A Copland Celebration, Volume 3

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Old American Songs, Book 1: No. 1. The Boatmen's Dance
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
3:15
2Old American Songs, Book 1: No. 2. The Dodger
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 2. The Dodger (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 2. The Dodger (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
2:06
3Old American Songs, Book 1: No. 3. Long Time Ago
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
3:12
4Old American Songs, Book 1: No. 4. Simple Gifts
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
1:45
5Old American Songs, Book 1: No. 5. I Bought Me a Cat
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (in 1962)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
2:06
6Old American Songs, Book 2: No. 1. The Little Horses
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
2:57
7Old American Songs, Book 2: No. 2. Zion's Walls
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
2:08
8Old American Songs, Book 2: No. 3. The Golden Willow Tree
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
3:36
9Old American Songs, Book 2: No. 4. At the River
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 4. At the River (from 1962-05-03 until 1962-05-04)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 4. At the River (in 1962)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
3:13
10Old American Songs, Book 2: No. 5. Ching-a-ring Chaw
producer:
John McClure (recording engineer and record producer)
baritone vocals:
William Warfield (bass-baritone) (in 1962, from 1962-05-03 until 1962-05-04)
orchestra:
Columbia Symphony Orchestra (in 1962, from 1962-05-03 until 1962-05-04)
conductor:
Aaron Copland (composer) (in 1962, from 1962-05-03 until 1962-05-04)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (from 1963 to present)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1962, from 1962-05-03 until 1962-05-04)
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (from 1962-05-03 until 1962-05-04)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (in 1962)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
1:34
11Poems of Emily Dickinson: No. 1. Nature, the Gentlest Mother
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (American composer)
part of:
Twelve Poems of Emily Dickinson
3:50
12Poems of Emily Dickinson: No. 2. There Came a Wind Like a Bugle
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Elliott Carter (American composer)
part of:
Twelve Poems of Emily Dickinson
1:33
13Poems of Emily Dickinson: No. 3. Why Do They Shut Me Out of Heaven?
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Ingolf Dahl (German-American composer)
part of:
Twelve Poems of Emily Dickinson
1:48
14Poems of Emily Dickinson: No. 4. The World Feels Dusty
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Alexei Haieff (American composer)
part of:
Twelve Poems of Emily Dickinson
1:54
15Poems of Emily Dickinson: No. 5. Heart, We Will Forget Him
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Marcelle de Manziarly
part of:
Twelve Poems of Emily Dickinson
2:14
16Poems of Emily Dickinson: No. 6. Dear March, Come In!
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Juan Orrego-Salas (Chilean composer)
part of:
Twelve Poems of Emily Dickinson
2:14
17Poems of Emily Dickinson: No. 7. Sleep Is Supposed to Be
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Irving Fine (American composer)
part of:
Twelve Poems of Emily Dickinson
2:51
18Poems of Emily Dickinson: No. 8. When They Come Back
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Harold Shapero (American composer)
part of:
Twelve Poems of Emily Dickinson
1:53
19Poems of Emily Dickinson: No. 9. I Felt a Funeral in My Brain
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
M. Camargo Guarnieri (Brazilian composer)
part of:
Twelve Poems of Emily Dickinson
2:03
20Poems of Emily Dickinson: No. 10. I've Heard an Organ Talk Sometimes
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Alberto Ginastera (Argentinean composer)
part of:
Twelve Poems of Emily Dickinson
1:58
21Poems of Emily Dickinson: No. 11. Going to Heaven!
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Twelve Poems of Emily Dickinson
2:42
22Poems of Emily Dickinson: No. 12. The Chariot
producer:
Richard Killough (producer)
piano:
Aaron Copland (composer) (on 1964-11-16)
soprano vocals:
Adele Addison (American soprano) (on 1964-11-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1964-11-16)
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (on 1964-11-16)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Arthur Berger (American composer)
part of:
Twelve Poems of Emily Dickinson
3:04
23In the Beginning
producer:
Richard Killough (producer)
choir vocals:
New England Conservatory Chorus (on 1965-03-29)
mezzo-soprano vocals:
Mildred Miller (classical mezzo-soprano) (on 1965-03-29)
conductor:
Aaron Copland (composer) (on 1965-03-29)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1965-03-29)
recording of:
In the Beginning (on 1965-03-29)
composer:
Aaron Copland (composer) (in 1947)
premiered by:
Harvard University Collegiate Chorale (on 1947-05-02), Robert Shaw (conductor) (on 1947-05-02) and Nell Tangeman (mezzo-soprano) (on 1947-05-02)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Memorial Hall (Harvard University) in Cambridge, Massachusetts, United States (on 1947-05-02)
16:34
24Lark
producer:
Richard Killough (producer)
baritone vocals:
Robert Hale (US bass-baritone) (on 1965-03-29)
choir vocals:
New England Conservatory Chorus (on 1965-03-29)
conductor:
Aaron Copland (composer) (on 1965-03-29)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1965-03-29)
recording of:
Lark (on 1965-03-29)
premiered in:
New York, New York, United States (on 1943-04-13)
composer:
Aaron Copland (composer) (in 1938)
premiered by:
Robert Shaw (conductor) (on 1943-04-13)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
4:54
2▼CD
#TitleRatingLength
1The Tender Land, Act I: Gently flowing
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
1:15
2The Tender Land, Act I: Once I thought I'd never grow tall as this fence
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:38
3The Tender Land, Act I: Do you suppose they're makin' food in there?
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:58
4The Tender Land, Act I: We've been north
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:17
5The Tender Land, Act I: Halloo, halloo
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:39
6The Tender Land, Act I: If you boys work as smooth as you talk, we'll make good time in the fields
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:04
7The Tender Land, Act I: The Promise of living with hope and thanksgiving
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1964-11-16, on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:37
8The Tender Land, Act II: Not enough for me, Mrs. Moss
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:20
9The Tender Land, Act II: Thank you, thank you all
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:15
10The Tender Land, Act II: Ah, Laurie, you are a puzzle
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
1:36
11The Tender Land, Act II: Stomp your foot upon the floor
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:52
12The Tender Land, Act II: The World seems still tonight
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
11:02
13The Tender Land, Act III: Introduction (Act III)
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:08
14The Tender Land, Act III: Daybreak will come in such a short time
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:10
15The Tender Land, Act III: That's crazy!
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:03
16The Tender Land, Act III: The sun is coming up as though I'd never seen it rise before
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
7:10
17The Tender Land, Act III: You are strange to me
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
6:53

Credits

Release

ASIN:US: B000050HWV [info]