A Copland Celebration, Volume 3

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1The Tender Land, Act I: Gently flowing
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
1:15
2The Tender Land, Act I: Once I thought I'd never grow tall as this fence
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:38
3The Tender Land, Act I: Do you suppose they're makin' food in there?
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:58
4The Tender Land, Act I: We've been north
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:17
5The Tender Land, Act I: Halloo, halloo
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:39
6The Tender Land, Act I: If you boys work as smooth as you talk, we'll make good time in the fields
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:04
7The Tender Land, Act I: The Promise of living with hope and thanksgiving
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1964-11-16, on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act I (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:37
8The Tender Land, Act II: Not enough for me, Mrs. Moss
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:20
9The Tender Land, Act II: Thank you, thank you all
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
3:15
10The Tender Land, Act II: Ah, Laurie, you are a puzzle
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
1:36
11The Tender Land, Act II: Stomp your foot upon the floor
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:52
12The Tender Land, Act II: The World seems still tonight
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act II (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
11:02
13The Tender Land, Act III: Introduction (Act III)
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:08
14The Tender Land, Act III: Daybreak will come in such a short time
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
2:10
15The Tender Land, Act III: That's crazy!
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
4:03
16The Tender Land, Act III: The sun is coming up as though I'd never seen it rise before
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
7:10
17The Tender Land, Act III: You are strange to me
producer:
John McClure (recording engineer and record producer)
baritone vocals [Mr. Jenks]:
Don Yule (operatic bass) (on 1965-07-31)
baritone vocals [Top]:
Richard Fredricks (baritone) (on 1965-07-31)
bass-baritone vocals [Grandpa Moss]:
Norman Treigle (bass-baritone) (on 1965-07-31)
choir vocals:
Choral Art Society (on 1965-07-31)
mezzo-soprano vocals [Ma Moss]:
Claramae Turner (contralto) (on 1965-07-31)
mezzo-soprano vocals [Mrs. Splinters]:
Charlotte Povia (mezzo-soprano) (on 1965-07-31)
soprano vocals [Laurie]:
Joy Clements (on 1965-07-31)
soprano vocals [Mrs. Jenks]:
Carolyn Friday (soprano) (on 1965-07-31)
tenor vocals [Martin]:
Richard Cassilly (tenor) (on 1965-07-31)
tenor vocals [Mr. Splinters]:
Kellis Miller (tenor) (on 1965-07-31)
orchestra:
New York Philharmonic (on 1965-07-31)
conductor:
Aaron Copland (composer) (on 1965-07-31)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-31)
partial recording of:
The Tender Land: Act III (on 1965-07-31)
composer:
Aaron Copland (composer)
librettist:
Erik Johns (librettist)
part of:
The Tender Land
6:53

Credits

Release

ASIN:US: B000050HWV [info]