L’art musical et poétique de Guillaume de Machaut

~ Release by Guillaume de Machaut;Ensemble Guillaume de Machaut de Paris (see all versions of this release, 1 available)

Tracklist

1▶CD: Disque 1 n°13.294–2
2▼CD: Disque 2 n°13.295–2
#TitleRatingLength
1Chanson et motet: “Pour quoy me bat mes maris”
guitar [guitarra morisca]:
Guy Robert (French lutenist) (in 1977)
rebec:
Julien Skowron (in 1977)
baritone vocals:
Jean Belliard (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Pour quoy me bat mes maris? (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
3:50
2Ballade instrumentale: “ Honte, paour, doubtance”
concert flute:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
rebec [rubèbe]:
Julien Skowron (in 1977)
tanbur [luth arabe]:
Elisabeth Robert (in 1977)
instrumental recording of:
Hont paour (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
3:35
3Triple ballade: “Sanz cuer – Amis doulens – Dame par vous”
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
recorder:
Bernard Huneau (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Jean Belliard (in 1977) and Alain Zaepffel (in 1977)
recording of:
Sans cuer, dolens de vous (a 2) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:40
4Virelay: “Quant je sui mis au retour”
tanbur:
Elisabeth Robert (in 1977)
solo countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quant je sui mis au retour (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:40
5Motet: “Quant en moy – Amour et biaute”
crumhorn:
Bernard Huneau (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quant en moy / Amour et biaute / Amara valde (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:20
6Hoquet David
bombarde and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
vielle:
Julien Skowron (in 1977)
recording of:
Hoquetus David (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
2:40
7Double ballade d’Andrieu: Déploration sur la mort de Machaut
concert flute and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
vielle:
Julien Skowron (in 1977)
countertenor vocals:
Jean Belliard (in 1977) and Alain Zaepffel (in 1977)
recording of:
Armes, amours - Ô flour des flours (Première deploration sur la mort de Guillaume de Machaut) (in 1977)
lyricist:
Eustache Deschamps (aka Eustache Morel) (in 1377)
composer:
Franciscus Andrieu (French 14th century composer) (in 1377)
6:25
81. Virelay: “Douce dame jolie” ; “Lors pour alleger” ; “Ploures, dames”
concert flute and recorder:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
medley including a recording of:
Douce dame jolie (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
medley including a recording of:
Plourez, dames, plourez vostre servant (a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
8:15
92. “Je vous enoie une ballade” ; virelay: “Se medisants”
concert flute and recorder:
Bernard Huneau (in 1977)
lute and percussion:
Guy Robert (French lutenist) (in 1977)
vielle:
Julien Skowron (in 1977)
2:10
103. Ballade “Je ne cui pas”
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
recorder:
Bernard Huneau (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
4:10
114. Ballade : “Nes que on porroit les estoiles nombrer”
crumhorn and oboe [hautbois du Poitou]:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
percussion:
Jean Belliard (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Nes qu'on porroit (a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
5:15
125. Double ballade : “Quant Theseus – Ne quier veoir”
bombarde and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Quand Theseus / Ne quier veoir (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:20
136. Lay de bonne esperance
concert flute and recorder:
Bernard Huneau (in 1977)
guitar [morisque guitar] and lute:
Guy Robert (French lutenist) (in 1977)
percussion:
Jean Belliard (in 1977)
vielle:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Le lay de bonne esperance (a 1) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
16:30
147. Rondeau : Dix et sept, cinc"
concert flute and crumhorn:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
pipe organ [orgue portatif]:
Elisabeth Robert (in 1977)
rebec:
Julien Skowron (in 1977)
countertenor vocals:
Alain Zaepffel (in 1977)
recording of:
Dix et sept, cinq, trese, quatorse et quinse (rondeau a 3) (in 1977)
composer:
Guillaume de Machaut (French medieval poet & composer)
4:00
158. “J’ai veu le rondel”
spoken vocals:
Jean Belliard (in 1977)
0:45
169. Virelay “Moult sui de bonne heure née”
concert flute:
Bernard Huneau (in 1977)
lute:
Guy Robert (French lutenist) (in 1977)
vielle:
Julien Skowron (in 1977)
contralto vocals:
Annie Bartelloni (French mezzo soprano vocalist) (in 1977)
recording of:
Moult sui de bonne heure nee (in 1977)
writer:
XIVth Century anon. ([anonymous], special purpose artist)
3:10