L’art musical et poétique de Guillaume de Machaut

~ Release by Guillaume de Machaut;Ensemble Guillaume de Machaut de Paris (see all versions of this release, 1 available)

Tracklist

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1▼CD: Disque 1 n°13.294–2
#TitleArtistRatingLength
1Motet : « Felix Virgo – Inviolata Genitrix »
bombarde:
Jean‐Claude Veilhan
chamber organ [orgue portatif]:
Elisabeth Robert
instruments:
Bernard Huneau
lute:
Guy Robert (French lutenist)
rebec:
Julien Skowron
countertenor vocals:
Jean Belliard and Alain Zaepffel
recording of:
Felix virgo / Inviolata genitrix / Ad te suspiramus
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:02
2Virelay : « Comment qu’a moy lointeinne »
oud [luth arabe]:
Elisabeth Robert
percussion:
Guy Robert (French lutenist)
recorder:
Bernard Huneau
vielle:
Julien Skowron
countertenor vocals:
Jean Belliard
recording of:
Comment qu'à moy lonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:21
3Motet : « Bone pastor Guillerme »
chamber organ [orgue portatif]:
Elisabeth Robert
instruments:
Bernard Huneau
countertenor vocals:
Jean Belliard and Alain Zaepffel
recording of:
Motet : « Bone pastor Guillerme »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:09
4Rondeau : « Ma fin est mon commencement »
recording of:
Ma fin est mon commencement
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:59
5Le Remède de Fortune : 1 – Introduction instrumentale : « De toutes flours »
instruments:
Bernard Huneau
lute:
Elisabeth Robert and Guy Robert (French lutenist)
oud [luth arabe]:
Elisabeth Robert
rebec:
Julien Skowron
recording of:
Le Remède de Fortune : 1 - Introduction instrumentale : « De toutes flours »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:09
6Le Remède de Fortune : 2 – Lay ou « Dit » « Qui n’adroit autre deport »
flute and recorder:
Bernard Huneau
guitar [guitare mauresque]:
Guy Robert (French lutenist)
oud [luth arabe]:
Elisabeth Robert
percussion:
Jean Belliard
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 2 - Lay ou « Dit » « Qui n'adroit autre deport »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut14:15
7Le Remède de Fortune : 3 – Complainte : « Tels rit au matin qui au soir pleure »
guitar [guitare mauresque]:
Guy Robert (French lutenist)
lute:
Elisabeth Robert
recorder:
Bernard Huneau
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 3 - Complainte : « Tels rit au matin qui au soir pleure »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:59
8Le Remède de Fortune : 4 – Chanson roiale : Joie, plaisense et douce norriture
guitar [guitare mauresque]:
Guy Robert (French lutenist)
oud [luth arabe]:
Elisabeth Robert
percussion:
Jean Belliard
recorder:
Bernard Huneau
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 4 - Chanson roiale : Joie, plaisense et douce norriture
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:50
9Le Remède de Fortune : 5 – Ballade : « Dame, de qui toute ma joie »
instruments:
Bernard Huneau
lute:
Elisabeth Robert and Guy Robert (French lutenist)
rebec:
Julien Skowron
recorder:
Bernard Huneau
recording of:
Le Remède de Fortune : 5 - Ballade : « Dame, de qui toute ma joie »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:40
10Le Remède de Fortune : 6 – Poeme – Estampie
guitar [guitare mauresque]:
Guy Robert (French lutenist)
oud [luth arabe]:
Elisabeth Robert
percussion:
Jean Belliard
recorder:
Bernard Huneau
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 6 - Poeme - Estampie
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:30
11Le Remède de Fortune : 7 – Virelay (chanson baladée) : « Dame, a vous sans retollir »
bell:
Jean Belliard
flute:
Bernard Huneau
guitar [guitare mauresque]:
Guy Robert (French lutenist)
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 7 - Virelay (chanson baladée) : « Dame, a vous sans retollir »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:35
12Le Remède de Fortune : 8 – Balladelle : « En amer a douce vie »
flute:
Bernard Huneau
guitar [guitare mauresque]:
Guy Robert (French lutenist)
lute:
Elisabeth Robert
rebec:
Julien Skowron
recording of:
Le Remède de Fortune : 8 - Balladelle : « En amer a douce vie »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:21
13Le Remède de Fortune : 9 – Rondelet : « Dame, mon cuer »
instruments:
Bernard Huneau
recorder:
Bernard Huneau
vielle:
Julien Skowron
recording of:
Le Remède de Fortune : 9 - Rondelet : « Dame, mon cuer »
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:52
2▼CD: Disque 2 n°13.295–2
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1Chanson et motet: “Pour quoy me bat mes maris”
guitar [guitarra morisca]:
Guy Robert (French lutenist) (in 1977)
rebec:
Julien Skowron (in 1977)
baritone vocals:
Jean Belliard (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Pour quoy me bat mes maris? (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
3:50
2Ballade instrumentale: “ Honte, paour, doubtance”
concert flute:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
rebec [rubèbe]:
Julien Skowron (in 1977)
tanbur [luth arabe]:
Elisabeth Robert (in 1977)
instrumental recording of:
Hont paour (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
3:35
3Triple ballade: “Sanz cuer – Amis doulens – Dame par vous”
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
recorder:
Bernard Huneau (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Jean Belliard (in 1977) and Alain Zaepffel (in 1977)
recording of:
Sans cuer, dolens de vous (a 2) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:40
4Virelay: “Quant je sui mis au retour”
tanbur:
Elisabeth Robert (in 1977)
solo countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quant je sui mis au retour (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:40
5Motet: “Quant en moy – Amour et biaute”
crumhorn:
Bernard Huneau (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quant en moy / Amour et biaute / Amara valde (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:20
6Hoquet David
bombarde and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
vielle:
Julien Skowron (in 1977)
recording of:
Hoquetus David (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:40
7Double ballade d’Andrieu: Déploration sur la mort de Machaut
concert flute and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
vielle:
Julien Skowron (in 1977)
countertenor vocals:
Jean Belliard (in 1977) and Alain Zaepffel (in 1977)
recording of:
Armes, amours - Ô flour des flours (Première deploration sur la mort de Guillaume de Machaut) (in 1977)
lyricist:
Eustache Deschamps (aka Eustache Morel) (in 1377)
composer:
Franciscus Andrieu (French 14th century composer) (in 1377)
6:25
81. Virelay: “Douce dame jolie” ; “Lors pour alleger” ; “Ploures, dames”
concert flute and recorder:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
medley including a recording of:
Douce dame jolie (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
medley including a recording of:
Plourez, dames, plourez vostre servant (a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
8:15
92. “Je vous enoie une ballade” ; virelay: “Se medisants”
concert flute and recorder:
Bernard Huneau (in 1977)
lute and percussion:
Guy Robert (French lutenist) (in 1977)
vielle:
Julien Skowron (in 1977)
2:10
103. Ballade “Je ne cui pas”
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
recorder:
Bernard Huneau (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
4:10
114. Ballade : “Nes que on porroit les estoiles nombrer”
crumhorn and oboe [hautbois du Poitou]:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
percussion:
Jean Belliard (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Nes qu'on porroit (a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
5:15
125. Double ballade : “Quant Theseus – Ne quier veoir”
bombarde and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quand Theseus / Ne quier veoir (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:20
136. Lay de bonne esperance
concert flute and recorder:
Bernard Huneau (in 1977)
guitar [morisque guitar] and lute:
Guy Robert (French lutenist) (in 1977)
percussion:
Jean Belliard (in 1977)
vielle:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Le lay de bonne esperance (a 1) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
16:30
147. Rondeau : Dix et sept, cinc"
concert flute and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Dix et sept, cinq, trese, quatorse et quinse (rondeau a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:00
158. “J’ai veu le rondel”
spoken vocals:
Jean Belliard (in 1977)
0:45
169. Virelay “Moult sui de bonne heure née”
concert flute:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
recording of:
Moult sui de bonne heure nee (in 1977)
writer:
XIVth Century anon. ([anonymous], special purpose artist)
3:10