969-02-20)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and René Challan (French composer)
flute:
Jean‐Claude Gérard (flutist) (from 1969-02-17 until 1969-02-20)
harp:
Annie Challan (from 1969-02-17 until 1969-02-20)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-17 until 1969-02-20)
orchestra:
Trio à cordes français (from 1969-02-17 until 1969-02-20)
balance engineer:
Paul Vavasseur (engineer) (from 1969-02-17 until 1969-02-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Psyché (from 1969-02-17 until 1969-02-20)
lyricist:
Georges Jean-Aubry
composer:
Manuel de Falla (Spanish composer) (in 1924)
Manuel de Falla5:01
29Soneto e Córdoba
recorded in:
Paris, Île-de-France, France (from 1969-02-17 until 1969-02-20)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and René Challan (French composer)
harp:
Annie Challan (from 1969-02-17 until 1969-02-20)
piano:
Gonzalo Soriano (pianist) (from 1969-02-17 until 1969-02-20)
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1969-02-17 until 1969-02-20)
balance engineer:
Paul Vavasseur (engineer) (from 1969-02-17 until 1969-02-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Soneto a Córdoba (from 1969-02-17 until 1969-02-20)
lyricist:
Luis de Góngora
composer:
Manuel de Falla (Spanish composer) (in 1927)
Manuel de Falla2:19
4CD