Love & Affection: The Essential Joan Armatrading

~ Release by Joan Armatrading (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Me Myself I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Rondor Music (London) Ltd. (in 1980)
3.653:16
2No Love
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Jerry Marotta (drummer and composer)
guitar:
Hugh Burns
keyboard:
Nick Plytas
saxophone:
Mel Collins
tambourine:
Ray Cooper (percussionist)
vocals:
Joan Armatrading
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
No Love
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:57
3The Shouting Stage
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Dave Mattacks
guitar:
Mark Knopfler
keyboard:
Bob Noble
percussion:
Jody Linscott
arranger:
Joan Armatrading
recording of:
The Shouting Stage
lyricist and composer:
Joan Armatrading
5:27
4Flight of the Wild Geese
producer:
David Anderle
recording of:
Flight of the Wild Geese
lyricist and composer:
Joan Armatrading
1:59
5Cool Blue Stole My Heart
bass guitar:
Steve York (British rock bassist)
double bass:
Ron Mathewson
electric guitar:
Pete Gage
guitar:
Joan Armatrading
keyboard:
Jean‐Alain Roussel
membranophone:
Tony Carr
percussion:
Shamsi Sarumi
vocals:
Joan Armatrading
recording of:
Cool Blue Stole My Heart
lyricist and composer:
Joan Armatrading
5:29
6Willow
recording of:
Willow
lyricist and composer:
Joan Armatrading
4:52
7The Key
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Daryl Stuermer
membranophone:
Jerry Marotta (drummer and composer)
percussion:
Julian Diggle
solo guitar:
Adrian Belew
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Joan Armatrading
recording of:
The Key
lyricist and composer:
Joan Armatrading
3:55
8Somebody Who Loves You
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
mandolin:
Bryn Haworth
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Somebody who Loves You
lyricist and composer:
Joan Armatrading
3:29
9Heaven
recording of:
Heaven
4:41
10Mama Mercy
assistant engineer:
John Astley
engineer:
Glyn Johns
bass:
Bryan Garofalo
electric guitar:
Jerry Donahue
membranophone:
David Kemper
organ:
John “Rabbit” Bundrick and Georgie Fame
saxophone:
Mel Collins
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Mama Mercy
lyricist and composer:
Joan Armatrading
2:48
11Baby I
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Baby I
lyricist and composer:
Joan Armatrading
4:50
12Foolish Pride
engineer:
Mark Dearnley
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/Chapman stick player)
guitar:
Adrian Belew, Gary Sanford and Daryl Stuermer
membranophone:
Jerry Marotta (drummer and composer)
saxophone:
Mel Collins
trombone:
Annie Whitehead (British jazz trombonist)
trumpet:
Guy Barker
vocals:
Joan Armatrading
recording of:
Foolish Pride
lyricist and composer:
Joan Armatrading
3:14
13Talking to the Wall
assistant engineer:
Jon Hallett (engineer) and Stephen McLaughlin (British producer, engineer, musician and film producer)
engineer:
Bryan “Chuck” New (Engineer/ Producer)
producer:
Mike Howlett
bass:
Pino Palladino
congas and drums (drum set):
Mel Gaynor
flugelhorn and saxophone:
David Bitelli
flugelhorn [flugelhorn lead]:
Raul D'Oliveira
guitar:
David Rhodes (guitarist, singer, and songwriter)
keyboard:
Joe Jackson (English musician)
trombone:
Rick Taylor (trombonist)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Joan Armatrading
horn arranger:
Joan Armatrading and David Bitelli
strings arranger:
Joan Armatrading and Fiachra Trench
arranger:
Joan Armatrading
recorded at:
Battery Studios in Chicago, Illinois, United States
recording of:
Talking to the Wall
writer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1985)
4:30
14Like Fire
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
slide guitar:
Bryn Haworth
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Like Fire
lyricist and composer:
Joan Armatrading
5:11
15Crazy
recording of:
Crazy
lyricist and composer:
Joan Armatrading
3:48
16Did I Make You Up
recording engineer and mixer:
Graham Dickson (UK engineer aka "Overdubs")
producer:
Joan Armatrading
assistant mixer:
Heidi Cannavo (engineer) and Noel Harris
bass:
Pino Palladino
drums (drum set):
Mark Brzezicki
guitar:
Mark Knopfler
keyboard:
Bob Noble
percussion:
Jody Linscott
arranger:
Joan Armatrading
recording of:
Did I Make You Up
lyricist and composer:
Joan Armatrading
3:42
17Let It Last
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Let It Last
lyricist and composer:
Joan Armatrading
4:56
18Tall in the Saddle
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Joan Armatrading
bass guitar:
Dave Markee
drums (drum set):
Dave Mattacks
electric guitar:
Jerry Donahue
piano:
Peter Wood (UK keyboardist/pianist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Tall in the Saddle
lyricist and composer:
Joan Armatrading
5:42
19Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
43:39