Total Recall (Original Motion Picture Soundtrack 30th Anniversary Edition)

~ Release by Jerry Goldsmith (see all versions of this release, 9 available)

Tracklist

1▼CD: The Film Score
#TitleRatingLength
1The Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:39
2First Meeting
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
First Meeting
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:12
3Secret Agent
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Secret Agent
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:54
4The Implant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Implant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:45
5Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:07
6The Aftermath
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Aftermath
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:33
7Old Times Sake
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:04
8Clever Girl
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:35
9The Johnny Cab
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Johnny Cab
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:50
10Howdy Stranger / The Nose Job
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:54
11The Spaceport
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:50
12A New Face
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
A New Face (~1:32)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:31
13The Mountain
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mountain
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:31
14Identification
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Identification
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:03
15Lies
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Lies
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:05
16Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
4:00
17Swallow It
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Swallow It
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:07
18The Big Jump
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Big Jump
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:35
19Without Air
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Without Air
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:17
20Remembering
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:48
21The Mutant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mutant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:17
22The Massacre
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Massacre
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:38
23Friends?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Friends
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:40
24The Treatment
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Treatment
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:41
25The Reactor / The Hologram
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
5:40
26End of a Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
End of a Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:50
27A New Life
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
2:25
28End Credits
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:50
2▶CD: Original 1990 Soundtrack Album / Alternate Takes / Source Cues on Mars / Additional Source Cues