Total Recall (Original Motion Picture Soundtrack 30th Anniversary Edition)

~ Release by Jerry Goldsmith (see all versions of this release, 9 available)

Tracklist

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1▼CD: The Film Score
#TitleRatingLength
1The Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:39
2First Meeting
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
First Meeting
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:12
3Secret Agent
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Secret Agent
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:54
4The Implant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Implant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:45
5Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:07
6The Aftermath
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Aftermath
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:33
7Old Times Sake
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:04
8Clever Girl
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:35
9The Johnny Cab
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Johnny Cab
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:50
10Howdy Stranger / The Nose Job
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:54
11The Spaceport
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:50
12A New Face
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
A New Face (~1:32)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:31
13The Mountain
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mountain
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:31
14Identification
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Identification
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:03
15Lies
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Lies
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:05
16Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
4:00
17Swallow It
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Swallow It
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:07
18The Big Jump
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Big Jump
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:35
19Without Air
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Without Air
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:17
20Remembering
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:48
21The Mutant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mutant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:17
22The Massacre
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Massacre
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:38
23Friends?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Friends
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:40
24The Treatment
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Treatment
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:41
25The Reactor / The Hologram
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
5:40
26End of a Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
End of a Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:50
27A New Life
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
2:25
28End Credits
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:50
2▼CD: Original 1990 Soundtrack Album / Alternate Takes / Source Cues on Mars / Additional Source Cues
#TitleArtistRatingLength
1The Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith3:34
2The Hologram
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith5:38
3The Big Jump
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Big Jump
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith4:36
4The Mutant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mutant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith3:19
5Clever Girl
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith4:34
6First Meeting
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
First Meeting
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith1:12
7The Treatment
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Treatment
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith5:33
8Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith3:58
9End of a Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
End of a Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith5:50
10A New Life
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith2:26
11The Implant (alternate opening)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Implant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith2:43
12Clever Girl (original performance)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith4:33
13Divertimento in D
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
partial recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 136) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 125a)
Wolfgang Amadeus Mozart0:54
14Rubble City
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Bruno Louchouarn3:19
15Mutant Dancing
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Bruno Louchouarn4:36
16Running Out of Air
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Bruno Louchouarn3:02
17Rekall Commercial
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:52
18Environmental Source
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith1:09
19ESPN
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith1:13
20Saturn
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:32
21Mars
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith1:12
22Rekall (background)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:47
23Botco
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:11
24North West
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:36
25Rekall Commercial (alternate)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
Jerry Goldsmith0:52