The Complete Collection (Digital Download)

~ Release by B.B. King (see all versions of this release, 1 available)

Annotation

Alle drei B.B. King-Sets in Geffens digitaler Download-Reihe in einer 45-Song-Sequenz sammelnd, ist dieses Set ziemlich aufschlussreich und zeigt, dass King vielseitiger ist, als die meisten zufälligen Zuhörer annehmen würden. Die meisten der wichtigsten sind hier, einschließlich seiner Unterschrift "The Thrill Is Gone", "Jeden Tag habe ich den Blues" und "Wenn die Liebe kommt in die Stadt", unter anderem, die meisten seiner markanten scharfen und spröde Gitarre Läuft und seine überraschend flexible Stimme, macht dies einen schönen und langen Blick auf diesen kultigen Blues-Player und Sänger.

Annotation last modified on 2018-07-01 16:51 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleRatingLength
1Help the Poor
cover recording of:
Help the Poor
lyricist and composer:
Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Noma Music Inc. and Trio Music Co., Inc.
2:37
2Sweet Little Angel
producer:
Johnny Pate
bass guitar:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
organ:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
3:46
3Please Love Me
recording of:
Please Love Me
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:58
4Gambler's Blues
recording of:
Gambler's Blues
writer:
King and Taub
publisher:
LZMC
4:47
5Lucille
recorded in:
Los Angeles, California, United States (on 1967-12-20)
engineer:
Jim Lockert (Enginear)
producer:
Bob Thiele (producer & songwriter)
baritone saxophone:
Bob McNeely (on 1967-12-20)
bass:
David Allen (bassist) (on 1967-12-20)
drums (drum set):
Jesse Sailes (on 1967-12-20)
guitar:
Irving Ashby (on 1967-12-20) and B.B. King (on 1967-12-20)
organ:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1967-12-20)
piano:
Lloyd Glenn (on 1967-12-20)
tenor saxophone:
Cecil McNeely (on 1967-12-20) and Bobby Forte (saxophonist) (on 1967-12-20)
vocals:
B.B. King (on 1967-12-20)
phonographic copyright (℗) by:
Geffen Records (in 1968)
recording of:
Lucille (on 1967-12-20)
writer:
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Franklin Boyd Music Ltd., LZMC and Pamco Music
210:13
6Please Accept My Love
cover recording of:
Please Accept My Love
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
3:14
7So Excited
recording engineer:
Joe “Ears” Zagarino (in 1969-06) and Bill Szymczyk (in 1969-06)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (in 1969-06)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (in 1969-06)
guitar:
Hugh McCracken (in 1969-06) and B.B. King (from 1969-06-24 until 1969-06-25)
membranophone:
Herbie Lovelle (in 1969-06)
lead vocals:
B.B. King (in 1969-06)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1969-06)
recording of:
So Excited (in 1969-06)
composer:
Jerry Jemmott and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., Duchess Music Corporation (BMI-affiliated) and Pamco Music
15:35
8Chains and Things
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (session drummer) (from 1970-05 until 1970-06)
electric piano:
Carole King (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Chains and Things (from 1970-05 until 1970-06)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pamco Music Inc. and Sounds Of Lucille, Inc.
14:54
9I Got Some Help I Don't Need
recording of:
I Got Some Help I Don’t Need
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Pamco Music Inc.
3:22
10Ghetto Woman
producer:
Ed Michel and Joe Zagarino
bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1971-06-09 until 1971-06-16) and Ringo Starr (The Beatles) (from 1971-06-09 until 1971-06-16)
electric piano:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16) and Mac Rebennack (New Orleans blues pianist, singer and songwriter) (from 1971-06-09 until 1971-06-16)
piano:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
vocals:
B.B. King (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ghetto Woman (from 1971-06-09 until 1971-06-16)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
25:13
11Ain't Nobody Home
producer:
Ed Michel and Joe Zagarino
drums (drum set):
Jim Keltner (from 1971-06-09 until 1971-06-16)
electric bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16), David Spinozza (from 1971-06-09 until 1971-06-16) and John Uribe (from 1971-06-09 until 1971-06-16)
organ:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
piano:
Jerry Ragovoy (from 1971-06-09 until 1971-06-16)
saxophone:
Bobby Keys (American saxophonist) (from 1971-06-09 until 1971-06-16)
trombone and trumpet:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
vocals:
Jo Armstead (from 1971-06-09 until 1971-06-16), Carl Hall (from 1971-06-09 until 1971-06-16), B.B. King (from 1971-06-09 until 1971-06-16) and Tasha Thomas (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ain’t Nobody Home (from 1971-06-09 until 1971-06-16)
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
cover recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
23:14
12Guess Who
cover recording of:
Guess Who
writer:
Jesse Belvin and JoAnne Belvin
publisher:
Michele Publ. Co.
4:07
13I Like to Live the Love
cover recording of:
I Like to Live the Love
writer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) and Charles Mann (US soul singer)
publisher:
American Broadcasting Music, Inc.
3:17
14Better Not Look Down
recorded in:
Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
engineer and mixer:
Rik Pekkonen
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist), Johnny Pate and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (American drummer) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (guitar) (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (American session guitarist) (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1978-12 until 1979-01)
trombone:
Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (trumpet, trombone, horn player) (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (brass) (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
background vocals:
Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
vocals:
Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
performer:
The Crusaders (US jazz group)
phonographic copyright (℗) by:
Geffen Records (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Better Not Look Down (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
33:21
15There Must Be a Better World Somewhere
cover recording of:
There Must Be a Better World Somewhere
writer:
Malcolm J Rebennack (New Orleans blues pianist, singer and songwriter) and Doc Pomus
publisher:
Daremoly Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:45
3▶Digital Media