Love & Affection: The Essential Joan Armatrading

~ Release by Joan Armatrading (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Down to Zero
engineer and producer:
Glyn Johns
12 string guitar:
Graham Lyle
bass guitar:
Dave Markee
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
electric guitar:
Jerry Donahue
guitar and lead vocals:
Joan Armatrading
piano:
Peter Wood (UK keyboardist/pianist)
steel guitar:
BJ Cole
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Down to Zero
lyricist and composer:
Joan Armatrading
53:49
2I'm Lucky
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player) (in 1981-07)
drums (drum set):
Jerry Marotta (drummer and composer) (in 1981-07)
guitar:
Hugh Burns (in 1981-07)
percussion:
Ray Cooper (percussionist) (in 1981-07)
synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
I'm Lucky (in 1981-07)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:04
3Wrapped Around Her
recording of:
Wrapped Around Her
lyricist and composer:
Joan Armatrading
3:46
4Warm Love
assistant engineer:
John Astley
engineer:
Glyn Johns
acoustic guitar:
Joan Armatrading and Jerry Donahue
bass:
Dave Markee
membranophone:
Henry Spinetti
organ:
Georgie Fame
vocals:
Joan Armatrading
conductor:
Brian Rogers (UK arranger & composer)
strings arranger:
Brian Rogers (UK arranger & composer)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Warm Love
lyricist and composer:
Joan Armatrading
3:02
5Water With the Wine
engineer and producer:
Glyn Johns
acoustic guitar:
Joan Armatrading and Jerry Donahue
bass guitar:
Dave Markee
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who) and Dave Mattacks
electric guitar:
Jerry Donahue
organ:
Peter Wood (UK keyboardist/pianist)
lead vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Water with the Wine
lyricist and composer:
Joan Armatrading
2:47
6You Rope You Tie Me
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
You Rope You Tie Me
lyricist and composer:
Joan Armatrading
4:05
7Join the Boys
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who) and Dave Mattacks
electric guitar:
Jerry Donahue
organ and piano:
Peter Wood (UK keyboardist/pianist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Join the Boys
lyricist and composer:
Joan Armatrading
4:48
8How Cruel3:04
9Jesse
engineer:
Mark Wallis
producer:
Joan Armatrading
mixer:
Steve Lillywhite
bass guitar:
Steve Greetham
drums (drum set):
Geoff Dugmore
keyboard:
Alex White (Keyboard player from Northern Ireland)
lead vocals:
Joan Armatrading
arranger:
Joan Armatrading
recording of:
Jesse
lyricist and composer:
Joan Armatrading
3:25
10The Power of Dreams3:08
11Back to the Night
bass guitar:
Phil Chen (Chinese-Jamaican bassist)
guitar:
Pete Gage and Colin Pincott
membranophone:
Tony Newman (rock drummer for Jeff Beck Group/May Blitz)
percussion:
Gasper Lawal
piano:
Jean‐Alain Roussel
vocals:
Joan Armatrading
recording of:
Back to the Night
lyricist and composer:
Joan Armatrading
4:04
12Dark Truths
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
keyboard and strings:
Bob Noble
arranger:
Joan Armatrading
recording of:
Dark Truths
lyricist and composer:
Joan Armatrading
2:04
13Bad Habits
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Adrian Belew and Daryl Stuermer
membranophone:
Jerry Marotta (drummer and composer)
solo guitar:
Gary Sanford
solo saxophone:
Mel Collins
vocals:
Joan Armatrading
recording of:
Bad Habits
lyricist and composer:
Joan Armatrading
3:43
14One Night
assistant engineer:
Jon Hallett (engineer) and Stephen McLaughlin (British producer, engineer, musician and film producer)
engineer:
Bryan “Chuck” New (Engineer/ Producer)
producer:
Mike Howlett
acoustic guitar:
Joan Armatrading
additional synthesizer:
Adrian Lee (English musician; Mike + The Mechanics, Toyah)
bass:
Pino Palladino
drums (drum set):
Mel Gaynor
guitar:
David Rhodes (guitarist, singer, and songwriter)
keyboard:
Nick Plytas
synthesizer:
Mel Gaynor and Nick Plytas
vocals:
Joan Armatrading
strings arranger:
Joan Armatrading and Fiachra Trench
arranger:
Joan Armatrading
recorded at:
Battery Studios in Chicago, Illinois, United States
recording of:
One Night
writer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1985)
4:58
15The Game of Love
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Joan Armatrading, Adrian Belew and Daryl Stuermer
marimba:
Dean Klevatt
membranophone:
Jerry Marotta (drummer and composer)
solo synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Joan Armatrading
recording of:
The Game of Love
lyricist and composer:
Joan Armatrading
3:34
16No Way Out
recording of:
No Way Out
lyricist and composer:
Joan Armatrading
2:10
17Opportunity
assistant engineer:
John Astley
engineer:
Glyn Johns
acoustic guitar:
Joan Armatrading
bass:
Dave Markee
slide guitar:
Jerry Donahue
background vocals:
Pete Clarke (US actor/singer) and Joe Scott (40s–60s US blues artist)
vocals:
Joan Armatrading
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Opportunity
lyricist and composer:
Joan Armatrading
3:22
18If Women Ruled the World
recording of:
If Women Ruled the World
lyricist and composer:
Joan Armatrading
4:32
19Save Me
engineer and producer:
Glyn Johns
12 string guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
electric guitar:
Jerry Donahue
piano:
Peter Wood (UK keyboardist/pianist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Save Me
lyricist and composer:
Joan Armatrading
3:37
20Cradled in Your Love
recording of:
Cradled in Your Love
lyricist and composer:
Joan Armatrading
5:15
21When I Get It Right
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Jerry Marotta (drummer and composer)
electric guitar:
Gary Sanford
guitar:
Kirby Gregory and Gary Sanford
horn:
Mel Collins
organ:
Nick Plytas
synthesizer:
Thomas Dolby
vocals:
Joan Armatrading
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
When I Get It Right
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:02
22The Weakness in Me
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
acoustic guitar:
Hugh Burns (in 1981-07) and Andy Partridge (in 1981-07)
bass:
Tony Levin (US rock bassist/Chapman stick player) (in 1981-07)
drums (drum set):
Jerry Marotta (drummer and composer) (in 1981-07)
percussion:
Ray Cooper (percussionist) (in 1981-07)
piano:
Nick Plytas (in 1981-07)
synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
The Weakness in Me (in 1981-07)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
part of:
10 Things I Hate About You
53:33
2CD
#TitleRatingLength
1Love and Affection
engineer and producer:
Glyn Johns
12 string guitar:
Jerry Donahue
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
saxophone:
Jimmy Jewell
background vocals:
Joan Armatrading, Leroy Champaign and Pete Clarke (US actor/singer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
44:28
2More Than One Kind of Love
4:33
3Simon
recording of:
Simon
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1980)
3:40
4Help Yourself
engineer and producer:
Glyn Johns
bass guitar:
Dave Markee
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
electric guitar:
Jerry Donahue
guitar and lead vocals:
Joan Armatrading
piano:
Peter Wood (UK keyboardist/pianist)
strings arranger:
Brian Rogers (UK arranger & composer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Help Yourself
lyricist and composer:
Joan Armatrading
4:02
5Barefoot and Pregnant
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Barefoot and Pregnant
lyricist and composer:
Joan Armatrading
3:40
6Stepping Out
live recording of:
Steppin' Out
lyricist and composer:
Joan Armatrading
3:52
7Kissin' and a Huggin'24:41
8Friends
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Will Lee (US jazz/rock bassist) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03), Ricky Hirsh (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Friends (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1980)
43:05
9Promise Land
recording engineer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
mixer:
Tom Lord‐Alge
bass guitar:
Mick Karn
drums (drum set):
Steve Jansen (member of Japan)
guitar family and mandolin and lead vocals:
Joan Armatrading
keyboard:
Don Freeman
arranger:
Joan Armatrading
4:00
10At the Top
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
acoustic guitar:
Joan Armatrading
bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Jerry Marotta (drummer and composer)
guitar:
Hugh Burns and Gary Sanford
organ:
Nick Plytas
percussion:
Ray Cooper (percussionist) and Julian Diggle
vocals:
Joan Armatrading
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
At the Hop
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:25
11The Devil I Know
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Mark Brzezicki
guitar:
Joan Armatrading and Phil Palmer (guitarist)
keyboard:
Bob Noble
arranger:
Joan Armatrading
recording of:
The Devil I Know
lyricist and composer:
Joan Armatrading
4:12
12Can't Get Over (How I Broke Your Heart)3:48
13Love by You
assistant engineer:
Jon Hallett (engineer) and Stephen McLaughlin (British producer, engineer, musician and film producer)
engineer:
Bryan “Chuck” New (Engineer/ Producer)
producer:
Mike Howlett
piano:
Joe Jackson (English musician)
vocals:
Joan Armatrading
arranger:
Joan Armatrading
recorded at:
Battery Studios in Chicago, Illinois, United States
recording of:
Love by You
writer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1985)
3:12
14Eating the Bear
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
Chapman stick [stick] and bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Jerry Marotta (drummer and composer)
guitar:
Andy Partridge
synthesizer:
Thomas Dolby
vocals:
Joan Armatrading
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
Eating the Bear
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
2:59
15Turn Out the Light
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Will Lee (US jazz/rock bassist) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
background vocals:
George Kerr (in 1980-03) and Sammy Turner (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Turn Out the Light (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1980)
54:19
16Square the Circle
recording of:
Square the Circle
lyricist and composer:
Joan Armatrading
4:07
17All a Woman Needs
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Dave Mattacks
guitar:
Phil Palmer (guitarist)
keyboard:
Bob Noble
arranger:
Joan Armatrading
recording of:
All a Woman Needs
lyricist and composer:
Joan Armatrading
4:59
18Bottom to the Top
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Bottom to the Top
lyricist and composer:
Joan Armatrading
3:29
19Watch Your Step
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Jamie Lane (Drummer/Producer)
guitar:
Phil Palmer (guitarist)
keyboard:
Alan Clark (keyboardist)
arranger:
Joan Armatrading
recording of:
Watch Your Step
lyricist and composer:
Joan Armatrading
3:57
20True Love
recording of:
True Love
lyricist and composer:
Joan Armatrading
3:57
3CD
#TitleRatingLength
1Me Myself I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Rondor Music (London) Ltd. (in 1980)
3.653:16
2No Love
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Jerry Marotta (drummer and composer)
guitar:
Hugh Burns
keyboard:
Nick Plytas
saxophone:
Mel Collins
tambourine:
Ray Cooper (percussionist)
vocals:
Joan Armatrading
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
No Love
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:57
3The Shouting Stage
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Dave Mattacks
guitar:
Mark Knopfler
keyboard:
Bob Noble
percussion:
Jody Linscott
arranger:
Joan Armatrading
recording of:
The Shouting Stage
lyricist and composer:
Joan Armatrading
5:27
4Flight of the Wild Geese
producer:
David Anderle
recording of:
Flight of the Wild Geese
lyricist and composer:
Joan Armatrading
1:59
5Cool Blue Stole My Heart5:29
6Willow
recording of:
Willow
lyricist and composer:
Joan Armatrading
4:52
7The Key
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Daryl Stuermer
membranophone:
Jerry Marotta (drummer and composer)
percussion:
Julian Diggle
solo guitar:
Adrian Belew
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Joan Armatrading
recording of:
The Key
lyricist and composer:
Joan Armatrading
3:55
8Somebody Who Loves You
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
mandolin:
Bryn Haworth
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Somebody who Loves You
lyricist and composer:
Joan Armatrading
3:29
9Heaven
recording of:
Heaven
4:41
10Mama Mercy2:48
11Baby I
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Baby I
lyricist and composer:
Joan Armatrading
4:50
12Foolish Pride
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Adrian Belew, Gary Sanford and Daryl Stuermer
membranophone:
Jerry Marotta (drummer and composer)
saxophone:
Mel Collins
trombone:
Annie Whitehead (British jazz trombonist)
trumpet:
Guy Barker
vocals:
Joan Armatrading
recording of:
Foolish Pride
lyricist and composer:
Joan Armatrading
3:14
13Talking to the Wall
assistant engineer:
Jon Hallett (engineer) and Stephen McLaughlin (British producer, engineer, musician and film producer)
engineer:
Bryan “Chuck” New (Engineer/ Producer)
producer:
Mike Howlett
bass:
Pino Palladino
congas and drums (drum set):
Mel Gaynor
flugelhorn and saxophone:
David Bitelli
flugelhorn [flugelhorn lead]:
Raul D'Oliveira
guitar:
David Rhodes (guitarist, singer, and songwriter)
keyboard:
Joe Jackson (English musician)
trombone:
Rick Taylor (trombonist)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Joan Armatrading
horn arranger:
Joan Armatrading and David Bitelli
strings arranger:
Joan Armatrading and Fiachra Trench
arranger:
Joan Armatrading
recorded at:
Battery Studios in Chicago, Illinois, United States
recording of:
Talking to the Wall
writer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1985)
4:30
14Like Fire
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
slide guitar:
Bryn Haworth
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Like Fire
lyricist and composer:
Joan Armatrading
5:11
15Crazy
recording of:
Crazy
lyricist and composer:
Joan Armatrading
3:48
16Did I Make You Up
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Mark Brzezicki
guitar:
Mark Knopfler
keyboard:
Bob Noble
percussion:
Jody Linscott
arranger:
Joan Armatrading
recording of:
Did I Make You Up
lyricist and composer:
Joan Armatrading
3:42
17Let It Last
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Let It Last
lyricist and composer:
Joan Armatrading
4:56
18Tall in the Saddle
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
electric guitar:
Jerry Donahue
piano:
Peter Wood (UK keyboardist/pianist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Tall in the Saddle
lyricist and composer:
Joan Armatrading
5:42
19Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
43:39