Les Noces de Figaro

~ Release by Mozart; Eberhard Wächter, Elisabeth Schwarzkopf, Fiorenza Cossotto, Giuseppe Taddei, Anna Moffo, Dora Gatta, Ivo Vinco, Renato Ercolani, Piero Cappuccilli, Elisabetta Fusco, Gillian Spencer, Diana Gillingham, Philharmonia Orchestra et chœurs, Carlo Maria Giulini (see all versions of this release, 7 available)

Annotation

tracklist band splits need verifying. only sides defined for now.

Annotation last modified on 2022-05-24 10:10 UTC.

Tracklist

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1▼12" Vinyl: SAXF 114
#TitleArtistRatingLength
1Les Noces de Figaro: Ouverture
producer:
Walter Legge (British classical producer) (task: artistic director)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart?:??
2Les Noces de Figaro: Acte I, Scène I, 1. Duettino "Cinque, dieci, venti"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
3Les Noces de Figaro: Acte I, Scène I, 2. Duettino "Se a caso madama la notte..."
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
4Les Noces de Figaro: Acte I, Scène II, Récitatif "Or bene; ascolta e taci"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
5Les Noces de Figaro: Acte I, Scène II, 3. Cavatine "Se vuol ballare, signor Contino"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
6Les Noces de Figaro: Acte I, Scène III, Récitatif "Ed aspettaste il giorno"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
7Les Noces de Figaro: Acte I, Scène III, 4. Aria "La vendetta, oh, la vendetta"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
8Les Noces de Figaro: Acte I, Scène IV. Récitatif "Tutto ancor non ho perso"
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
9Les Noces de Figaro: Acte I, Scène IV, 5. Duettino "Via, resti servita"
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
10Les Noces de Figaro: Acte I, Scène V. Récitatif "Va là, veochia pedante"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
11Les Noces de Figaro: Acte I, Scène V, 6. Aria "Non so più cosa son..."
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
12Les Noces de Figaro: Acte I, Scène VI, Récitativo "Ah! son perduto!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
13Les Noces de Figaro: Acte I, Scène VII, 7. Terzetto "Cosa sento! tosto andante"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
14Les Noces de Figaro: Acte I, Scène VII, Récitatif "Basilio, in traccia tosto di Figaro volate"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
15Les Noces de Figaro: Acte I, Scène VIII, 8. Chœur de paysans "Giovani liete, fiori spargete"
producer:
Walter Legge (British classical producer) (task: artistic director)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
16Les Noces de Figaro: Acte I, Scène VIII, Récitatif "Cos'è questa commedia?"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
17Les Noces de Figaro: Acte I, Scène VIII. Récitatif "Ewiva!...Ewiva!"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
18Les Noces de Figaro: Acte I, Scène VIII, 9. Aria "Non più andrai, farfallone amoroso"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart?:??
2▼12" Vinyl: SAXF 115
#TitleArtistRatingLength
1Les Noces de Figaro: Acte II, Scène I, 10. Cavatine "Porgi, amor qualche ristoro"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
2Les Noces de Figaro: Acte II, Scène II, Récitatif "Vieni, cara Susanna"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
3Les Noces de Figaro: Acte II, Scène III, Récitatif "Quando duolmi, Susanna"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
4Les Noces de Figaro: Acte II, Scène III, 11. Canzona "Voi, che sapete..."
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
5Les Noces de Figaro: Acte II, Scène III. Récitatif "Bravo! Che bella voce!"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
6Les Noces de Figaro: Acte II, Scène IV, 12 Aria "Venite, inginocchiatevi…"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
7Les Noces de Figaro: Acte II, Scène IV, Récitatif "Quante buffonerie!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
8Les Noces de Figaro: Acte II, Scène V, Récitatif "Che novità!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
9Les Noces de Figaro: Acte II, Scène VI, 13. Terzetto "Susanna, or via sortite"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
10Les Noces de Figaro: Acte II, Scène VI. Récitatif "Dunque voi non aprite"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
11Les Noces de Figaro: Acte II, Scène VII, 14. Duettino "Aprite presto, aprite"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
12Les Noces de Figaro: Acte II, Scène VIII, Récitatif "Tutto è come il lasciai"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
13Les Noces de Figaro: Acte II, Scène VIII, 15. Finale "Esci ormai, garzon malnato"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
14Les Noces de Figaro: Acte II, Scène VIII, "Signore! Cos'è quel stupore?"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
15Les Noces de Figaro: Acte II, Scène VIII, "Conoscete, signor Figaro"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
16Les Noces de Figaro: Acte II, Scène VIII, "Voi signor, che giusto siete"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
3▼12" Vinyl: SAXF 116
#TitleArtistRatingLength
1Les Noces de Figaro: Acte III, Scène I, Recitativo "Che imbarazzo è mai questo!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
2Les Noces de Figaro: Acte III, Scène II, 16. Duetto "Crudel! perché finora?"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
3Les Noces de Figaro: Acte III, Scène III, Récitatif "E perché fosti mecco"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
4Les Noces de Figaro: Acte III, Scène IV, 17. Récitatif et aria "Hai già vinta la causa"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
5Les Noces de Figaro: Acte III, Scène V, Récitatif "E decisa la lite"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
6Les Noces de Figaro: Acte III, Scène V, 18. Sextette "Riconosci in questo amplesso"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
7Les Noces de Figaro: Acte III, Scène VI, Récitatif "Eccovi, o caro amico"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
8Les Noces de Figaro: Acte III, Scène VII, Récitatif / Scène VIII, 19. Récitatif et aria "E Susanna non vien?"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
9Les Noces de Figaro: Acte III, Scène IX, Récitatif "Io vi dico signor"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart?:??
10Les Noces de Figaro: Acte III, Scène X, 20. Duettino "Che soave zefiretto"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
11Les Noces de Figaro: Acte III, Scène XI, 21. Chœur de paysannes "Ricevete, oh padroncina" / Scènes XII et XIII, Récitatif
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
12Les Noces de Figaro: Acte III, Scène XIV, 22. Finale: "Ecco la marcia"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart?:??
4▼12" Vinyl: SAXF 117
#TitleArtistRatingLength
1Les Noces de Figaro: Acte IV, Scène I, 23. Cavatine "L'ho perduta, me meschina" / Scène II, Récitatif
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Barberina]:
Elisabetta Fusco (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena II. Recitativo “Barbarina, cos’hai?” (Barbarina, Figaro, Marcellina) / Atto IV, Scena III. Recitativo “Madre!… Figlio!” (Figaro, Marcellina) / Atto IV, Scena IV. “Presto, avvertiam Susanna…” (Marcellina) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
2Les Noces de Figaro: Acte IV, Scène III, Récitatif / Scène VIII, 26. Aria "Aprite un po' quelgli occhi"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
3Les Noces de Figaro: Acte IV, Scène IX, Récitatif: "Signora! Ella mi disse..."
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
4Les Noces de Figaro: Acte IV, Scène X, 27. Récitatif et aria "Deh vieni, non tardar, o gioia bella"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
5Les Noces de Figaro: Acte IV, Scène XI, Récitatif "Perfida! E in quella forma meco mentia?"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
6Les Noces de Figaro: Acte IV, Scène XI, 28. Finale "Pian pianin le andro più presso"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
7Les Noces de Figaro: Acte IV, Scène XII. "Tutto è tranquillo e placido"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
8Les Noces de Figaro: Acte IV, Scène XII. "Pace, pace, mio dolce tesoro"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??
9Les Noces de Figaro: Acte IV, Scène XII. "Gente, gente! All' armi, All' armi!"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio] and tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart?:??

Credits

Release

liner notes:Dorel Handman

Release group

excerpts:Le nozze di Figaro: Highlights (1959 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Schwarzkopf (German-born Austrian/British soprano), Moffo (soprano), Taddei (baritone), Cossotto (mezzo-soprano), Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Giulini (conductor)
Discogs:https://www.discogs.com/master/655148 [info]
other databases:http://www.operadis-opera-discography.org.uk/CLMONOZZ.HTM#51 [info]