The Complete Collection (Digital Download)

~ Release by B.B. King (see all versions of this release, 1 available)

Annotation

Alle drei B.B. King-Sets in Geffens digitaler Download-Reihe in einer 45-Song-Sequenz sammelnd, ist dieses Set ziemlich aufschlussreich und zeigt, dass King vielseitiger ist, als die meisten zufälligen Zuhörer annehmen würden. Die meisten der wichtigsten sind hier, einschließlich seiner Unterschrift "The Thrill Is Gone", "Jeden Tag habe ich den Blues" und "Wenn die Liebe kommt in die Stadt", unter anderem, die meisten seiner markanten scharfen und spröde Gitarre Läuft und seine überraschend flexible Stimme, macht dies einen schönen und langen Blick auf diesen kultigen Blues-Player und Sänger.

Annotation last modified on 2018-07-01 16:51 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
22:40
2Every Day I Have the Blues
performer:
Peter Chatman
cover recording of:
Everyday I Have the Blues
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:42
3All Over Again
performer:
Carl Adams
recording of:
All Over Again
writer:
Carl Adams and B.B. King
2:36
4Don't Answer the Door
performer:
James Johnson (American ambient musician)
cover recording of:
Don’t Answer the Door
writer:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson)
publisher:
Fordyce Publishing Co and Mercedes Music
5:09
5Sweet Sixteen, Pts. 1-2
performer:
Joe Josea
recording of:
Sweet Sixteen
writer:
Joe Josea and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) and Sidney A. Seidenberg Music Ltd.
6:10
6Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Quincy Jones, Johnny Pate and Louis Zito (producer)
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
Billy Butler (jazz guitarist) (on 1967-09-14) and B.B. King (on 1967-09-14)
keyboard and organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (trumpet player) (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Careers
2.52:33
7Why I Sing the Blues
recording engineer:
Joe “Ears” Zagarino (in 1969-01) and Bill Szymczyk (in 1969-01)
engineer:
Joe Zagarino
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jenmott (in 1969-01)
guitar:
B.B. King (in 1969-01) and Hugh McCracken (in 1969-01)
piano:
Al Kooper and Paul Harris (American keyboardist/pianist session player) (in 1969-01)
vocals:
B.B. King (in 1969-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1969-01)
recording of:
Why I Sing the Blues (in 1969-01)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
ABC/Dunhill Music, Inc., Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
18:37
8The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
4.45:24
9Hummingbird
performer:
Leon Russell
cover recording of:
Hummingbird
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Skyhill Music, Songs Of The Knoll, Stuck On Music and Teddy Jack Music
4:34
10Nobody Loves Me But My Mother
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
piano:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Nobody Loves Me but My Mother (from 1970-05 until 1970-06)
writer:
B.B. King
publisher:
Pamco Music Inc.
21:27
11To Know You Is To Love You
performer:
Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
cover recording of:
To Know You Is to Love You (1970s song written by Stevie Wonder and Syreeta Wright)
writer:
Syreeta Wright (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
3:49
12Let the Good Times Roll
performer:
Fleecie Moore and Sam Theard
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
5:50
13Never Make a Move Too Soon
recorded in:
Hollywood, Los Angeles, California, United States (in 1977)
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
bass:
Robert Popwell (in 1977)
drums (drum set):
James Gadson (American drummer) (in 1977)
guitar:
Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (American session guitarist) (in 1977)
keyboard:
Joe Sample (in 1977)
solo tenor saxophone:
Wilton Felder (in 1977)
vocals:
B.B. King (in 1977)
performer:
Stix Hooper (in 1977) and Will Jennings (in 1977)
cover recording of:
Never Make a Move Too Soon (in 1977)
writer:
Will Jennings and Nesbert Hooper, Jr.
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc. and Status Cymbal Music (BMI-affiliated)
15:30
14When Love Comes to Town
performer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
recording of:
When Love Comes to Town
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
4:49
15I'll Survive
performer:
Sam Ling
recording of:
I’ll Survive
writer:
B.B. King and Sam Ling
publisher:
BMG Music Publishing Ltd.
4:50
2▼Digital Media
#TitleRatingLength
1Help the Poor
cover recording of:
Help the Poor
lyricist and composer:
Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Noma Music Inc. and Trio Music Co., Inc.
2:37
2Sweet Little Angel
producer:
Johnny Pate
bass guitar:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
organ:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
3:46
3Please Love Me
recording of:
Please Love Me
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:58
4Gambler's Blues
recording of:
Gambler's Blues
writer:
King and Taub
publisher:
LZMC
4:47
5Lucille
recorded in:
Los Angeles, California, United States (on 1967-12-20)
engineer:
Jim Lockert (Enginear)
producer:
Bob Thiele (producer & songwriter)
baritone saxophone:
Bob McNeely (on 1967-12-20)
bass:
David Allen (bassist) (on 1967-12-20)
drums (drum set):
Jesse Sailes (on 1967-12-20)
guitar:
Irving Ashby (on 1967-12-20) and B.B. King (on 1967-12-20)
organ:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1967-12-20)
piano:
Lloyd Glenn (on 1967-12-20)
tenor saxophone:
Cecil McNeely (on 1967-12-20) and Bobby Forte (saxophonist) (on 1967-12-20)
vocals:
B.B. King (on 1967-12-20)
phonographic copyright (℗) by:
Geffen Records (in 1968)
recording of:
Lucille (on 1967-12-20)
writer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Franklin Boyd Music Ltd., LZMC and Pamco Music
210:13
6Please Accept My Love
cover recording of:
Please Accept My Love
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
3:14
7So Excited
recording engineer:
Joe “Ears” Zagarino (in 1969-06) and Bill Szymczyk (in 1969-06)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (in 1969-06)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (in 1969-06)
guitar:
Hugh McCracken (in 1969-06) and B.B. King (from 1969-06-24 until 1969-06-25)
membranophone:
Herbie Lovelle (in 1969-06)
lead vocals:
B.B. King (in 1969-06)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1969-06)
recording of:
So Excited (in 1969-06)
composer:
Jerry Jemmott and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., Duchess Music Corporation (BMI-affiliated) and Pamco Music
15:35
8Chains and Things
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (session drummer) (from 1970-05 until 1970-06)
electric piano:
Carole King (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Chains and Things (from 1970-05 until 1970-06)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pamco Music Inc. and Sounds Of Lucille, Inc.
14:54
9I Got Some Help I Don't Need
recording of:
I Got Some Help I Don’t Need
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Pamco Music Inc.
3:22
10Ghetto Woman
producer:
Ed Michel and Joe Zagarino
bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1971-06-09 until 1971-06-16) and Ringo Starr (The Beatles) (from 1971-06-09 until 1971-06-16)
electric piano:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16) and Mac Rebennack (New Orleans blues pianist, singer and songwriter) (from 1971-06-09 until 1971-06-16)
piano:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
vocals:
B.B. King (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ghetto Woman (from 1971-06-09 until 1971-06-16)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
25:13
11Ain't Nobody Home
producer:
Ed Michel and Joe Zagarino
drums (drum set):
Jim Keltner (from 1971-06-09 until 1971-06-16)
electric bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16), David Spinozza (from 1971-06-09 until 1971-06-16) and John Uribe (from 1971-06-09 until 1971-06-16)
organ:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
piano:
Jerry Ragovoy (from 1971-06-09 until 1971-06-16)
saxophone:
Bobby Keys (American saxophonist) (from 1971-06-09 until 1971-06-16)
trombone and trumpet:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
vocals:
Jo Armstead (from 1971-06-09 until 1971-06-16), Carl Hall (from 1971-06-09 until 1971-06-16), B.B. King (from 1971-06-09 until 1971-06-16) and Tasha Thomas (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ain’t Nobody Home (from 1971-06-09 until 1971-06-16)
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
cover recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
23:14
12Guess Who
cover recording of:
Guess Who
writer:
Jesse Belvin and JoAnne Belvin
publisher:
Michele Publ. Co.
4:07
13I Like to Live the Love
cover recording of:
I Like to Live the Love
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Charles Mann (US soul singer)
publisher:
American Broadcasting Music, Inc.
3:17
14Better Not Look Down
recorded in:
Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
engineer and mixer:
Rik Pekkonen
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist), Johnny Pate and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
background vocals:
Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
vocals:
Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
performer:
The Crusaders (US jazz group)
phonographic copyright (℗) by:
Geffen Records (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Better Not Look Down (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
33:21
15There Must Be a Better World Somewhere
cover recording of:
There Must Be a Better World Somewhere
writer:
Malcolm J Rebennack (New Orleans blues pianist, singer and songwriter) and Doc Pomus
publisher:
Daremoly Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:45
3▼Digital Media
#TitleRatingLength
1Sneakin' Around
cover recording of:
Sneakin' Around
lyricist and composer:
Jessie Mae Robinson
publisher:
Cherio Corporation and Crawford Music
2:07
2I'm Gonna Sit in 'Til You Give In
recording of:
I'm Gonna Sit In 'Til You Give In
writer:
B.B. King
2:14
3Blues at Midnight
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017)
cover recording of:
Blues at Midnight
writer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
2:59
4Never Trust a Woman
cover recording of:
Never Trust a Woman
writer:
Dave Alvin (singer-songwriter, guitarist) and Rick Estrin
2:37
5Night Life
cover recording of:
Night Life (Willie Nelson)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
4:50
6Tired of Your Jive
cover recording of:
Tired of Your Jive
writer:
Janet Despenza and Johnny Pate
3:40
7Watch Yourself
cover recording of:
Watch Yourself
writer:
Sidney Barnes, Lou Gross and George Kerr
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
5:48
8You Put It on Me
recording of:
You Put It on Me
writer:
Maya Angelou and Quincy Jones
2:48
9Confessin' the Blues
cover recording of:
Confessin’ the Blues
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:56
10Worry, Worry
recording of:
Worry, Worry
writer:
Davis Plumber and Jules Taub
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
9:54
11Don't You Lie to Me
cover recording of:
Don’t You Lie to Me
lyricist and composer:
Hudson Whittaker
6:08
12Eyesight to the Blind
alto saxophone:
Earl Turbinton, Jr. (on 1971-03-06)
bass:
Wilton Freeman (on 1971-03-06)
drums (drum set):
Sonny Freeman (on 1971-03-06)
guitar:
B.B. King (on 1971-03-06)
piano:
Ron Levy (American electric blues musician and composer) (on 1971-03-06)
tenor saxophone:
Louis Hubert (on 1971-03-06)
trombone:
Joseph Burton (on 1971-03-06)
trumpet:
John Browning (trumpet player) (on 1971-03-06)
vocals:
B.B. King (on 1971-03-06)
recorded at:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (on 1971-03-06)
live cover recording of:
Eyesight to the Blind (on 1971-03-06)
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Algonquin Music Inc., Arc Music Corp. (U.S. rock & blues publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4:05
13Caldonia
cover recording of:
Caldonia (What Makes Your Big Head Hard?)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
2:46
14Playin' with My Friends
recording of:
Playin’ With My Friends
composer:
Robert Cray (blues guitarist, singer and songwriter) and Dennis Walker
publisher:
Robert Cray Music and Robischon Publishing
5:19
15Is You Is or Is You Ain't (My Baby)
cover recording of:
Is You Is or Is You Ain’t My Baby?
writer:
Bill Austin (in 1944) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
part of:
The Real Book (compilation of jazz standards, volume I)
3:22